Martin Bookspan interviews American composer Stephen Albert. Albert discusses his life and career as a composer, and his passion to write music for the human voice. He also speaks about his work with the conductor of the Philadelphia Symphony Orchestra, Carlo Maria Giulini. The composer discusses each of the following works, excerpts of which are then played during the interview: Supernatural songs (for soprano, piano, and chamber orchestra, words from W.B. Yeats' Supernatural songs) (1963), Leaves from the golden notebook (first movement), Winter songs (for tenor and orchestra), Wolf time (for soprano and orchestra with amplification, text from the Völuspá, the tenth century Icelandic edda) (1969), Bacchae (text extracted from Euripides ; translated by William Arrowsmith) (1968).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Tapes contain live performance of the Primavera String Quartet in Alice Tully Hall at Lincoln Center. The concert was broadcast on NPR, on WNYC-FM. Reporter Andrew Berger provided commentary for each piece, using the composers' biographies and additional information about the pieces. During intermission on Reel 1, Berger conducts a taped interview of the members of the string quartet, who share their personal experiences of performing with Primavera, and talk about Tchaikovsky's Third string quartet, a memorial dedicated to his friendship of Ferdinand Laub. The interview resumed on Reel 2, followed by the rest of the concert. Five songs for string quartet are arranged from these George Gershwin songs: 1. "He loves, [and] she loves," 2. "Fascinating rhythm," 3. "Do it again," "Clap yo' hands," and 5. "Sweet and low down." A surprise encore of an unidentified Kurt Weill arrangement is also performed.
Content types:
Sounds
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Alicia Alonso speaks with Kyra Lynn Kaptzan about her early dance training in Spain and Cuba; dance companies she saw in Cuba; the circumstances of her leaving Cuba for the U.S.; her dance training and early career in New York City, including her joining Ballet Theatre; her problems with her eye sight; reasons she concentrates on technique; founding Ballet Nacional de Cuba; touring with Ballet Alicia Alonso; dances choreographed on her; her approach to Giselle; her curtain call bows; leaving the U.S. to live in Cuba and focus on the Ballet Nacional de Cuba; the recruiting of dancers; her staging of ballets for other companies; her own choreographing; the company's choreographers, including Alberto Alonso; family members who work in her company; cultural exchanges with the U.S.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Audio recordings from 1976-1987 on 1/4 inch open reel. The collection consists of "Reflections on Georgia," produced for broadcast on WUGA on old farm ways, saints and spirits, etc. Also included is audio of "Folklore in Georgia" featuring performances of local folk musicians including Howard Finster and "Bicentennial Minutes" featuring information about Georgia and UGA.
Content types:
Sounds
Extent:
314 recordings
Repository/Collector:
Walter J. Brown Media Archives & Peabody Awards Collection
Primarily audio from 1943-1986. The collection consists of audio recordings and segments of various programs penned by Sloane, and recordings of some of his lectures, interviews, and phone conferences. Among the programs available are The Right to Live (1947, NBC) and Joy of Bach (1978). The only videocassette in the collection is a recording of part one of Kids Like These. Allan Sloane is a Peabody Award Winner.
Content types:
Sounds and Other
Extent:
135 recordings
Repository/Collector:
Walter J. Brown Media Archives & Peabody Awards Collection
Martin Bookspan interviews composer and teacher Allan Blank. The composer talks about his teaching experience at number of schools and universities, such as University of Alabama in Tuscaloosa; about his background, and about his career as a violinist with the Pittsburgh Symphony Orchestra, conductor, and composer. He discusses his Two studies for brass quintet, Rotation, and Thirteen ways of looking at a blackbird, based on poems by Wallace Stevens, excerpts of which are played during the interview.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Siegfried Borries, violin ; Radio Berlin Symphony Orchestra ; Otto Rota [i.e. Artur Rother], conductor. In 2nd-3rd works: Alice Howland, soprano ; David Weber, clarinet ; Leopold Mitman [sic], piano. In 4th work: Stradivari Records Chamber Music Ensemble. In 5th work: Saxon State Orchestra ; Karl Böhm, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
WOON-AM, formerly WWON-AM in Woonsocket, RI. Of their archived programs, recordings date to 1953 (HS Hockey) and also include excerpts from one of the oldest continuous morning shows in the country (Coffee 'An, dating to the '50's).
