Contains excerpts from a radio program in which Jonathan Schwartz plays recordings of various songs written by Ira Gershwin as a tribute to the lyricist, and comments on them. Program is incomplete.
Content types:
Sounds
Formats:
Audiocassette
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Cassettes contain both the full performance and two radio commercial spots of the NYSF musical On the lock-in. The radio spots were broadcast on WBLS FM.
Content types:
Sounds
Formats:
Audiocassette
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Air checks from 5-90 minutes in length (single station and across dial). Includes content from WKBW, WGR, WBEN, WWOL, WHTT, WBUF, WEBR, an WYSL, local DJs and morning hosts, and formats such as talk, sports, oldies, Top 40, and jazz
Content types:
Sounds and Other
Formats:
Audiocassette
Extent:
25-30 60 and 90-minute audio cassettes from target period
Side A. [Music and announcements.] Christian Holder speaks with Kyra Lynn Kaptzan about his family's performing arts background; his early training in London in dance and theater; seeing Jerome Robbins' musical comedy West Side Story and Ballets: U.S.A. as an influence on his decision to dance; moving to New York City in l964; his scholarship to the Martha Graham School [Martha Graham School of Contemporary Dance]; attending the New York City High School of the Performing Arts; joining the Joffrey Ballet in 1966; his theatrical experience as a child; his favorite role, Death, in Kurt Jooss's The green table; other roles he enjoys, including in [José Limón's] Moor's pavane, [Robert Joffrey's] Astarte, and the narrator in [Frederick Ashton's] Wedding bouquet; roles he and Gary Chryst perform; his preference for a diverse repertory [short gap]; working with Leonide Massine; dancing in Massine's work Parade; dancing in the Joffrey Ballet's program titled Homage to Diaghilev [Parade, Petruschka, Spectre de la rose, and Afternoon of a faun], including the difficulty of performing the same roles every night; working with Rudolf Nureyev; the Joffrey repertoire and how works are selected for performance; the attempted censorship of certain works when the Joffrey toured in the former Soviet Union; touring in the U.S., including audience reactions; Holder's choreographing, including his work Five dances; how working with Jerome Robbins and other choreographers has helped him as a choreographer; his experience with costume design. [Music and announcements.] Side B is blank.
Content types:
Sounds
Formats:
Audiocassette
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center