1st work (approximately 21 minutes): Betty Allen, contralto. 2nd work (approximately 38 minutes): Arlene Saunders, soprano ; Enrico Di Giuseppe, tenor. Both works: Orchestra of America ; Richard Korn, conductor.
Content types:
Sounds
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer and pianist Netty Simons. Simons talks about her studies at New York University with Percy Grainger, and later privately with Stefan Wolpe. She speaks about both of her teachers, and compares their personalities and their influences on her works. She discusses avant-garde music, and her career as a composer. The composer also talks about each of the following works, excerpts of which are then played during the interview: Trialogue no. 1: the tombstone told when she died and Trialogue no. 2: myselves grieve (for mezzo-soprano, baritone and viola; text by Dylan Thomas), Silver thaw (for 1 to 8 players) (1969), Five sprays of the snow fountain (for two pianos) (1970); and reads fragments from two poems by D. Thomas.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Cassettes contain both the full performance and two radio commercial spots of the NYSF musical On the lock-in. The radio spots were broadcast on WBLS FM.
Content types:
Sounds
Formats:
Audiocassette
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Lorenzo Alvary, a hungarian born operatic bass, hosted the radio program titled "Opera Topics" between 1963 and 1984. It aired principally on WNYC, New York, and consisted of interviews with contemporary opera singers, historians, and impresarios, as well as reports of operatic performances from around the world. Selected guests include: Claudio Abbado; Licia Albanese; Ezio Flagello; Boris Goldovsky; Herbert Graf; Dimitri Kabalevski; Lauritz Melchior; Gian Carlo Menotti, among many others. Collection consists of recordings of the radio program "Opera Topics" from broadcasts on WNYC. Includes notebooks containing press releases describing the subjects discussed in chronological order.
Content types:
Sounds
Extent:
1859 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Edward Albano (Tonio) ; Lola Monte [sic] Gorsey (Nedda) ; Edward Ransome (Canio) ; Alfred Chigi (Silvio) ; Paolo Calvini (Beppe) ; Miguel Sandoval, conductor ; unidentified chorus.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of various radio series from the 1960's and 1970's in which host Patricia Kurland blends interviews, quotes from literature, comments on popular culture, and recorded music. It includes radio programs such as The Exchange, Potpourri, Something Special, and The Human Touch, all of which are dedicated to interviews with popular personalities. Two series, The Meliorist and Voices in the Night, consist of music and quotes from classic and popular literature. Also included in the collection is a series of tapes recorded in 1970 at the Center for International Studies during the East West Trade Program.
Content types:
Sounds
Extent:
119 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of various radio series from the 1960's and 1970's in which host Patricia Kurland blends interviews, quotes from literature, comments on popular culture, and recorded music. It includes radio programs such as The Exchange, Potpourri, Something Special, and The Human Touch, all of which are dedicated to interviews with popular personalities. Two series, The Meliorist and Voices in the Night, consist of music and quotes from classic and popular literature.
Content types:
Sounds
Extent:
119 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer and teacher Peter Mennin. Mennin talks about his life; about both of his careers: as the president of Juilliard School and as a symphonic composer; about his work with Juilliard Orchestra; about the future of both types of young contemporary composers: avant-garde and classical music composers. The composer discusses in detail each of the following works, excerpts of which are then played during the interview: Piano concerto (first movement) (1958), Symphony no. 7: Variation-symphony (for full orchestra) (1963-1964).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer, pianist, and writer on music Phillip Ramey. Ramey comments on his studies composition at DePaul University in Chicago; on his teacher, composer Alexander Tcherepnin; and about musical traditions in Chicago. He talks about his career as a pianist and composer. He discusses each of the following works, which are then played in their entirety: Piano sonata no. 1, Night music (for percussion), Commentaries (for flute and piano), Leningrad rag (freely based on Scott Joplin's Gladiolus rag), 5 Epigrams for piano, 3 Epigrams for violin and piano, and Piano fantasy.
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Tape contains live performance of the Primarvera String Quartet in in Coolidge Auditorium at Library of Congress. The concert was broadcast on WETA with announcer Steve Ember. Paul Seiko Chihara composed the second piece for the quartet in 1978. The encore of the concert is the first movement of Five songs for string quartet, arranged by Stanley Silverman from George Gershwin's song "He loves, [and] she loves" from Funny face.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Tapes contain live performance of the Primavera String Quartet in Alice Tully Hall at Lincoln Center. The concert was broadcast on NPR, on WNYC-FM. Reporter Andrew Berger provided commentary for each piece, using the composers' biographies and additional information about the pieces. During intermission on Reel 1, Berger conducts a taped interview of the members of the string quartet, who share their personal experiences of performing with Primavera, and talk about Tchaikovsky's Third string quartet, a memorial dedicated to his friendship of Ferdinand Laub. The interview resumed on Reel 2, followed by the rest of the concert. Five songs for string quartet are arranged from these George Gershwin songs: 1. "He loves, [and] she loves," 2. "Fascinating rhythm," 3. "Do it again," "Clap yo' hands," and 5. "Sweet and low down." A surprise encore of an unidentified Kurt Weill arrangement is also performed.
Content types:
Sounds
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The Radio Scripts collection consists of transcripts of radio programs, both serials and single broadcasts. Among the radio series are "Freedom's People" sponsored by the Federal Security Agency of the U.S. Office of Education (1941-1942); "Give me Liberty" sponsored by the American Committee for Democracy and Intellectual Freedom (1939); "Native Sons" written by Kirk Lord and Frank Griffin; "National Urban League" sponsored by the organization of the same name during its annual Vocational Opportunity Campaign (1941-1951); "Unity at Home; Victory Abroad" consisting of speeches and dramatizations of the lives of African Americans and whites (1943); "New World A-Comin'" (1944-1966), and "Within Our Gates" presented by the Philadelphia Fellowship Commission to deal with the problem of intolerance and bigotry and to provide all citizens equal opportunity and equal rights (1945-1948). The largest group of scripts in the collection is from the radio series "New World A-Comin'." There are also several single scripts including, "Speech of Paul Robeson," "Hampton Institute Forum of the Air, 1944," "Lincoln, Douglas and the Honor Roll In the Race Relations," and "Wings over Jordan."
Content types:
Other
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
An unidentified speaker expounds on the idea of the final judgment of the individual more than the end of world, drawing primarily on the gospels of Christianity but also mentioning the idea of final judgment in Judaism, Islam, and other religions. The theme of personal salvation, from a Christian perspective is also extensively discussed.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Radio program which solicited programming requests from the listening audience. Listeners would write to the studio with ideas for skits, and the actors on the show would perform those skits on the air. Skits were written by Jerome Lawrence and Robert Lee. Each program features a different all-star cast.
Content types:
Sounds
Extent:
31 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American classical music composer and conductor Richard Yardumian. Yardumian talks about his musical family, his older brother Elijah Yardumian, a concert pianist and a product of the Curtis Institute, who served as a musical mentor to his younger brother; about his career as a composer, and his early start to composing at age 14 even before he began his formal musical education. He discusses the twelve-note technique that he created (not the same as twelve-tone system, used in conjunction with the music of Schoenberg and other twelve-tone composers). The composer also discusses each of the following works, excerpts of which are then played during the interview: Armenian suite, Desolate city, Violin concerto (1949), Piano concerto (second and third movements) (1957), and two excerpts from the mass Come Creator Spirit: Holy, Holy, Holy (Sanctus) and Lamb of God (Agnus Dei) (dedicated to the 125th anniversary of Fordham University) (1966).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Edward Albano (Rigoletto) ; Dorothy Chapman (Gilda) ; Mike Raggini (Duke) ; Imerio Ferrari (Sparafucile) ; Elizabeth Hoeppel (Madalena) ; Miguel Sandoval, conductor.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of noncommercial recordings of radio broadcasts of primarily classical music. The largest portion of the collection consists of broadcast of The New York Philharmonic, with selected concerts from 1952-1963. Conductors of the New York Philharmonic concerts on these recordings include Franco Autori, Leonard Bernstein, Guido Cantelli, Dmitri Mitropoulos, Paul Paray, George Szell, and Bruno Walter. Guest soloists include Claudio Arrau, Robert Casadesus, Van Cliburn, Clifford Curzon, Rudolf Firkušný, Zino Francescatti, Jascha Heifetz, Myra Hess, Byron Janis, Martha Lipton, Artur Rubinstein, Irmgard Seefried, Rudolf Serkin, and Richard Tucker.