In 1st work: Nikolai Graudan, violoncello ; Joanna Graudan, piano. In 2nd work: Budapest [String] Quartet. In 4th work: I. Stravinsky, composer and conductor. David Randolph, host.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
From radio broadcast titled "Manhattan at Large," originating station unknown. Stanley Michaels, host; guests include Dr. Edmund Carpenter, Pamela Mann, Herman D. Farrell, Jr, Randle Borshi,
Pianist and composer, Mary Lou Williams, was long regarded as the most important female musician in jazz, both as an instrumentalist and as a composer. In this interview she briefly describes some of the difficulties of being recognized as a musician in the male-dominated world of jazz. She also discusses her sacred works, which at the time of the interview were being performed at the St. Thomas church in Harlem.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Contains excerpts from a radio program in which Jonathan Schwartz plays recordings of various songs written by Ira Gershwin as a tribute to the lyricist, and comments on them. Program is incomplete.
Content types:
Sounds
Formats:
Audiocassette
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
KBOO’s analog audio archive includes almost 7,500 items of radio programming in 5, 7, 10″ open reel, CDs, cassettes, DATs, and minidiscs format. KBOO Community Radio went on the air in June of 1968, and radio program recordings date from the late 1940s. This is a collection created from institutional records. This collection is unprocessed. Our archives include Oregon artists Ken Kesey, Ursula LeGuin, Gus Van Sant, political figures such as Kent Ford, and Winona LaDuke, as well as hundreds of poets, hundreds of artists, and hundreds of activists, both recorded lectures, panels, conferences, and street actions. We also have significant live music recordings from Doc Watson to Elliot Smith.
Content types:
Text, Spoken word, Performed music, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape, Open reel tape (unknown material), Digital audio file (including MP3, WAV, AIFF, etc.), and Text document
Extent:
Numbers are estimates, as some labeled items are bundled and dates were not recorded for all items. 7600 individual items: 1,361 10" open reel (1947-2001), 1,865 7" open reel (1948-1969), 99 5" open reel, 1,500 cassettes (1948-2008), 112 digital audio tapes (1969-2004), 217 minidiscs (1969-2004), 2,433 optical discs (1967-2013).
The main program this group produced was the "Protestant Hour," a join venture of several southern denominations, including Presbyterians, Methodists and Baptists.
Maude Adams on Stevens College (1:13) -- Maude Adams recites prologue to Edmond Rostand's Chantecler (2:27) -- Rudy Vallee speaks with Hilaire Belloc (7:59) -- Virgil Thomson speaks about Four Saints in three acts (6:30) -- Gertrude Stein [from a 1934 radio broadcast?] (1:20) -- Fay Compton [from a 1969 television broadcast?] (3:33)
Content types:
Sounds
Formats:
Reel-to-reel and CD
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Wilhelm Kempff, piano (3rd work) ; Egon Petri, piano (4th work) ; Vienna State Opera with Vienna Philharmonic Orchestra (6th work) ; Budapest Quartet (7th work) ; New Music Quartet (8th work) ; David Randolph, host ; with unidentified radio announcer and various performers.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Hughes Cuénod, tenor (Narrator) ; Derrik Olsen, baritone (Tancredi) ; Dora Abel, soprano (Clorinda) ; Radio Zurich Symphony Orchestra ; Walter Goehr, conductor. In 2nd work: Eleanor Houston, soprano (Dido) ; Henry Cummings, baritone (Aeneas) ; with unidentified soloists ; Stuart Chamber Orchestra and Chorus ; Jackson Gregory, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st-5th works: Hugues Cuénod, tenor ; Hermann Leeb, lute. In 6th work (aka 5th work, version 2): Paul Matthen, bass ; Emilia Mitrani, piano. In 7th work: Lorna Sydney, second-soprano ; Wilhelm Loibner, piano. In 8th-16th works: Anna Louise Kautz and Harriet Hill, sopranos ; Mildred Greenberg, contralto ; Abram Sheer, tenor ; Bert Spero, baritone. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Cassettes contain both the full performance and two radio commercial spots of the NYSF musical On the lock-in. The radio spots were broadcast on WBLS FM.
Content types:
Sounds
Formats:
Audiocassette
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
"In Stomp, the members of the Combine used music, scenes and film to talk about their lives and times. The group was predominately comprised of dropouts from various programs at the University of Texas, and the show explains in part their journey from college kids to hippies"
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Address to American Legion, Chicago, Oct. 2, 1933. - FDR in Miami, Feb. 15, 1933: Makes an impromptu speech while driving in open car; Attempted assassination by Zangara [noise of shots, shouts of crowd; from a radio broadcast long after event, or from an aural biography?]; Mrs. F. W. Cross describes assissination attempt and how she deflected the aim of the gunman.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Most of the collection is not from radio programs, but it does include radio programs about Marian Anderson and a radio program of recited poetry about Anderson recorded in 1960 for Mason City, Iowa radio station KGLO.
Content types:
Sounds
Repository/Collector:
Kislak Center for Special Collections, Rare Books, and Manuscripts
Cassette contains review of New York Shakespeare Festival production Pirates of Penzance, on WBAI's radio show Anything goes, with Paul Lazarus. During the show, Lazarus played pre-recorded music selections: I am the very model of a modern Major-General / performed by Martin Green -- Willing (from Heart like a wheel) / performed by Linda Ronstadt -- Poor wandering one / performed by Jean Hindmarch.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
We have a fair number of audio recordings of public programs and lectures at The New School going back to the late 1950s--certain of them bear evidence of having been recorded by Pacifica Radio at The New School (I'd have to call them in from offsite storage to check if the station name bears the names of both WBAI and Pacifica), and indicates air dates. These are on 1/4" reel to reel tape. We have a small amount of documentation between TNS and the station(s) and surmise that The New School had a relationship with WBAI or Pacifica to record and broadcast lectures/programs featuring well-known participants. The Pacifica Radio Archive lists at least some of these recordings in its online catalog.
Content types:
Sounds and Other
Formats:
Reel-to-reel
Repository/Collector:
The New School Libraries and Archives, Archives & Special Collections
KEXP and KCMU live performance recordings, radio programming, on-demand content and related materials (1972-present).
Content types:
Performed music, Still image, Text, Two-dimensional moving image, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), VHS (including SVHS and VHS-C), Data cartridge, and Text document
1. Recording of 1935 Broadcast of Radio Station WJZ - Testimonial Dinner for Martha Berry in Hotel Roosevelt, New York City, including address by Martha Berry, a Berry Quartet, and the introduction of Martha Berry by Mrs. Emily V. Hammond; 2. Interview of Sander Vanocuiz (NBC-TV News) Jan. 12, 1967, #87; 3. "Comment" Radio Program, #63; 4. "Comment" Radio Program, Mar. 31, 1970, #16; 5. Berry Academy Radio Spots, #139; 6. "Comment" Radio Program, Nov. 1970, #30; 7. "Comment" Radio Program, Guest – Mrs. Overstreet - Nov. 11, 1970, #120; 8. "Campus Spotlight" Radio Program on Berry - Mar. 27, 1971, #128; 9. Berry Academy Radio Spots, #145; 10. Berry Academy and College Radio Spots, 1974, #131; 11. Berry Academy and College Radio Spots, 1974, #130; 12. Berry Academy Radio Spots, Apr. 27, 1974, #140; 13. Berry Academy Radio Spots, #141; 14. Berry Academy and College Radio Spots, May 1974, #126; 15. "Comment" Radio Program, #62; 16. "Comment" Radio Program, #66; 17. "Comment" Radio Program on Soul on Ice by Eldridge Cleavor, #129; 18. Berry Academy Radio Spots, #134; 19. Berry Academy Radio Spots, #135; 20. Berry Academy Radio Spots, #143; 21. Berry Academy Radio Spots, #144; 22. WLAQ News following Hammrick Hall fire
"Russian War Relief Program," from 10/25/41 (accruing to the label, it apparently aired from 8:05 to 8:30) (3 discs) - "Address by James F. O'Neill, National Commander of the American Legion," from 1/6/48 (2 discs) - "The Rock, Story of Morton Sobell" (1 disc) - "You on Trial" (8 discs) - Testimony from the House Unamerican Activities Committee (Adrian Scott, Edward Dmytrik, Sam Ornitz) - "Voices of Resistance" (2 discs) and "New Voices of Resistance" (1 disc) - "National Mobilization for Human Needs" (1 disc)
Mostly undigitized, but contains interviews with musicians such as Sun Ra, James Brown, and 12 reels collected by an attendee at the Woodstock music festival, among other recordings
Content dating from1950-1990 on 1/4 inch open reel, film, and videotape. The collection consists of hundreds of hours of Arnold Michaelis' audio, film, and video interviews with the world's leading political and cultural personalities. Martin Luther King, Jr., Adlai Stevenson, Dean Rusk, Ronald Reagan, Eleanor Roosevelt, and Indira Gandhi are just a few of the men and women interviewed by Michaelis in their own homes. Arnold Michaelis sought "to record for today and posterity, the flavor of the thinking and the essence of the ideas of the men and women whose lives will be studied by future generations." The bulk of the collection is made up of films, television programs, and radio programs that Michaelis produced, and elements used in those productions. The majority of the audiotapes in the collection consist of interviews, edited and unedited, with celebrities and political figures.
