With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Collection consists primarily of interview transcripts, program transcripts, and artist publicity materials used in the production of the Westwood One Radio programs Special Edition, That's Country Music, Rock Chronicles, My Top Ten, and History of Rock 'n Roll. It also contains materials from various specials including programs on Elvis Presley, Jimi Hendrix, and the Rolling Stones.
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
8 document cases (5 linear ft.), including 137 photographs + 24 audiocassettes