Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Historic music and speech recordings, primarily on open reel tape, made on the campus of Stanford University. The collection also includes video formats, one 8 mm film and two audio cassettes.
Content types:
Performed music, Spoken word, and Two-dimensional moving image
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Polyester open reel tape, VHS (including SVHS and VHS-C), 8mm video (including Hi8), and Open reel video
The Stanford Speech Collection consists of audio recordings on open reel tape of speeches, lectures, and panel discussions at or sponsored by Stanford University from the 1950s through the 70s. Many recordings were produced and edited for broadcast on campus radio station KZSU (especially those tapes from 1969-1971).
The Society of the Plastics Industry was organized on May 11, 1937, by several engineers and salesmen connected with the manufacture of plastics feedstocks, finished products, and processing machinery. As a general trade association, the Society was somewhat unusual in that it represented both the giant chemical firms and small finishers and molders. In its early years, the Society was a loose organization which brought its members together for socializing and informal exchanges over dinner and on the golf links. While the activities of the Societyhave become more structured and sophisticated as the industryhas matured, the social aspect is still a prominent feature of its annual meetings and expositions.
William Caroll Pahlmann was one of the leading American interior designers of the mid-twentieth century. Pahlmann was known for an "eclectic" style that combined materials and decorative elements from many time periods and cultures, everything from antiques to modern laminates, and for bold color and texture combinations. This approach typified much of the private residential and commercial construction of the period and stood in contrast to the austere modernism of contemporary architects. Pahlmann also played a major role in organizing and elevating the status of interior design as a profession.
Three Episodes of WNYC’s "Know Your City," 1949-1950 on five LPs. On this quiz show, New York City school children answer questions about their city. The quizmaster is "Aunt Edith," or Edith McGinnis, who went on to become Manhattan’s first Borough Historian. Topics include Flatbush, with John Cashmore, the Brooklyn Borough President, as a special guest; the history of labor in New York City; and the history of the retail industry in New York City.
Recordings of broadcasts by local Buffalo musicians (ND) + interviews with Historical Society staff on WKBW program Panorama Spotlight (1965-67), plus recordings of 1960s broadcasts from WBEN, WBFO and WEBR, and miscellaneous radio recordings
Content types:
Spoken word
Formats:
Cylinder, Acetate open reel tape, and Analog audiocassette
Black radio photograph collection documenting events and personnel, including photos with rhythm and blues musicians, at Houston station KCOH in the 1960s and 1970s. Photographs were copied from the personal collection of Gardner. Accompanied by a transcription of an interview with Gardner which includes descriptions of each photograph.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
12 photographs : black & white ; 8 x 10 in. + 11 negatives (black & white : 4 x 5 in.)
Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
12 photographs : black & white ; 8 x 10 in. + 12 negatives (black & white : 4 x 5 in.)
Collection consists primarily of materials related to Roberts's work at KYOK-AM in the 1960s and '70s including images of KYOK sponsored events such as the "We Love You" concert and associated publicity materials, a beauty pageant, radio contests, and on-site broadcasts throughout Houston. Also included are photographs of KYOK radio personalities and staff as well as candid and publicity photographs of visiting R&B artists.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
60 photographs : black & white ; 8 x 10 in. + 60 negatives (black & white ; 4 x 5 in.)
Collection consists of materials related to Lewis's work at the WERD radio station in the 1950s and '60s. Founded by Jesse B. Blayton, Sr. in October 1949 in Atlanta, Georgia, WERD was the first black owned and operated radio station in the United States. The collection materials comprise 7 black and white and 7 color photographs documenting WERD's early history. Content includes the exterior of the WERD studio building, publications related to WERD such as photographs of an issue of The Printed WERD, and a portrait of J.B. Blayton Sr.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
7 photographs : black & white ; 8 x 10 in. + 7 photographs (color ; 3 x 5 in.), 2 negatives (black & white ; 4 x 5 in.)
Collection consists primarily of interview transcripts, program transcripts, and artist publicity materials used in the production of the Westwood One Radio programs Special Edition, That's Country Music, Rock Chronicles, My Top Ten, and History of Rock 'n Roll. It also contains materials from various specials including programs on Elvis Presley, Jimi Hendrix, and the Rolling Stones.
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Collection consists of black and white photographs from the 1950s through the early 1980s related to KYOK in Houston. Including are images documenting the activities of KYOK's deejays in the studio and surrounding communities, particularly in connection with listener contests and station-sponsored events such as dances and the "We Love You" concert. Also included are photographs of KYOK publicity materials and publicity photographs of many of the rhythm and blues artists, jazz, and blues artists featured on the station.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
98 photographs : black & white ; 8 x 10 in. + 97 negatives (black & white : 4 x 5 in.)
The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
8 document cases (5 linear ft.), including 137 photographs + 24 audiocassettes
Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.
Content types:
Two-dimensional moving image, Performed music, Spoken word, and Text
Formats:
VHS (including SVHS and VHS-C) and Text document
Extent:
1.5 linear feet (3 boxes) including 3 videocassettes (VHS)
Collection includes audiocassette recordings of interviews about Ray Charles for Lydon's book Ray Charles : Man and Music (2004), a radio series about Ray Charles based on Lydon's book, complete or partial transcripts for many of the interviews organized loosely into book chapters, interviews with and about other African American musicians, class lectures given by Lydon at Indiana University and related publicity materials, and original music performed by Lydon.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Turmoil Radio Collection documents the world's longest running punk rock and hardcore music radio program. Founded by Steven Kreitzer, it aired on Stony Brook University's campus radio station, WUSB (90.1 FM) on Wednesday evenings (8 to 10 p.m.) from December 1980 through 2004. The collection is comprised of approximately 100 cubic feet of items that document the Turmoil radio program; contents include correspondence, business files, sound recordings, magazines, fanzines, posters, broadsides, ephemera, textiles, and artifacts.
Content types:
Spoken word, Text, Perfomed music, and Still image
Formats:
Photographic print, Text document, Pressed 78rpm disc, Pressed 45rpm disc, Analog audiocassette, and VHS (including SVHS and VHS-C)
A noted figure in modernist theater, Edward Gordon Craig was born in Stevenage, Hertfordshire, on Jan. 16, 1872, the illegitimate son of the renowned actress Ellen Terry and the architect Edward William Craig. Although the most productive portion of his career was brief, he exerted a strong influence on the field of set design and lighting, and was fairly prolific as a writer on theatre. The six audio recordings that comprise the Craig collection originated from a series of BBC radio talks in the early 1950s. The reel to reel tapes include Craig’s reminiscences of Ellen Terry, Isadora Duncan, the old school of acting, celebrities, and how he played Hamlet in Salford, Lancashire.
Content types:
Spoken word
Formats:
Analog audiocassette
Extent:
0.5 linear feet
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
In 1955, the Literary Society of the University of Massachusetts and Professor H. Leland Varley received a grant of $5,800 from the Educational Television and Radio Center to produce a series of one-hour radio programs centered on a discussion of the impact of eight major American novelists from a European perspective. The subjects included Henry James, Sinclair Lewis, Thomas Wolfe, Ernest Hemingway, John Dos Passos, William Faulkner, and John Steinbeck (who replaced the original choice, John Marquand). The collection is comprised of recordings of the Literary Society radio program, ‘As others see us.’ Moderated by a member of the UMass Department of English, each broadcast featured discussions by distinguished literary critics such as W.H. Auden, R.P. Blackmur, Perry Miller, Maxwell Geismar, and Renato Poggioli. Dos Passos, Faulkner, and Steinbeck participated in person.
Content types:
Spoken word
Formats:
Polyester open reel tape
Extent:
0.5 linear feet
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
The WJBC Radio Collection consists of eight boxes and 41 folders containing materials ranging from 1924 to 2000. Items in the collection include written histories of the station, audit reports, correspondence, memos, newspaper articles, magazine articles, newspaper ads, ad development materials, advertising rate cards, posters, flyers, pamphlets, program schedules, souvenir booklets, notes for radio announcements, catalogues, stationary, awards, notes for Don Munson’s book, reel-to-reel tapes, cassette tapes, microcassettes, CDs, radio show transcripts, and Steve Vogel’s daily planners.
Formats:
Open reel tape (unknown material), Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Analog audiocassette
KTAO-FM was a free-form radio station in Los Gatos, California, that existed from March, 1969, through June, 1974, and operated at 95.3 FM. The KTAO Aircheck Archives comprise audio collages with instruments played in the studio to be used as taped effects; a "jam" session recorded July 29, 1971; and an interview with Roy Rogers and Dale Evans interviewed in Los Gatos by Geoff Alexander and Don Campau, June 9, 1971, at a residence in Los Gatos, California. In addition, the collection includes images of KTAO operators and musicians in 1974; photographs of the 40th anniversary reunion; original Los Gatos business license (1974); several images of counter-culture posters; letter from Gary R. Dahl to Roger Mann.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Digital audio file (including MP3, WAV, AIFF, etc.), Photographic print, and Text document
1970s programming from WLTR-FM, the first station in the South Carolina Educational Radio Network. Zane Knauss, renowned jazz enthusiast, coordinated programming on a wide variety of topics for the University of South Carolina. The collection includes episodes from the following programs: Tell Us About It; The People Who Write; The Playmakers; People, Politics, and Government
Content types:
Spoken word
Formats:
Open reel tape (unknown material)
Extent:
100 items
Repository/Collector:
McKissick Museum, South Carolina Broadcasters Association Archives
Includes more than 400 transcription discs for The Beulah Show starring Hattie McDaniel as Beulah in 15-minute radio serializations. A script for the March 10, 1948 episode features Hattie and her brother Sam McDaniel. Also includes photographs and material on Sam from his vaudeville days and some scripts from films, television and other radio programs.
Repository/Collector:
Margaret Herrick Library, Dept. of Special Collections
Consists primarily of Hopper's personal files related almost exclusively to her work as a columnist and to her social life but also contains documentation about her radio appearances.
Repository/Collector:
Margaret Herrick Library, Dept. of Special Collections
Consists of scrapbooks containing thousands of columns she wrote over six decades. Also contains biographical clippings on Parsons and coverage of her various radio programs.
Repository/Collector:
Margaret Herrick Library, Dept. of Special Collections
Consists primarily of material on various personalities utilized by Skolsky in the preparation of his tintypes. Additional items include miscellaneous television and radio scripts.
Repository/Collector:
Margaret Herrick Library, Dept. of Special Collections
Bulk of collection consists of photographs, with the remainder consisting of clippings concerning Williams's career as a country singer and his personal life as well as original sheet music and programs containing copies of his songs and audio tapes of his speeches.
Consists of examples of Letters From Home program and correspondence from military personnel regarding changes of address, thank yous and comments regarding the program. Broadcast on WSFA, Montgomery, AL for the Montgomery County men and women in the Armed Forces during World War II.
Programs and musical scores used by Voorhees for the Bell Telephone Hour radio and television programs. A sound recording of a special May 16, 1955 program, the "Birthday Broadcast," is also available in a separate collection.
Consists of 10 scripts for Miracles plus some miscellaneous other scripts, text of Dr. Bob Jones Sr. radio messages and material relating to the history of WMUU.
Includes a few radio plays plus correspondence, 1938, with Amerigo Serrao about placing Shipman's plays with the networks and two preview recordings, 1945, on 16" discs for potential radio shows. The bulk of the collection relates to Shipman's film career but there are a few items about radio.
Consists of song lyrics, song and dance band music, radio scripts, newspaper clippings and scrapbooks covering Rines's career as composer, arranger, radio music director and producer. Also includes correspondence and photographs.
Contains manuscripts of articles, books, poems, screenplays, speeches, movie scripts, printed articles by and about Fairbanks, scrapbooks, film reels, memorabilia and correspondence.