Charlotte Shedd was born in Austria in 1913 as Charlotte Kraus, and became a student of the performing arts. In 1938, she was denied the right to appear on stage because of the Nazi occupation of Austria, the Nuremberg Laws, and her father's Jewish background. On Christmas Eve 1938, she escaped to America with a nearly expired Austrian passport and began her singing career. Shortly thereafter, she met Eleanor Roosevelt's bodyguard, who introduced her to the First Lady, beginning a close friendship that lasted until Mrs. Roosevelt's death in 1962.
Content types:
Performed music and Spoken word
Formats:
Text document and Open reel tape (unknown material)
Extent:
Approximately 120 recordings, microfilm, 4.6 feet, paper copies
Repository/Collector:
University of Delaware Library, Special Collections
This collection documents the for-profit and nonprofit work of Donald W. Callender, Jr., an industrial archaeologist whose career in the greater Delaware-Pennsylvania-New Jersey area has involved maintenance and restoration of railroads and rail cars. In addition, Callender was involved in the establishment of a regional living history museum, the leadership of historic preservation organizations, and efforts to restore the Wilmington Waterfront and increase tourism to the city. The collection also documents his personal interest in sailing and tall ships and his involvement in the Kalmar Nyckel Foundation.
Content types:
Text and Spoken word
Formats:
Text document, Analog audiocassette, and Microfilm
Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
The Frank E. and Anna Hayes Owens family papers comprises 14.3 linear feet of materials, spanning the dates between 1900 and 2011, and includes correspondence, manuscripts, photographs, travel brochures, reel-to-reel tapes, magazines, fanzines, and other materials documenting intergenerational American family life in Delaware.
Content types:
Performed music, Spoken word, Notated music, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), and Photographic print
Extent:
Approximately 25 recordings, 14.3 linear feet and 1 oversize box (17 boxes)
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
J. Allen Frear, Jr. (1903-1993) was a politician from Dover, Delaware (Kent County). A member of the Democratic Party, Frear served two terms as U.S. Senator from Delaware. The Senator J. Allen Frear, Jr. papers are primarily those of his congressional career, when he represented Delaware in the U.S. Senate from 1949 to 1960, though the collection also includes personal material from pre- and post-Congressional periods. The collection dates from 1917 to 1963, with bulk of the material dating from 1949 to 1961. The collection consists of correspondence, memoranda, reports, legislation, speeches, clippings, photographs, and audio-visual material. Personal material includes correspondence, class notes, travel brochures and post cards, and memorabilia.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, Motion picture film, and Photographic print
Extent:
192 recordings, 80 feet, 75 boxes and 2 oversized boxes
Repository/Collector:
University of Delaware Library, Special Collections
The papers of Senator John J. Williams span the dates 1946- 1988, with the bulk of the collection representing the years of his career in the U.S. Senate, 1947-1970. The collection consists of nearly 150 linear feet of papers and also includes scrapbooks, books, photographs, and film and sound recordings. For the most part, the arrangement of the collection reflects the original filing series of Senator Williams's office. The collection is divided into 25 series which are organized under four record subgroups. The first three subgroups--Legislative Staff/Office Files, Constituent Correspondence and Cases, and Administrative and Personal Office Files--consist of series that document the work performed in office by Senator Williams and his staff. The subgroups reflect the functions of the Senator's work and include series typical of a congressional collection. Duties reflected in the Legislative Staff/Office Files include committee, legislative, and investigative work. The Constituent Correspondence and Cases subgroup includes materials created in response to the concerns and interests of constituents, and those filed on receipt of issue-related opinions from the general public. The Administrative and Personal Office Files reflect the management of the office and the Senator's personal schedule. The fourth subgroup, Personal, includes series of files and other formats that document the personal activities and opinions of Senator Williams. The material in these files supplements information about his Senate career in the first three subgroups. There is also material from the 1970s and about Mrs. Williams and Senator Williams's family life.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Disc (unknown material), Edison dictation disc, Open reel tape (unknown material), Analog audiocassette, Motion picture film, VHS (including SVHS and VHS-C), Text document, and Photographic print
Extent:
149 boxes (149 linear ft.), 4 oversize boxes, 45 volumes of scrapbooks, 11 reels of microfilm, 6 films, 4 videotapes, 15 audio-recordings, 15 audiocassettes
Repository/Collector:
University of Delaware Library, Special Collections
With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
Papers, recordings of radio interviews, and other sound recordings, mostly in connection with Tater's career as host of jazz radio shows, principally at KJZY (Sonoma County, CA), and KETR (Commerce, TX).
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Photographic print, and Text document
KBOO’s analog audio archive includes almost 7,500 items of radio programming in 5, 7, 10″ open reel, CDs, cassettes, DATs, and minidiscs format. KBOO Community Radio went on the air in June of 1968, and radio program recordings date from the late 1940s. This is a collection created from institutional records. This collection is unprocessed. Our archives include Oregon artists Ken Kesey, Ursula LeGuin, Gus Van Sant, political figures such as Kent Ford, and Winona LaDuke, as well as hundreds of poets, hundreds of artists, and hundreds of activists, both recorded lectures, panels, conferences, and street actions. We also have significant live music recordings from Doc Watson to Elliot Smith.
Content types:
Text, Spoken word, Performed music, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape, Open reel tape (unknown material), Digital audio file (including MP3, WAV, AIFF, etc.), and Text document
Extent:
Numbers are estimates, as some labeled items are bundled and dates were not recorded for all items. 7600 individual items: 1,361 10" open reel (1947-2001), 1,865 7" open reel (1948-1969), 99 5" open reel, 1,500 cassettes (1948-2008), 112 digital audio tapes (1969-2004), 217 minidiscs (1969-2004), 2,433 optical discs (1967-2013).
Created by the Institute of Latin American Studies and KUT, the "Latin American Review" radio program was broadcast as part of the Longhorn Radio Network. Covering all of Latin America and the Caribbean, the program aired from 1973 to 1984. The program was primarily divided into two segments, a news segment, dealing with reports from different parts of Latin America, and an interview segment, in which an individual or small group was interviewed. A diverse number of topics were covered including human rights abuses, economic conditions, music, popular culture, and the history and politics of the region. Originally airing as the "Latin American Press Review" the program had its title changed in 1976 to "Latin American Review."
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Open reel tape (unknown material), Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Text document
Extent:
472 Reel-to-reel audio tapes (+253 duplicates), 91 compact audio cassettes, and scripts-3.5 linear feet.
Collection includes 12 radio scripts from early 1950s. The collection is largely unprocessed, but two specific program titles are "The Rio Grande Valley Citrus Fiesta," which originated at KRGV and was broadcast on NBC’s National Farm and Home Hour, and "The Rio Grande Flood" from 1954.
The Agnes Moorehead Papers, 1923-1974, include material, mainly scripts, on her work as an actress. They are organized in the categories Radio, Motion Pictures, Television, and Theatre. There are also 104 scrapbooks, whose contents overlap the materials in the other series and include all Moorehead's correspondence (including greeting cards for all occasions), clippings, programs, photographs, and miscellany, 1928-1973. In addition, the collection includes files of materials submitted to Moorehead for her review but rejected by her, and miscellany. This collection extensively documents Moorehead's exceptional career, in which she was continuously employed as an actress, often in several media simultaneously, for forty-five years.
Clarence Manion (1896-1979) was Dean of the Law School at the University of Notre Dame. He started the Manion Forum after his retirement from the University. The collection consists of reel-to-reel and cassette audio recordings (1954-1979) of the Manion Forum radio program (numbered 1-1294) and Manion Forum Footnotes (numbered 1-1850). It was a radio show with political comments on current events by Clarence Manion and / or his guests. Among the guests were Senator Joseph McCarthy, Strom Thurmond, Admiral John S. McCain, Sr., Barry Goldwater, Fred C. Koch, Eddie Rickenbacker, Craig Hosmer, Gerhart Niemeyer, Bonner Fellers, Daniel Lyons, SJ and others.
Content types:
Spoken word and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, and Text document
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document