The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
The Ragtime Machine was a weekly one-hour radio program about ragtime music, produced and hosted by David Reffkin and broadcast on the University of San Francisco's station KUSF. The collection contains all programs from 1981 to 2007, as well as program logs describing their contents, including guests interviewed and songs played.
The KZSU Collection consists of tape recordings of lectures by Stanford faculty on campus from January to May 1968, originally broadcast on student radio station KZSU. While on a variety of topics, contemporary sociological, scientific, and economic issues are prevalent. The lecture series was sponsored by Century 21 realty company. Note cards describing tape speed, playback issues, and sound quality are inserted in each tape box. Some of the multi-part lectures are missing a part. Additional recordings may be added to this collection at a later time.
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Historic music and speech recordings, primarily on open reel tape, made on the campus of Stanford University. The collection also includes video formats, one 8 mm film and two audio cassettes.
Content types:
Performed music, Spoken word, and Two-dimensional moving image
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Polyester open reel tape, VHS (including SVHS and VHS-C), 8mm video (including Hi8), and Open reel video
The Stanford Speech Collection consists of audio recordings on open reel tape of speeches, lectures, and panel discussions at or sponsored by Stanford University from the 1950s through the 70s. Many recordings were produced and edited for broadcast on campus radio station KZSU (especially those tapes from 1969-1971).
In 1955, the Literary Society of the University of Massachusetts and Professor H. Leland Varley received a grant of $5,800 from the Educational Television and Radio Center to produce a series of one-hour radio programs centered on a discussion of the impact of eight major American novelists from a European perspective. The subjects included Henry James, Sinclair Lewis, Thomas Wolfe, Ernest Hemingway, John Dos Passos, William Faulkner, and John Steinbeck (who replaced the original choice, John Marquand). The collection is comprised of recordings of the Literary Society radio program, ‘As others see us.’ Moderated by a member of the UMass Department of English, each broadcast featured discussions by distinguished literary critics such as W.H. Auden, R.P. Blackmur, Perry Miller, Maxwell Geismar, and Renato Poggioli. Dos Passos, Faulkner, and Steinbeck participated in person.
Content types:
Spoken word
Formats:
Polyester open reel tape
Extent:
0.5 linear feet
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives