Edward Albano (Rigoletto) ; Dorothy Chapman (Gilda) ; Mike Raggini (Duke) ; Imerio Ferrari (Sparafucile) ; Elizabeth Hoeppel (Madalena) ; Miguel Sandoval, conductor.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Arthur Mitchell speaks with Kyra Lynn Kaptzan about his early experience in social dance and his training at the High School of Performing Arts in New York City; his scholarship to Bennington College; his scholarship to School of American Ballet; his training in all styles of dance; starting ballet training at age 18; performing on Broadway, in nightclubs and on television; performing George Balanchine's Western symphony with Tanaquil Le Clercq; performing in Europe with John Butler's American Dance Theatre, with Glen Tetley; joining New York City Ballet in 1955 as a corps member; performing for 15 years with the company; working with Balanchine; founding the Dance Theatre of Harlem School after the assassination of Martin Luther King; the importance of educating children; the role of a Ford Foundation grant and Mitchell's increasing business skills in the development of Dance Theatre of Harlem; the various educational departments at the school; his belief in the importance of an academic education; Karel Shook's influence as a teacher on black dancers and on the school; Mitchell's approach to audience building; the importance of a varied dance repertoire; his thoughts on choreographing; Alexandra Danilova's influence as a role model for female students; male dancers at Dance Theatre of Harlem.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Includes 86 scripts Caswell wrote for the Rochester War Council Speakers' Bureau, 1942-1943 and 28 scripts for The Romance of Old Indian Days broadcast on WHAM, 1937-1938, sponsored by the Rochester Museum of Arts and Sciences.
Merrill Ashley speaks with Kyra Lynn Kaptzan about the reasons for her rise in prominence at New York City Ballet, including her increased exposure onstage and her principal role in George Balanchine's Ballo della regina; performing roles often danced by Suzanne Farrell and Patricia McBride; dancing a variety of roles; works she would like to perform; rehearsing Ballo della regina with Balanchine, the first principal role he created for her; recording the New York City Ballet repertoire for the television program Dance in America, including the difficulties of filming for television; studying at School of American Ballet; living in New York City as a student; joining New York City Ballet; the possibility of dancing with other companies; changing her name from Linda Merrill to Merrill Ashley; leisure activities; injuries; attending performances of New York City Ballet and other companies.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Part of the Washington Press Club Project, this interview contains material relating to Taylor's radio career, including CBS Radio News during World War II and late 1940s, her reflections on major figures at CBS Radio News, a description of staff and programming, production of news story on atomic energy, women in broadcasting, as a radio broadcaster in Los Angeles during 1950s and 1960s and on Firing Line, 1964-1966.