The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
The collection contains the files of the various organizational departments of the Ambassador Auditorium, Pasadena, California, as well as audio and video recordings. Recordings of radio broadcasts include tapes of National Public Radio broadcasts, "Performance Today," "JazzSet," "Blues Stage" and also "In Recital at Ambassador," as well as a broadcast from the Ivo Pogorelich Competition.
Content types:
Performed music, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Open reel video, Photographic print, and Text document
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Turmoil Radio Collection documents the world's longest running punk rock and hardcore music radio program. Founded by Steven Kreitzer, it aired on Stony Brook University's campus radio station, WUSB (90.1 FM) on Wednesday evenings (8 to 10 p.m.) from December 1980 through 2004. The collection is comprised of approximately 100 cubic feet of items that document the Turmoil radio program; contents include correspondence, business files, sound recordings, magazines, fanzines, posters, broadsides, ephemera, textiles, and artifacts.
Content types:
Spoken word, Text, Perfomed music, and Still image
Formats:
Photographic print, Text document, Pressed 78rpm disc, Pressed 45rpm disc, Analog audiocassette, and VHS (including SVHS and VHS-C)
Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections