Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
J. Allen Frear, Jr. (1903-1993) was a politician from Dover, Delaware (Kent County). A member of the Democratic Party, Frear served two terms as U.S. Senator from Delaware. The Senator J. Allen Frear, Jr. papers are primarily those of his congressional career, when he represented Delaware in the U.S. Senate from 1949 to 1960, though the collection also includes personal material from pre- and post-Congressional periods. The collection dates from 1917 to 1963, with bulk of the material dating from 1949 to 1961. The collection consists of correspondence, memoranda, reports, legislation, speeches, clippings, photographs, and audio-visual material. Personal material includes correspondence, class notes, travel brochures and post cards, and memorabilia.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, Motion picture film, and Photographic print
Extent:
192 recordings, 80 feet, 75 boxes and 2 oversized boxes
Repository/Collector:
University of Delaware Library, Special Collections
The papers of Senator John J. Williams span the dates 1946- 1988, with the bulk of the collection representing the years of his career in the U.S. Senate, 1947-1970. The collection consists of nearly 150 linear feet of papers and also includes scrapbooks, books, photographs, and film and sound recordings. For the most part, the arrangement of the collection reflects the original filing series of Senator Williams's office. The collection is divided into 25 series which are organized under four record subgroups. The first three subgroups--Legislative Staff/Office Files, Constituent Correspondence and Cases, and Administrative and Personal Office Files--consist of series that document the work performed in office by Senator Williams and his staff. The subgroups reflect the functions of the Senator's work and include series typical of a congressional collection. Duties reflected in the Legislative Staff/Office Files include committee, legislative, and investigative work. The Constituent Correspondence and Cases subgroup includes materials created in response to the concerns and interests of constituents, and those filed on receipt of issue-related opinions from the general public. The Administrative and Personal Office Files reflect the management of the office and the Senator's personal schedule. The fourth subgroup, Personal, includes series of files and other formats that document the personal activities and opinions of Senator Williams. The material in these files supplements information about his Senate career in the first three subgroups. There is also material from the 1970s and about Mrs. Williams and Senator Williams's family life.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Disc (unknown material), Edison dictation disc, Open reel tape (unknown material), Analog audiocassette, Motion picture film, VHS (including SVHS and VHS-C), Text document, and Photographic print
Extent:
149 boxes (149 linear ft.), 4 oversize boxes, 45 volumes of scrapbooks, 11 reels of microfilm, 6 films, 4 videotapes, 15 audio-recordings, 15 audiocassettes
Repository/Collector:
University of Delaware Library, Special Collections
Papers of Dore Schary, a playwright, motion picture executive, and activist in Jewish and liberal political causes documenting both his personal and professional life. Included are general correspondence; microfilmed scrapbooks; scripts and production material for plays and motion pictures; records pertaining to MGM; non-dramatic writings, speeches (many in recorded form), and an autobiography and a family memoir; home movies and photographs; correspondence, reports, lists, financial records, and speeches from his tenure as national chairman of the Anti-Defamation League and subject files on other organizations with which he was involved such as the American Civil Liberties Union, the American Jewish Committee, and the Democratic Party; and personal and biographical information. Documentation in the production files varies but may include correspondence, notes, variant drafts of scripts, clippings, financial records, publicity, stills, designs, and casting information. Records of Schary's years as executive producer, studio head, and vice-president at MGM include reports of executive meetings, correspondence and memoranda, and scattered financial reports. Also present are papers pertaining to the career of Schary's wife Miriam, painter M. Svet. The collection is arranged in four parts: the Original Collection, the 1968 Additions, the 1977 Additions, and the 1981 Additions. The Original Collection dates 1923-1962 and is organized in these categories: Biographical and Personal Material, General Files, General Writings, and Production Files. The 1968 Additions date 1933-1952 and consist of Production Files only. The 1977 Additions date circa 1920-1980 (though primarily 1956-1977) and again contain Biographical and Personal Material, General Files, General Writings, and Production Files, as well as a new category, Anti-Defamation League Files. Finally, the 1981 Additions date 1924-1980 (primarily 1974-1980) and include the same categories as the 1977 Additions plus a separate category for Disc Recordings. The Original Collection includes other disc recordings, and tape recordings are present in all but the 1968 additions. Some records are present only in microfilm format.
Content types:
Still image, Two-dimensional moving image, and Spoken word
Formats:
Acetate open reel tape, Lacquer disc, Pressed LP disc, Photographic print, and Microfilm
Extent:
74.2 c.f. (203 archives boxes, 1 record center carton, and 1 flat box), 37 reels of microfilm (35 mm), 26 tape recordings, 231 disc recordings, 55 reels of film, and photographs
The Arthur B. Church KMBC Radio Collection contains multiple episodes of The Brush Creek Follies featuring the Rhythm Riders, Oklahoma Wranglers, and Midland Minstrels. Most of the collection is related to the events of WWII, FDR, and Harry Truman, D-Day invasion coverage, reports on the signing of treaties, the dropping of the atomic bomb, coverage of the activities of President Roosevelt and Eisenhower. Other highlights include broadcast about the Cold War, Harry Truman's speeches to a multitude of different groups, events at the White House, some of Roosevelt's fireside chats, national news coverage, film footage of KMBC's dedication as well as a segment of the Microphone Personalities, recordings of Pun and Punishment (9/22/60), coverage of Truman and Churchill at Fulton, MO, Churchill's famed "Iron Curtain" speech, recordings of the Texas Rangers. Also included are W.S. Hedge interviews Arthur B. Clarke (6/22/66), KMBC's 500 Hats of Bartholomew Cubbins (3/24//48), Church's last KMBC broadcast (1/15/51).
Content types:
Performed music, Sounds (Other than music & language), Spoken word, and Two-dimensional moving image
Formats:
Pressed LP disc, Lacquer disc, Metal disc, and Motion picture film
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Historic music and speech recordings, primarily on open reel tape, made on the campus of Stanford University. The collection also includes video formats, one 8 mm film and two audio cassettes.
Content types:
Performed music, Spoken word, and Two-dimensional moving image
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Polyester open reel tape, VHS (including SVHS and VHS-C), 8mm video (including Hi8), and Open reel video
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.
Content types:
Two-dimensional moving image, Performed music, Spoken word, and Text
Formats:
VHS (including SVHS and VHS-C) and Text document
Extent:
1.5 linear feet (3 boxes) including 3 videocassettes (VHS)
Consists of rehearsal, demo, and master recordings made by Green of motion picture soundtracks, television and radio broadcasts, and concert performances. Includes sound recordings made by others in which Green is featured. Also includes copies of motion pictures and television broadcasts that relate to Green's career.
Content types:
Performed music, Spoken word, and Two-dimensional moving image
Formats:
Open reel tape (unknown material), Analog audiocassette, U-matic (including U-matic S), and Motion picture film
Audio and Video assets on the topic of the Vietnam War, produced by WILL Radio and Television, including news stories, interview programs, public lectures, and oral history interviews.
Content types:
Spoken word, Text, and Two-dimensional moving image
Formats:
Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital audio file (including MP3, WAV, AIFF, etc.), Open reel video, and Text document
Extent:
25 oral histories; 42 radio programs; 2 TV news stories
The Don Kennedy papers contain writings, audio recordings, photographs, printed materials, and awards related to Kennedy's television and radio broadcasting career. The bulk of the materials relate to the production of the Big Band Jump radio shows between 1989 and 2013. These include scripts, cue sheets, newsletters, and broadcast masters of the weekly programs. The papers include some full-length interviews with musicians and other big band-era figures that were subsequently edited for broadcast. The collection also includes promotional and photographic materials from his work with television station WATL-TV, 1976-1978; radio stations WKLS FM, 1960-1970, and the Georgia Network, 1972-1982; as well as his time as children's television host "Officer Don," 1956-1969.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Pressed LP disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape (DAT), Photographic print, and Text document
Extent:
22 linear feet, 640 Optical discs, 300 Pressed LP discs
Repository/Collector:
Georgia State University Special Collections and Archives
Mr. Naylor's papers include scrapbooks relating to his life and career, and scripts for radio programs that he wrote, produced and performed in. Most of the scripts were written during his tenure at WGST, although some of them were written for use on KTAT and KFJZ in Fort Worth, Texas. Many of the Folders of scripts also include listener correspondence relating to the programs, and some contain background material that Mr. Naylor used when creating the shows. Additional content include materials from Mr. Naylor's tenure as the program director of WAGA radio and television from 1951 through 1959, and when he wrote and produced radio and television advertising for Coca-Cola products with the McCann-Erickson advertising agency from 1960 through 1986.
Content types:
Performed music, Spoken word, Notated music, Text, and Two-dimensional moving image
Formats:
Text document, Pressed 78rpm disc, and Polyester open reel tape
Extent:
10 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
The Wayne W. Daniel collection contains manuscript copies of his definitive book on the history of country music in Atlanta, Pickin' on Peachtree, research materials, audio cassette recordings of oral histories, black and white photographs, film posters, event announcement posters, posters of musicians, commercial audio recordings, commercial video recordings, and noncommercial video recordings.
Content types:
Text, Still image, Spoken word, Performed music, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc, Analog audiocassette, VHS, Photographic print, Photographic negative, and Text document
Extent:
58 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
The records contain correspondence, memos, scrapbooks, news clippings, publicity materials, program log books, scripts, radio engineering lesson plans, contracts, licenses, photographs, sound recordings, moving image recordings, transcripts, and artifacts relating to the early history of WSB Radio, to WSB performers, programs, awards, and sponsored events (such as news workshops and career conferences for students), and to WSB-FM and WSB-TV.
Content types:
Notated music, Performed music, Spoken word, Still image, Text, Three-dimensional form, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, Photographic negative, and Text document
Extent:
24 linear feet, 250 Lacquer discs, 40,000 Pressed 78rpm, LP, and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives