Charlotte Shedd was born in Austria in 1913 as Charlotte Kraus, and became a student of the performing arts. In 1938, she was denied the right to appear on stage because of the Nazi occupation of Austria, the Nuremberg Laws, and her father's Jewish background. On Christmas Eve 1938, she escaped to America with a nearly expired Austrian passport and began her singing career. Shortly thereafter, she met Eleanor Roosevelt's bodyguard, who introduced her to the First Lady, beginning a close friendship that lasted until Mrs. Roosevelt's death in 1962.
Content types:
Performed music and Spoken word
Formats:
Text document and Open reel tape (unknown material)
Extent:
Approximately 120 recordings, microfilm, 4.6 feet, paper copies
Repository/Collector:
University of Delaware Library, Special Collections
Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
The Frank E. and Anna Hayes Owens family papers comprises 14.3 linear feet of materials, spanning the dates between 1900 and 2011, and includes correspondence, manuscripts, photographs, travel brochures, reel-to-reel tapes, magazines, fanzines, and other materials documenting intergenerational American family life in Delaware.
Content types:
Performed music, Spoken word, Notated music, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), and Photographic print
Extent:
Approximately 25 recordings, 14.3 linear feet and 1 oversize box (17 boxes)
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
Papers, recordings of radio interviews, and other sound recordings, mostly in connection with Tater's career as host of jazz radio shows, principally at KJZY (Sonoma County, CA), and KETR (Commerce, TX).
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Photographic print, and Text document
KBOO’s analog audio archive includes almost 7,500 items of radio programming in 5, 7, 10″ open reel, CDs, cassettes, DATs, and minidiscs format. KBOO Community Radio went on the air in June of 1968, and radio program recordings date from the late 1940s. This is a collection created from institutional records. This collection is unprocessed. Our archives include Oregon artists Ken Kesey, Ursula LeGuin, Gus Van Sant, political figures such as Kent Ford, and Winona LaDuke, as well as hundreds of poets, hundreds of artists, and hundreds of activists, both recorded lectures, panels, conferences, and street actions. We also have significant live music recordings from Doc Watson to Elliot Smith.
Content types:
Text, Spoken word, Performed music, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape, Open reel tape (unknown material), Digital audio file (including MP3, WAV, AIFF, etc.), and Text document
Extent:
Numbers are estimates, as some labeled items are bundled and dates were not recorded for all items. 7600 individual items: 1,361 10" open reel (1947-2001), 1,865 7" open reel (1948-1969), 99 5" open reel, 1,500 cassettes (1948-2008), 112 digital audio tapes (1969-2004), 217 minidiscs (1969-2004), 2,433 optical discs (1967-2013).
Created by the Institute of Latin American Studies and KUT, the "Latin American Review" radio program was broadcast as part of the Longhorn Radio Network. Covering all of Latin America and the Caribbean, the program aired from 1973 to 1984. The program was primarily divided into two segments, a news segment, dealing with reports from different parts of Latin America, and an interview segment, in which an individual or small group was interviewed. A diverse number of topics were covered including human rights abuses, economic conditions, music, popular culture, and the history and politics of the region. Originally airing as the "Latin American Press Review" the program had its title changed in 1976 to "Latin American Review."
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Open reel tape (unknown material), Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Text document
Extent:
472 Reel-to-reel audio tapes (+253 duplicates), 91 compact audio cassettes, and scripts-3.5 linear feet.
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Collection of recordings, photographs, sheet music, paper documents, and two films which document every aspect of the career of operatic tenor, Richard Crooks. Audio recordings are largely from the Voice of Firestone radio show, but also include audio cassettes of performances on CBC radio broadcasts.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, and Text document
The collection contains the files of the various organizational departments of the Ambassador Auditorium, Pasadena, California, as well as audio and video recordings. Recordings of radio broadcasts include tapes of National Public Radio broadcasts, "Performance Today," "JazzSet," "Blues Stage" and also "In Recital at Ambassador," as well as a broadcast from the Ivo Pogorelich Competition.
