Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
The papers of Senator John J. Williams span the dates 1946- 1988, with the bulk of the collection representing the years of his career in the U.S. Senate, 1947-1970. The collection consists of nearly 150 linear feet of papers and also includes scrapbooks, books, photographs, and film and sound recordings. For the most part, the arrangement of the collection reflects the original filing series of Senator Williams's office. The collection is divided into 25 series which are organized under four record subgroups. The first three subgroups--Legislative Staff/Office Files, Constituent Correspondence and Cases, and Administrative and Personal Office Files--consist of series that document the work performed in office by Senator Williams and his staff. The subgroups reflect the functions of the Senator's work and include series typical of a congressional collection. Duties reflected in the Legislative Staff/Office Files include committee, legislative, and investigative work. The Constituent Correspondence and Cases subgroup includes materials created in response to the concerns and interests of constituents, and those filed on receipt of issue-related opinions from the general public. The Administrative and Personal Office Files reflect the management of the office and the Senator's personal schedule. The fourth subgroup, Personal, includes series of files and other formats that document the personal activities and opinions of Senator Williams. The material in these files supplements information about his Senate career in the first three subgroups. There is also material from the 1970s and about Mrs. Williams and Senator Williams's family life.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Disc (unknown material), Edison dictation disc, Open reel tape (unknown material), Analog audiocassette, Motion picture film, VHS (including SVHS and VHS-C), Text document, and Photographic print
Extent:
149 boxes (149 linear ft.), 4 oversize boxes, 45 volumes of scrapbooks, 11 reels of microfilm, 6 films, 4 videotapes, 15 audio-recordings, 15 audiocassettes
Repository/Collector:
University of Delaware Library, Special Collections
With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
The collection contains the files of the various organizational departments of the Ambassador Auditorium, Pasadena, California, as well as audio and video recordings. Recordings of radio broadcasts include tapes of National Public Radio broadcasts, "Performance Today," "JazzSet," "Blues Stage" and also "In Recital at Ambassador," as well as a broadcast from the Ivo Pogorelich Competition.
Content types:
Performed music, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Open reel video, Photographic print, and Text document
KEXP and KCMU live performance recordings, radio programming, on-demand content and related materials (1972-present).
Content types:
Performed music, Still image, Text, Two-dimensional moving image, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), VHS (including SVHS and VHS-C), Data cartridge, and Text document
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Julian Price was a businessman, journalist, and civic leader. A native of Greensboro, NC, Price was the grandson of Jefferson Standard Insurance executive Julian Price (1867-1946). Price lived in Asheville, NC, from 1990 until his death in 2001, using his extensive wealth and philanthropic spirit to fuel a revitalization of Asheville’s downtown. Price was very interested in radio and print journalism, and recorded a number of interviews for broadcast on public radio stations. This collection contains over 50 cassette recordings of Price’s radio programs.
Content types:
Spoken word and Performed music
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, Photographic negative, Photographic print, and VHS (including SVHS and VHS-C)
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The collection consists of personal papers, photographs, and a video documenting the career Ed Castleberry, a pioneering black radio disc jockey and newscaster.
Content types:
Two-dimensional moving image, Still image, and Text
Formats:
VHS (including SVHS and VHS-C), Photographic print, and Text document
Extent:
1 document case (.25 linear feet), including 26 photographs and 1 videocassette (VHS)
The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.
Content types:
Two-dimensional moving image, Performed music, Spoken word, and Text
Formats:
VHS (including SVHS and VHS-C) and Text document
Extent:
1.5 linear feet (3 boxes) including 3 videocassettes (VHS)
The Turmoil Radio Collection documents the world's longest running punk rock and hardcore music radio program. Founded by Steven Kreitzer, it aired on Stony Brook University's campus radio station, WUSB (90.1 FM) on Wednesday evenings (8 to 10 p.m.) from December 1980 through 2004. The collection is comprised of approximately 100 cubic feet of items that document the Turmoil radio program; contents include correspondence, business files, sound recordings, magazines, fanzines, posters, broadsides, ephemera, textiles, and artifacts.
Content types:
Spoken word, Text, Perfomed music, and Still image
Formats:
Photographic print, Text document, Pressed 78rpm disc, Pressed 45rpm disc, Analog audiocassette, and VHS (including SVHS and VHS-C)
Papers and recordings of radio personality and anchorman Mort Crim, known popularly as the inspiration for the Will Ferrell character in the Anchorman film. Crim was an alumnus of Anderson University and left his personal papers, recordings, and scripts to the University archives, where they are stored.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, and Text
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, 8-track cassette, VHS (including SVHS and VHS-C), Betamax, Betacam (including Betacam SP), U-matic (including U-matic S), Open reel video, Photographic print, and Text document