Content types:
Sounds
Extent:
195 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of noncommercial recordings of radio broadcasts of primarily classical music. The largest portion of the collection consists of broadcast of The New York Philharmonic, with selected concerts from 1952-1963. Conductors of the New York Philharmonic concerts on these recordings include Franco Autori, Leonard Bernstein, Guido Cantelli, Dmitri Mitropoulos, Paul Paray, George Szell, and Bruno Walter. Guest soloists include Claudio Arrau, Robert Casadesus, Van Cliburn, Clifford Curzon, Rudolf Firkušný, Zino Francescatti, Jascha Heifetz, Myra Hess, Byron Janis, Martha Lipton, Artur Rubinstein, Irmgard Seefried, Rudolf Serkin, and Richard Tucker. Orchestras with a smaller representation of recordings in the collection include the Boston Symphony Orchestra in concerts conducted by Pierre Monteux and Charles Munch, the NBC Symphony Orchestra conducted by Guido Cantelli and Pierre Monteux, and the Concertgebouw Orchestra conducted by Eduard van Beinum, Josef Krips, and Rafael Kubelík. Opera recordings include selected Salzburg Festival broadcasts from 1952-1958, with the Vienna Philharmonic conducted by Rudolf Baumgartner, Karl Böhm, Joseph Keilberth, and Herbert von Karajan. Böhm also conducts for the 1956 reopening of the Vienna State Opera House. Bayreuth Festival productions from 1953 and 1954 are conducted by Joseph Keilberth, Hans Knappertsbusch, and Clemens Krauss. Bayreuth vocalists include Hans Braun, Gré Brouwenstijn, Dietrich Fischer-Dieskau, Josef Greindl, Hans Hotter, Martha Mödl, and Eleanor Steber. Recordings of selected Firestone Hour (later the Voice of Firestone) programs from 1952 to 1956 contain opera, operetta, and orchestral selections as well as popular songs. Featured vocalists include Eugene Conley, Nadine Conner, Jerome Hines, Roberta Peters, Risë Stevens, and Ferruccio Tagliavini.
Content types:
Sounds and Other
Extent:
195 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer of contemporary classical music Robert Moevs. Moevs talks about his teachers, Walter Piston and Nadia Boulanger; about both of his careers, as a teacher at Harvard University and Rutgers University, and as a composer; and about his students. He discusses each of the following works, excerpts of which are then played during the interview: Attis (text by G. Catullus Veronensis) (1958), A brief mass (for chorus, organ, vibraphone, guitar, and double bass) (1968), Phoenix (for solo piano )(1971), Et occidentem illustra (Dante) (for chorus and orchestra, based on Divina commedia by Dante Alighier) (1964).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews composer and pedagogue Robert Starer. Starer talks about his career as a composer. He discusses in detail each of the following works, excerpts of which are then played during the interview: Dialogues (for clarinet and piano), On the nature of things: part 5. A little nonsense (anonymous text), and part 6. Grieve not, dear love ( words by John Digby, Earl of Bristol) (for mixed chorus, a cappella), Concerto (third and fourth movement, for violin, cello and orchestra), Concerto a tre (last movement, for clarinet, trumpet, trombone, and strings), and Symphony no. 3 (first and second movement) (1969).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The Rudy Grillo Sound Recordings consist of 56 audiotapes and papers relating to Grillo's work as a producer for WBAI-FM, a listener-supported radio station in New York City.