Content types:
Performed music, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Open reel video, Photographic print, and Text document
The collection consists of correspondence dealing with the Metropolitan Opera Regional Auditions; personal papers, mainly promotional documents, and biographical and/or pedagogical writings; newspaper and magazine clippings; annotated scores, programs, photos, scrapbooks and recordings. Recordings include opera broadcasts from the Metropolitan Opera which include Mario Chamlee, also his performance and rehearsal broadcasts on KFAC, and numerous transcription discs from his appearances on the Tony & Gus show in 1935 on WJZ.
Content types:
Notated music, Performed music, Spoken word, Still image, and Text
Formats:
Pressed 78rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Photographic print, Text document, and Microfilm
KEXP and KCMU live performance recordings, radio programming, on-demand content and related materials (1972-present).
Content types:
Performed music, Still image, Text, Two-dimensional moving image, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), VHS (including SVHS and VHS-C), Data cartridge, and Text document
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Records of the Amherst College student radio station, WAMH (formerly WAMF). Records include audio recordings, publicity materials, program guides, correspondence, photographs, training materials, FCC materials and internal documentation of radio station operations. This collection recieves frequent additions.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Digital audio file, Photographic print, and Text document
Production materials documenting Smithsonian's thirteen-part program on the role of radio in transforming the African American community in the twentieth century. The program was produced in 1996 by Jacquie Gales Webb for Smithsonian Productions, with assistance from the AAAMC. The collection contains over 400 hours of interviews and historical aircheck tapes in addition to articles, research files, program scripts, and transcripts. The audio interviews feature conversations with over 150 well-known disc jockeys, radio professionals, record company executives, journalists, and scholars. The historical airchecks include station identifications and jingles, radio interviews with prominent Black figures, coverage of historical events, and programs highlighting or influenced by the contributions of Black performers, disc jockeys, and other important persons in radio.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape, Data cartridge, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Data disk (floppy disk)
Extent:
4.3 linear feet (10 boxes) + 297 audiocassettes (DAT : digital, stereo), 168 audiocassettes (analog), 9 8mm data cartridges, 7 audio discs (CD-R), 3 data disks (1.44 MB floppies)
Julian Price was a businessman, journalist, and civic leader. A native of Greensboro, NC, Price was the grandson of Jefferson Standard Insurance executive Julian Price (1867-1946). Price lived in Asheville, NC, from 1990 until his death in 2001, using his extensive wealth and philanthropic spirit to fuel a revitalization of Asheville’s downtown. Price was very interested in radio and print journalism, and recorded a number of interviews for broadcast on public radio stations. This collection contains over 50 cassette recordings of Price’s radio programs.
Content types:
Spoken word and Performed music
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, Photographic negative, Photographic print, and VHS (including SVHS and VHS-C)
We have a massive collection of about 50,000 recordings on CD and vinyl, in addition to both digital and tape airchecks spanning several decades. We also have program guides, advertisements, and station produced publications.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Open reel tape (unknown material), Digital Audio Tape (DAT), Photographic print, Digital audio file (including MP3, WAV, AIFF, etc.), Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, MiniDisc, Text document, Printed brochure, and Printed magazine
The collection consists primarily of audiocassette copies of the 26-part radio series Wade in the Water, produced by NPR in collaboration with the Smithsonian Institution, and concieved and hosted by Dr. Bernice Johnson Reagon.
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, Photographic print, and Photographic negative
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.
Content types:
Two-dimensional moving image, Performed music, Spoken word, and Text
Formats:
VHS (including SVHS and VHS-C) and Text document
Extent:
1.5 linear feet (3 boxes) including 3 videocassettes (VHS)
Collection includes audiocassette recordings of interviews about Ray Charles for Lydon's book Ray Charles : Man and Music (2004), a radio series about Ray Charles based on Lydon's book, complete or partial transcripts for many of the interviews organized loosely into book chapters, interviews with and about other African American musicians, class lectures given by Lydon at Indiana University and related publicity materials, and original music performed by Lydon.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Frank Page Collection contains publications, newspaper clippings, photographs, postcards, and other memorabilia mostly about the Louisiana Hayride artists.