Content types:
Sounds and Other
Extent:
1500 recordings
Repository/Collector:
Walter J. Brown Media Archives & Peabody Awards Collection
Edward Albano (Figaro) ; Anna Quartin (Rosina) ; Giuseppe Barsotti (Il Conte) ; Imerio Ferrari (Basilico) ; Eugenio Prosperoni (Bartolo) ; Miguel Sandoval, conductor.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Edward Albano (Tonio) ; Lola Monte [sic] Gorsey (Nedda) ; Edward Ransome (Canio) ; Alfred Chigi (Silvio) ; Paolo Calvini (Beppe) ; Miguel Sandoval, conductor ; unidentified chorus.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Edward Albano (Rigoletto) ; Dorothy Chapman (Gilda) ; Mike Raggini (Duke) ; Imerio Ferrari (Sparafucile) ; Elizabeth Hoeppel (Madalena) ; Miguel Sandoval, conductor.
Content types:
Sounds
Extent:
4 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Radio program from 1927-1987 on 1/4 inch open reel and audiocassette. The collection consists primarily of 1/4 inch open reel recordings containing over 3100 radio programs taped off-air. Programs include: That Was the Week That Was; Frontier Gentleman; G.I. Journal; The Cavalcade of America; Studio One; The Third Man, etc. All titles are listed in finding aid.
Content types:
Sounds
Extent:
3178 recordings
Repository/Collector:
Walter J. Brown Media Archives & Peabody Awards Collection
Arthur Mitchell speaks with Kyra Lynn Kaptzan about his early experience in social dance and his training at the High School of Performing Arts in New York City; his scholarship to Bennington College; his scholarship to School of American Ballet; his training in all styles of dance; starting ballet training at age 18; performing on Broadway, in nightclubs and on television; performing George Balanchine's Western symphony with Tanaquil Le Clercq; performing in Europe with John Butler's American Dance Theatre, with Glen Tetley; joining New York City Ballet in 1955 as a corps member; performing for 15 years with the company; working with Balanchine; founding the Dance Theatre of Harlem School after the assassination of Martin Luther King; the importance of educating children; the role of a Ford Foundation grant and Mitchell's increasing business skills in the development of Dance Theatre of Harlem; the various educational departments at the school; his belief in the importance of an academic education; Karel Shook's influence as a teacher on black dancers and on the school; Mitchell's approach to audience building; the importance of a varied dance repertoire; his thoughts on choreographing; Alexandra Danilova's influence as a role model for female students; male dancers at Dance Theatre of Harlem.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Merrill Ashley speaks with Kyra Lynn Kaptzan about the reasons for her rise in prominence at New York City Ballet, including her increased exposure onstage and her principal role in George Balanchine's Ballo della regina; performing roles often danced by Suzanne Farrell and Patricia McBride; dancing a variety of roles; works she would like to perform; rehearsing Ballo della regina with Balanchine, the first principal role he created for her; recording the New York City Ballet repertoire for the television program Dance in America, including the difficulties of filming for television; studying at School of American Ballet; living in New York City as a student; joining New York City Ballet; the possibility of dancing with other companies; changing her name from Linda Merrill to Merrill Ashley; leisure activities; injuries; attending performances of New York City Ballet and other companies.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Programs with complete text for various 1935 German Song Recitals, including songs of romanticism, folk songs, songs by Heine and Goethe. The performers include many of the most reknown lieder singers of the 1930s, such as Lotte Lehmann, Elizabeth Schumann and Gerhard Husch, many of whom were not touring in the United States that year. The "recitals" may have been for gatherings of either German or music students at the University to listen to recordings or radio broadcasts.
Content types:
Sounds and Other
Repository/Collector:
Albert and Shirley Small Special Collections Library
Tape contains live performance of the Primarvera String Quartet in in Coolidge Auditorium at Library of Congress. The concert was broadcast on WETA with announcer Steve Ember. Paul Seiko Chihara composed the second piece for the quartet in 1978. The encore of the concert is the first movement of Five songs for string quartet, arranged by Stanley Silverman from George Gershwin's song "He loves, [and] she loves" from Funny face.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Recordings entered for Peabody Awards consideration from 1940 to the present day. Programs come in all genres and are locally, regionally, nationally, and internationally produced.
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription), Reel-to-reel, Audiocassette, Digital tape (DAT, DCC), CD, Digital file (.WAV), and Digital file (.MP3)
Extent:
19000 recordings
Repository/Collector:
Walter J. Brown Media Archives & Peabody Awards Collection
David Randolph plays excerpts from three different interpretations of J. S. Bach's B minor mass, keeping the idenities of the performers and conductors a secret until the end of track 1.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American contemporary music composer Milton Babbitt. Babbitt talks about his career as a composer; about the difficulties with recordings of his works. The composer discusses in detail each of the following works, excerpts of which are then played during the interview: Philomel (for soprano, recorded soprano, and synthesized sound, text by John Hollander) (1964), Relata I (1965), Sextets (for violin and piano) (1966), Sounds and words (for soprano and piano), All set (for jazz ensemble), String quartet no. 4.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer and teacher Jack Beeson. Beeson talks about his early interest in opera; and about his decision to become an "opera-composer" that was influenced by Metropolitan Opera radio broadcasts; and about his career as a composer. The composer discusses each of the following works: Jonah (opera in two or three acts, libretto by the composer, adapted from the play by Paul Goodman) (1948-1950), Symphony no. 1 in A (1959), Lizzie Borden (opera in three acts, libretto by Kenward Elmslie, based on a scenario by Richard Plant, commissioned by the Ford Foundation) (1965), My heart's in the highlands (television opera, libretto by the composer, adapted from the play by William Saroyan, commissioned by the National Educational Television Opera Theater) (1969). Excerpts from Symphony no. 1 in A (second and third movements) and from the opera Lizzie Borden (second act) are played during the interview.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In this recording, D. Randolph shares both rehearsals (candid warm-ups, song rehearsal clips and train noise) and final polished music tracks of various Christmas carols and one Monteverdi madrigal, "Non più guerra, pietate" sung by this group The Randolph Singers for their second volume of Christmas carols produced by Westminster Records. "Cradle in a manger" was performed and written by Gordon Myers. An unidentified radio announcer is featured at the end of the CD's first track.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st and 4th works (Discussion parts 1-2): Duncan Robinson, Vice President of the Berlioz Society ; Peter Hugh Reed and Olin Downes, music critics. In 2nd work: [André Charpak, narrator] ; Chorus and Orchestra of the New Paris Symphony Association ; René Leibowitz, conductor. In 3rd work: Ruth Lorin, soprano ; John Cooper, piano. In 5th work: Leopold Simoneau, tenor ; Choral Art Society ; Little Orchestra Society ; Thomas Scherman, conductor. In 6th work: Rochester Oratorio Society Chorus and Orchestra ; Theodore Hollenbach, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Air checks from 5-90 minutes in length (single station and across dial). Includes content from WKBW, WGR, WBEN, WWOL, WHTT, WBUF, WEBR, an WYSL, local DJs and morning hosts, and formats such as talk, sports, oldies, Top 40, and jazz
Content types:
Sounds and Other
Formats:
Audiocassette
Extent:
25-30 60 and 90-minute audio cassettes from target period
Noble Sissle, vocals and host ; Eubie Blake, piano ; Leslie Barrett, host ; Les Davis, host ; The Harold Austin Trio ; Joan Shaw, Leontyne Watts, vocals ; Sir Charles Thompson, organ.
Content types:
Sounds
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Project covered a range of DJ's on ethnic/black/soul/funk/urban stations, 1950's - late 90's. Most of the DJ's are African-American, but a surprising few are not. Almost all markets in the US are covered.