Content types:
Sounds
Extent:
56 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
David Garland plays a compilation tape of various unidentified film music tracks composed by Ennio Morricone in the 1970s: Revolver (1972), Tre donne (Three women, 1971), Kill the fatted calf and eat it (1970), Veruschka (1971), Spazmo (1974), Forza G (1971) and other unidentified films. According to Garland, this is his "favorite driving tape". The tape was compiled for Garland by longtime listener Peter Muller. [Side A] (starts at 3:36) ; Side B (starts at 34:10)
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer Stephen Albert. Albert discusses his life and career as a composer, and his passion to write music for the human voice. He also speaks about his work with the conductor of the Philadelphia Symphony Orchestra, Carlo Maria Giulini. The composer discusses each of the following works, excerpts of which are then played during the interview: Supernatural songs (for soprano, piano, and chamber orchestra, words from W.B. Yeats' Supernatural songs) (1963), Leaves from the golden notebook (first movement), Winter songs (for tenor and orchestra), Wolf time (for soprano and orchestra with amplification, text from the Völuspá, the tenth century Icelandic edda) (1969), Bacchae (text extracted from Euripides ; translated by William Arrowsmith) (1968).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
"In Stomp, the members of the Combine used music, scenes and film to talk about their lives and times. The group was predominately comprised of dropouts from various programs at the University of Texas, and the show explains in part their journey from college kids to hippies"
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Richard Tucker (Duke of Mantua) ; Adelaide Bishop (Gilda) ; Richard Meredith (Rigoletto) ; Ruth Slater (Maddalena) ; Robert Morton (Sparafucile) ; with featured dramatic players of Chicago Theatre of the Air ; Unidentified orchestra ; Henry Weber, conductor.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Teresa Sterne, pianist. Introduction (0:35) -- Chaconne in D minor : arr. from Violin partita, no. 2, BWV 1004 / J.S. Bach ; arr. by Busoni (14:19) -- Intermezzo in E flat minor / Brahms (5:09) -- 2 preludes, op 34, no. 2 and 10 / Shostakovich (4:10) -- Mephisto waltz / Liszt ; arr. by Busoni (12:12).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Jonathan Schwartz talks about the life and career of American lyricist Yip Harburg, and plays recordings of various songs written by Yip Harburg as a tribute to him. Includes compilation of the excerpts from various intherviews with Harburg, and comments by Stephen Sondheim. Jonathan Schwartz and Stephen Sondheim read fragments from Harburg's lyrics.
Content types:
Sounds
Formats:
Audiocassette
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Address to American Legion, Chicago, Oct. 2, 1933. - FDR in Miami, Feb. 15, 1933: Makes an impromptu speech while driving in open car; Attempted assassination by Zangara [noise of shots, shouts of crowd; from a radio broadcast long after event, or from an aural biography?]; Mrs. F. W. Cross describes assissination attempt and how she deflected the aim of the gunman.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews composer Vittorio Rieti. Rieti talks about his studies economics at the University of Milan, where he obtained a doctorate in 1917 that he never used; about his composition studies with Casella, and orchestration with Respighi. He speaks about his career as a composer in Europe and the United States. Speaking about his time in Paris, he talks about ballet music that he wrote for Diaghilev (Barabau being particularly successful), and much incidental music for the Parisian theatre of Louis Jouvet. The composer discusses in detail each of the following works, excerpts of which are then played during the interview: Dance variations (for string orchestra) (1956), Chorale, variations and finale (for two pianos), Concertino (for flute, viola, violoncello, harp, and harpsichord) (1964).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American contemporary composer William Mayer. Mayer talks about his studies at Yale University with Herbert Baumgartner; about his career as a composer; about his work with pianist William Masselos; and about his son pianist Stephen Mayer. Speaking about the variety of music he composed, Mayer says that he prefers to write show music. He speaks about his work as a treasurer for CRI (Composers Recordings, Inc.). The composer discusses in detail each of the following works, excerpts of which are then played during the interview: Octagon (for piano and orchestra, fifth and seventh movements) (1971), Piano sonata (first movement) (1959) that he composed in twelve-tone technique, Two news items: Hastily formed contemporary music ensemble reveals origins (for soprano and instrumental ensemble), Brass quintet (1965), Messages (for flute, string trio, and percussion) (1973), and Two pastels for orchestra.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The WPA Radio Scripts consist of final drafts of radio plays and other texts produced by the Federal Theatre of the Air. Most scripts are from either the New York or Los Angeles offices of the Federal Theatre Project. In some instances copies of scripts for the same program but from different jurisdictions are included in the same series. Notable programs represented in the collection include adaptations of the plays of Henrik Ibsen and Oscar Wilde, operettas by Gilbert & Sullivan, a series called A CAPELLA IN BRONZE featuring the WPA Negro Radio Chorus and focusing on stories of particular interest to African-Americans, adaptations of books such as Dickens' PICKWICK PAPERS and plays such as Tolstoy's REDEMPTION, Goldsmith's SHE STOOPS TO CONQUER and Molière's TARTUFFE. A 1939 series celebrating Jazz entitled THE STORY OF SWING devoted episodes to Duke Ellington, Benny Goodman, and the Dorsey Brothers. TURNING POINTS IN FAMOUS LIVES dramatized key moments in the lives of John Paul Jones, Sarah Bernhardt, Louis Pasteur, Isaac Newton, Billy the Kid, Joseph Stalin, and others. THE LIVING NEWSPAPER, adapted from a concurrent Federal Theatre Project stage series, dramatized contemporary problems facing listeners in daily life.