Content types:
Still image, Text, and Performed music
Formats:
Photographic print, Text document, Pressed 78rpm disc, and Pressed 45rpm disc
Extent:
3 linear feet
Repository/Collector:
Noel Memorial Library, Northwest Louisiana Archives at LSUS
Primarily interviews and live musical performances featuring international newsmakers to local musicians. Includes nearly complete (app. 450 hours) archive of live-performance show, "Sandy Bradley's POTLUCK," aired on KUOW in Seattle and about 50 non-commercial US stations between 1984-1995. Also hundreds of hours of live folk, classical and world-music concerts from Puget Sound region. A large portion of this material has been archived in digital (.wav/44.1/16) format (done in 2008).
Content types:
Performed music, Spoken word, and Still image
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), Betamax, Text document, and PDFs
Extent:
> 1000 reel-to-reel analogue tapes, several hundred DATs, small number of cassettes, MDs, CDs
Repository/Collector:
KUOW-FM / Puget Sound Public Radio / University of Washington
Broadcast archives of the WILL Radio's Focus 580, a public radio call-in talk program featuring interviews with newsmakers, subject matter and policy experts, authors, artists, and others addressing topics of public interest including politics, science, health, race, gender, LGBTQ, environment, education, history, literature, culture and the arts, and community life.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Digital audio file (including MP3, WAV, AIFF, etc.), Data disk (floppy disk), and Text document
The Milo Ryan / CBS Radio News Phonoarchive is a unique audio time capsule that documents many historic 20th century events. It consists of sound recordings of CBS Radio News programs, public affairs shows, actualities, speeches, interviews, wartime dramas, daily World War II news updates. The recordings capture groundbreaking broadcasts by Edward R. Murrow and his "Boys": William L. Shirer, Eric Sevareid, Tom Grandin, Larry LeSueur, Charles Collingwood, Howard K. Smith, Winston Burdett, Bill Downs, Mary Marvin Breckinridge, Cecil Brown, and Richard C. Hottelet. The collection also includes recordings of programs and speeches made by public figures during and beyond WW II, including Churchill, Eisenhower, Einstein, Hitler, and JFK. As Dr. Donald Godfrey writes in his 1973 article "History Held a Microphone": "There are twenty-two hundred and twenty-seven newscasts. All but a handful originating from CBS. Their newscasts represent every weekday without a miss, from September 7, 1939, with the Germans entering Poland, to April 2, 1945, with the allies entering Germany.... Tapes contain examples of special events coverage: the Japanese attack of Pearl Harbor, the bombing of Japan, landings in North Africa, the 13 Normandy Invasion, the World Security Conference, April, 1945, the function of the American and Russian Armies, April, 1945, the death and funeral of FDR, and miles of tape on V. E. and V.J. days. Elmer Davis' daily five minute reports are represented in entirety from his debut, September 16, 1939, to February 13, 1941, and occasionally to July 9, 1943. H. V. Kaltenbom edits the news, complete from August 27, 1939, until January 26, 1940, and sporadically thereafter. Our library includes 21 speeches by Winston Churchill, representing 12 hours of this master of language. There are 51 talks by President Roosevelt totaling 24 continuous hours." A detailed description of most of the recordings in the Phonoarchive is available in Milo Ryan's book History in Sound (UW Press).
Content types:
Performed music and Spoken word
Formats:
Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), Photographic print, and Text document
The WTJU recorded music collections highlight a wide variety of rock, jazz, folk, world, and and classical music, with a focus on music not typically heard on commercial broadcast stations. WTJU also houses a largely haphazard variety of station documents, playlists, communications, flyers and other ephemera, and houses a good number of paintings by Steve Keene, a WTJU alum.
