Consists of scripts, clippings, pressbooks, scrapbooks, programs, photographs, awards, records, correspondence and miscellaneous material related to Russell's career. Also includes papers related to Russell's husband, Frederick Brisson, who served as chief of radio propaganda and special consultant to the Secretary of War during World War II. Includes radio sketches on which Russell appeared for the Special Services Division, A.S.F. and also material related to the Office of Radio Production.
Repository/Collector:
Arts Library, Special Collections, University of California at Los Angeles (UCLA)
Consists mostly of scripts for films and television, but also includes radio scripts he wrote for WLW, Cincinnati, OH, 1950-1951, and some unidentified radio scripts, 1947-1950. Also includes correspondence and business records, primarily 1966-1968.
Repository/Collector:
Department of Special Collections, University of California at Los Angeles (UCLA)
Consists of literary manuscripts, correspondence, cassette tapes and other printed material. Includes the radio play "40-40" co-written with Studs Terkel for a WPA broadcast with related correspondence and a second play, "Columbus," for an unidentified program. Neither play script is dated.
Repository/Collector:
Department of Special Collections, University of California at Los Angeles (UCLA)
After World War II, Sakai hosted the radio program Amerika Dayori (News from America). The collection consists of Sakai's correspondence, manuscripts, published works, notebooks and diaries.
Repository/Collector:
Department of Special Collections, University of California at Los Angeles (UCLA)
Transcripts and other material related to the series of 17 radio discussion programs sponsored by the War Information Center of the University of Rochester in the fall of 1942 and broadcast over WHAM.
Contains correspondence, minutes of meetings, project reports, contest entries, radio scripts, photographs and scrapbooks collected or prepared by Warfield, Chairman of the Six Federated Clubs of Clarkston, for the club's entry in the "Build Freedom with Youth" contest sponsored by the General Federation of Women's Clubs.
Repository/Collector:
Manuscripts, Archives, and Special Collections, Washington State University
Transcription discs of local radio broadcasts, 1946-1964, primarily of contemporary classical music performances and including some broadcasts of premieres (world premieres, first radio broadcasts, and first Washington performances), recorded by Rothschild, and some live recordings from Chamber Music Society of Baltimore concerts. Radio stations recorded include WBAL, WJZ, WCAO, WFBR, WITH, and WRC. The collection also includes several popular and jazz recordings, commercial releases, and some private home performances. Recordings of Chamber Music Society of Baltimore concerts and local radio broadcasts on reel-to-reel tapes, 1955-1991. The collection includes several world premieres from CMS concerts and other notable performances in broadcasts (first Washington performances, etc.). Radio recordings are concentrated in earlier recordings while CMS performances are concentrated later. The collection also includes a large subsection of recordings from Marian McPartland's Piano Jazz.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Lacquer disc, Analog audiocassette, Polyester open reel tape, and Acetate open reel tape
Papers document Stanton's private life and radio and film activities as they relate to Ireland and the Irish-American community, including his career as an announcer at WIAD where he created the Irish Hour and his later ownership of WJMJ. Includes correspondence, speeches, radio scripts, newspaper clippings, scrapbooks, certificates, photographs and a large amount of material on Irish history and culture.
Contains papers related to Regan's career as a broadcaster in Philadelphia, including correspondence, clippings, printed materials, a scrapbook, uncataloged photographs and sound recordings.
Martin Bookspan interviews American composer, pianist, and writer on music Phillip Ramey. Ramey comments on his studies composition at DePaul University in Chicago; on his teacher, composer Alexander Tcherepnin; and about musical traditions in Chicago. He talks about his career as a pianist and composer. He discusses each of the following works, which are then played in their entirety: Piano sonata no. 1, Night music (for percussion), Commentaries (for flute and piano), Leningrad rag (freely based on Scott Joplin's Gladiolus rag), 5 Epigrams for piano, 3 Epigrams for violin and piano, and Piano fantasy.
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center