Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
The Frank E. and Anna Hayes Owens family papers comprises 14.3 linear feet of materials, spanning the dates between 1900 and 2011, and includes correspondence, manuscripts, photographs, travel brochures, reel-to-reel tapes, magazines, fanzines, and other materials documenting intergenerational American family life in Delaware.
Content types:
Performed music, Spoken word, Notated music, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), and Photographic print
Extent:
Approximately 25 recordings, 14.3 linear feet and 1 oversize box (17 boxes)
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
Papers, recordings of radio interviews, and other sound recordings, mostly in connection with Tater's career as host of jazz radio shows, principally at KJZY (Sonoma County, CA), and KETR (Commerce, TX).
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Photographic print, and Text document
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
Collection of recordings, photographs, sheet music, paper documents, and two films which document every aspect of the career of operatic tenor, Richard Crooks. Audio recordings are largely from the Voice of Firestone radio show, but also include audio cassettes of performances on CBC radio broadcasts.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, and Text document
The collection contains the files of the various organizational departments of the Ambassador Auditorium, Pasadena, California, as well as audio and video recordings. Recordings of radio broadcasts include tapes of National Public Radio broadcasts, "Performance Today," "JazzSet," "Blues Stage" and also "In Recital at Ambassador," as well as a broadcast from the Ivo Pogorelich Competition.
Content types:
Performed music, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Open reel video, Photographic print, and Text document
The collection consists of correspondence dealing with the Metropolitan Opera Regional Auditions; personal papers, mainly promotional documents, and biographical and/or pedagogical writings; newspaper and magazine clippings; annotated scores, programs, photos, scrapbooks and recordings. Recordings include opera broadcasts from the Metropolitan Opera which include Mario Chamlee, also his performance and rehearsal broadcasts on KFAC, and numerous transcription discs from his appearances on the Tony & Gus show in 1935 on WJZ.
Content types:
Notated music, Performed music, Spoken word, Still image, and Text
Formats:
Pressed 78rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Photographic print, Text document, and Microfilm
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Records of the Amherst College student radio station, WAMH (formerly WAMF). Records include audio recordings, publicity materials, program guides, correspondence, photographs, training materials, FCC materials and internal documentation of radio station operations. This collection recieves frequent additions.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Digital audio file, Photographic print, and Text document
Julian Price was a businessman, journalist, and civic leader. A native of Greensboro, NC, Price was the grandson of Jefferson Standard Insurance executive Julian Price (1867-1946). Price lived in Asheville, NC, from 1990 until his death in 2001, using his extensive wealth and philanthropic spirit to fuel a revitalization of Asheville’s downtown. Price was very interested in radio and print journalism, and recorded a number of interviews for broadcast on public radio stations. This collection contains over 50 cassette recordings of Price’s radio programs.
Content types:
Spoken word and Performed music
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, Photographic negative, Photographic print, and VHS (including SVHS and VHS-C)
We have a massive collection of about 50,000 recordings on CD and vinyl, in addition to both digital and tape airchecks spanning several decades. We also have program guides, advertisements, and station produced publications.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Open reel tape (unknown material), Digital Audio Tape (DAT), Photographic print, Digital audio file (including MP3, WAV, AIFF, etc.), Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, MiniDisc, Text document, Printed brochure, and Printed magazine
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, Photographic print, and Photographic negative
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print