Content types:
Performed music, Still image, and Text
Formats:
Pressed LP disc, Pressed 45rpm disc, Optical disc, Analog audiocassette, Photographic print, Text document, and Other
KTAO-FM was a free-form radio station in Los Gatos, California, that existed from March, 1969, through June, 1974, and operated at 95.3 FM. The KTAO Aircheck Archives comprise audio collages with instruments played in the studio to be used as taped effects; a "jam" session recorded July 29, 1971; and an interview with Roy Rogers and Dale Evans interviewed in Los Gatos by Geoff Alexander and Don Campau, June 9, 1971, at a residence in Los Gatos, California. In addition, the collection includes images of KTAO operators and musicians in 1974; photographs of the 40th anniversary reunion; original Los Gatos business license (1974); several images of counter-culture posters; letter from Gary R. Dahl to Roger Mann.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Digital audio file (including MP3, WAV, AIFF, etc.), Photographic print, and Text document
Open reel audiotape, audiocassettes, compact discs, production files, administrative records, banners, and other material, 1970-2011, from IMRU Radio, an LGBT radio program airing on KPFK Pacifica Radio in Los Angeles.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Open reel tape (unknown material), and Text document
Papers and recordings of radio personality and anchorman Mort Crim, known popularly as the inspiration for the Will Ferrell character in the Anchorman film. Crim was an alumnus of Anderson University and left his personal papers, recordings, and scripts to the University archives, where they are stored.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, and Text
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, 8-track cassette, VHS (including SVHS and VHS-C), Betamax, Betacam (including Betacam SP), U-matic (including U-matic S), Open reel video, Photographic print, and Text document
Dave Sichak is a collector and researcher of country music. His collection consists of a lot of materials related to radio broadcasting such as station produced publications - KMA Guide, KWTO Dial, WIBW Round-Up, and WRVA Dialog, periodicals - Radio Varieties and Rural Radio, and yearbook and souvenir booklets - WLS Family Album. The collection also has sound recordings, books, and photographs.
Content types:
Text, Still image, and Performed music
Formats:
Pressed LP disc, Pressed 78rpm disc, Photographic print, and Text document
Extent:
20 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
The Don Kennedy papers contain writings, audio recordings, photographs, printed materials, and awards related to Kennedy's television and radio broadcasting career. The bulk of the materials relate to the production of the Big Band Jump radio shows between 1989 and 2013. These include scripts, cue sheets, newsletters, and broadcast masters of the weekly programs. The papers include some full-length interviews with musicians and other big band-era figures that were subsequently edited for broadcast. The collection also includes promotional and photographic materials from his work with television station WATL-TV, 1976-1978; radio stations WKLS FM, 1960-1970, and the Georgia Network, 1972-1982; as well as his time as children's television host "Officer Don," 1956-1969.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Pressed LP disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape (DAT), Photographic print, and Text document
Extent:
22 linear feet, 640 Optical discs, 300 Pressed LP discs
Repository/Collector:
Georgia State University Special Collections and Archives
Mr. Naylor's papers include scrapbooks relating to his life and career, and scripts for radio programs that he wrote, produced and performed in. Most of the scripts were written during his tenure at WGST, although some of them were written for use on KTAT and KFJZ in Fort Worth, Texas. Many of the Folders of scripts also include listener correspondence relating to the programs, and some contain background material that Mr. Naylor used when creating the shows. Additional content include materials from Mr. Naylor's tenure as the program director of WAGA radio and television from 1951 through 1959, and when he wrote and produced radio and television advertising for Coca-Cola products with the McCann-Erickson advertising agency from 1960 through 1986.
