In 1st work: Robert Casadesus, piano. In 2nd-3rd, 8th works: The Randolph Singers ; David Randolph, conductor. In 4th work: Rey de la Torre, guitar. In 5th work: Akademie Chor ; [Orchestra of the] Vienna State Opera ; Hermann Scherchen, conductor. In 6th work: Rolf Persinger, viola ; Stradivari [Records] Chamber Music Ensemble. In 7th work: Pro Musica Antiqua ; Safford Cape, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Adam Lüders speaks with Kyra Lynn Kaptzan about his early dance training at the Royal Danish Ballet School; Stanley Williams and other teachers; his apprenticeship at the Royal Danish Ballet, including performing in works such as Flemming Flindt's Swan lake and John Cranko's The lady and the fool; performing in George Balanchine's Don Quixote; leaving the Royal Danish Ballet to join the London Festival Ballet; the repertoire of the London Festival Ballet; coming to New York City at the suggestion of Peter Martins and Peter Schaufuss; joining New York City Ballet in 1975; his roles at City Ballet, including in Balanchine's Brahms-Schoenberg quartet, Agon, and Kammermusik no. 2; working with Jerome Robbins, including in Robbins' work Goldberg variations and Dances at a gathering; his favorite ballets, including Balanchine's Four temperaments, Agon, and Theme and variations; his coming performances with the Royal Danish Ballet, in New York City; leisure activities.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In this recording, David Randolph discusses the book "The agony of modern music" by Henry Pleasants. During his discussion, D. Randolph plays two musical pieces: 1. Prokofiev's Violin concerto no. 2 (slow movement) (9:43) and 2. L. van Beethoven's Große fugue from his String quartet, no. 13 (3:55, fades out) to counteract Pleasants' thesis that "Serious music is a dead art."
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer Stephen Albert. Albert discusses his life and career as a composer, and his passion to write music for the human voice. He also speaks about his work with the conductor of the Philadelphia Symphony Orchestra, Carlo Maria Giulini. The composer discusses each of the following works, excerpts of which are then played during the interview: Supernatural songs (for soprano, piano, and chamber orchestra, words from W.B. Yeats' Supernatural songs) (1963), Leaves from the golden notebook (first movement), Winter songs (for tenor and orchestra), Wolf time (for soprano and orchestra with amplification, text from the Völuspá, the tenth century Icelandic edda) (1969), Bacchae (text extracted from Euripides ; translated by William Arrowsmith) (1968).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center