Produced by the Longhorn Radio Network and the Center for Mexican American Studies for KUT, the "Mexican American Experience" (and its brief successor, "A esta hora conversamos") archive contains interviews, music, and informational programs related to the Mexican American community and their concerns. Topics covered on these programs include political activities of Mexican Americans, Mexican American folklore and folk medicine, corridos, Tejano music, Mexican American musicians, voting rights, education, health, farm workers' unions and working conditions, and some Mexican and Central American topics. "The Mexican American Experience" was first produced by Alejandro Saenz; writers include Andres Tijerina and Santos Reyes. Subsequent moderators and producers include Armando Gutierrez and Linda Fregoso. Linda Fregoso was also the producer and interviewer for "A esta hora conversamos."
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Open reel tape (unknown material) and Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD)
Created by the Institute of Latin American Studies and KUT, the "Latin American Review" radio program was broadcast as part of the Longhorn Radio Network. Covering all of Latin America and the Caribbean, the program aired from 1973 to 1984. The program was primarily divided into two segments, a news segment, dealing with reports from different parts of Latin America, and an interview segment, in which an individual or small group was interviewed. A diverse number of topics were covered including human rights abuses, economic conditions, music, popular culture, and the history and politics of the region. Originally airing as the "Latin American Press Review" the program had its title changed in 1976 to "Latin American Review."
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Open reel tape (unknown material), Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Text document
Extent:
472 Reel-to-reel audio tapes (+253 duplicates), 91 compact audio cassettes, and scripts-3.5 linear feet.
The Gay Peoples Union Collection presents digital copies of primary source materials documenting GPU and Milwaukee’s gay liberation movement. Materials were selected from the following collections held by the Division of Archives and Special Collections of the University of Wisconsin-Milwaukee Libraries: the Gay Peoples Union Records, GPU News, and the Eldon Murray Papers.
Content types:
Spoken word and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Open reel tape (unknown material), and Digital audio file (including MP3, WAV, AIFF, etc.)
We have a massive collection of about 50,000 recordings on CD and vinyl, in addition to both digital and tape airchecks spanning several decades. We also have program guides, advertisements, and station produced publications.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Open reel tape (unknown material), Digital Audio Tape (DAT), Photographic print, Digital audio file (including MP3, WAV, AIFF, etc.), Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, MiniDisc, Text document, Printed brochure, and Printed magazine
These materials comprise a thirteen-part radio series of public service broadcasts produced by Sam Chase for WLIB radio in New York in cooperation with Newsweek Magazine.
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print