Content types:
Performed music, Spoken word, Notated music, Text, and Two-dimensional moving image
Formats:
Text document, Pressed 78rpm disc, and Polyester open reel tape
Extent:
10 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
The collection documents Frances Wallace's many musical activities during her long career as a pianist and organist in Atlanta, and it provides a glimpse of Atlanta's musical scene during the middle years of the twentieth century.The Wallace papers are organized into four series: (I) Personal records; (II) Scripts and performance notes; (III) Music; and (IV) Audio-visual materials. she performed frequently on piano and organ on WSB, WAGA and WCON radio, as well as at the Roxy theater, Rich's and Davison's department stores, and made notable appearances with the Atlanta Pops Orchestra.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Text document, Lacquer disc, and Photographic print
Extent:
9 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
The Wayne W. Daniel collection contains manuscript copies of his definitive book on the history of country music in Atlanta, Pickin' on Peachtree, research materials, audio cassette recordings of oral histories, black and white photographs, film posters, event announcement posters, posters of musicians, commercial audio recordings, commercial video recordings, and noncommercial video recordings.
Content types:
Text, Still image, Spoken word, Performed music, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc, Analog audiocassette, VHS, Photographic print, Photographic negative, and Text document
Extent:
58 linear feet
Repository/Collector:
Georgia State University Special Collections and Archives
WRAS Radio records, 1966-2009, contain materials documenting the Georgia State University student-run radio station. The collection consists of materials pertaining to day-to-day operations, tower construction and relocation, playlists, logs, news clippings, ephemera, station produced sound recordings (interviews, promos, drops) and sound recording submissions for the Georgia Music Show. Notable in the collection is the almost complete run of general manager files documenting the station’s activities under each manager.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Pressed LP disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Polyester open reel tape, Photographic print, and Text document
Extent:
8 linear feet, 900 Optical and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives
The records contain correspondence, memos, scrapbooks, news clippings, publicity materials, program log books, scripts, radio engineering lesson plans, contracts, licenses, photographs, sound recordings, moving image recordings, transcripts, and artifacts relating to the early history of WSB Radio, to WSB performers, programs, awards, and sponsored events (such as news workshops and career conferences for students), and to WSB-FM and WSB-TV.
Content types:
Notated music, Performed music, Spoken word, Still image, Text, Three-dimensional form, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, Photographic negative, and Text document
Extent:
24 linear feet, 250 Lacquer discs, 40,000 Pressed 78rpm, LP, and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives
K-R-A-B were once the call letters of a non-commercial, educational FM radio station (107.7mhz) in Seattle, Washington. Going on the air in 1962, it was the fourth listener-supported station in the country. The KRAB Archive is the only authoritative online source of information documenting the history, philosophy and accomplishments of the station. The online collection contains digitized audio, text publications such as program guides, flyers and posters, photographs, correspondence, FCC filings, and short articles about the station. The collection also contains some ephemera and audio of other KRAB Nebula stations, as well as a listing of online archival resources of other "community" radio stations.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Pressed LP disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Open reel tape (unknown material), Digital audio file (including MP3, WAV, AIFF, etc.), Photographic print, and Text document
Extent:
Online: >600 hours of digitized audio; >1,000 program units; >320 digitized program guide pamphlets or tabloids; comprising >30gb of online disk storage. Physical: >1,200 7" reels of audiotape; >500 cassette tapes; >300 8x5" 12 page program guides; >400 8x11" multifold tabloid program guides; Misc news clippings, posters, flyers, brochures, and Board of Director minutes.
The vast majority of the collection is the full contents of the Leo Sarkisian Music Library transferred from the Voice of America in Washington, D.C. to the University of Michigan for preservation, teaching, and research use. The media library supported Sarkisian’s research and recording career at VOA (1963-2012) and served as the principal analog audio resources for the production of the Music Time in Africa radio show. The collection also includes personal papers and memorabilia from Leo Sarkisian and his wife Mary. New materials in digital form are added to the collection as tape recordings and personal papers are digitized.
Content types:
Performed music, Still image, and Text
Formats:
Pressed LP disc, Pressed 45rpm disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), Photographic negative, and Text document