Content types:
Other
Extent:
73 boxes
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Three Episodes of WNYC’s "Know Your City," 1949-1950 on five LPs. On this quiz show, New York City school children answer questions about their city. The quizmaster is "Aunt Edith," or Edith McGinnis, who went on to become Manhattan’s first Borough Historian. Topics include Flatbush, with John Cashmore, the Brooklyn Borough President, as a special guest; the history of labor in New York City; and the history of the retail industry in New York City.
Recordings of broadcasts by local Buffalo musicians (ND) + interviews with Historical Society staff on WKBW program Panorama Spotlight (1965-67), plus recordings of 1960s broadcasts from WBEN, WBFO and WEBR, and miscellaneous radio recordings
Content types:
Spoken word
Formats:
Cylinder, Acetate open reel tape, and Analog audiocassette
The Turmoil Radio Collection documents the world's longest running punk rock and hardcore music radio program. Founded by Steven Kreitzer, it aired on Stony Brook University's campus radio station, WUSB (90.1 FM) on Wednesday evenings (8 to 10 p.m.) from December 1980 through 2004. The collection is comprised of approximately 100 cubic feet of items that document the Turmoil radio program; contents include correspondence, business files, sound recordings, magazines, fanzines, posters, broadsides, ephemera, textiles, and artifacts.
Content types:
Spoken word, Text, Perfomed music, and Still image
Formats:
Photographic print, Text document, Pressed 78rpm disc, Pressed 45rpm disc, Analog audiocassette, and VHS (including SVHS and VHS-C)
Contains transcripts of radio and television scripts, 1939-1958, including those of Francis C. Stifler, texts of radio broadcasts, 1921-1943, relating to the church's missionary work and public relations material including samples of radio broadcasts, 1923-1924.
Twelve scripts for Neighbors: A Story of the Air, an adaptation for radio by Zona Gale and Marian de Forest of Zona Gale's "Friendship Village" that were aired over WEAF (NBC), between February 24 and May 29, 1933. Also includes correspondence between Gale and de Forest about the Neighbors series and an outline of the series.
Repository/Collector:
Buffalo & Erie County Public Library, Grosvenor Room
Includes recordings of news broadcasts, 1933 to present. Some tapes have been donated to the National Archives and to the Milo Ryan History in Sound: KIRO-CBS Collection, formerly at the University of Washington, Seattle, WA and now at the National Archives. Access to tapes is available on a "for sale" basis. Archives may also contain some recordings of general programs but no listing is available and access may not be possible due to legal issues.
Contains manuscripts, correspondence, including letters from Guglielmo Marconi, Lee De Forest and Vladimir Zworykin, and memorabilia dealing with the early history of radio and wireless telegraphy.
In addition to the transcripts of the individual interviews, this collection consists of miscellaneous papers relating to the memoirists who were interviewed by the Oral History Office. Includes original papers, printed materials and microfilm copies of materials not retained by Columbia. One half of the collection consists of original notes, draft transcriptions, related correspondence and documents related to the Radio Pioneer Project. Of those papers only available on microfilm, about one-third have a list of contents.