The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment. The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children's programming, news and current events, scholarly lectures, classical music, and jazz.
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Analog audiocassette and Polyester open reel tape
Extent:
462 linear feet
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
Papers, recordings of radio interviews, and other sound recordings, mostly in connection with Tater's career as host of jazz radio shows, principally at KJZY (Sonoma County, CA), and KETR (Commerce, TX).
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Photographic print, and Text document
With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
Reel-to-reel and cassette tapes, with performances by numerous Swing-Era bands including Artie Shaw, Count Basie, and many others. The principal focus of the collection, however, is Benny Goodman, with live performances, airchecks, and electrical transcriptions.
Content types:
Performed music
Formats:
Analog audiocassette, Polyester open reel tape, and Acetate open reel tape
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print