This collection documents the for-profit and nonprofit work of Donald W. Callender, Jr., an industrial archaeologist whose career in the greater Delaware-Pennsylvania-New Jersey area has involved maintenance and restoration of railroads and rail cars. In addition, Callender was involved in the establishment of a regional living history museum, the leadership of historic preservation organizations, and efforts to restore the Wilmington Waterfront and increase tourism to the city. The collection also documents his personal interest in sailing and tall ships and his involvement in the Kalmar Nyckel Foundation.
Content types:
Text and Spoken word
Formats:
Text document, Analog audiocassette, and Microfilm
Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
J. Allen Frear, Jr. (1903-1993) was a politician from Dover, Delaware (Kent County). A member of the Democratic Party, Frear served two terms as U.S. Senator from Delaware. The Senator J. Allen Frear, Jr. papers are primarily those of his congressional career, when he represented Delaware in the U.S. Senate from 1949 to 1960, though the collection also includes personal material from pre- and post-Congressional periods. The collection dates from 1917 to 1963, with bulk of the material dating from 1949 to 1961. The collection consists of correspondence, memoranda, reports, legislation, speeches, clippings, photographs, and audio-visual material. Personal material includes correspondence, class notes, travel brochures and post cards, and memorabilia.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, Motion picture film, and Photographic print
Extent:
192 recordings, 80 feet, 75 boxes and 2 oversized boxes
Repository/Collector:
University of Delaware Library, Special Collections
The papers of Senator John J. Williams span the dates 1946- 1988, with the bulk of the collection representing the years of his career in the U.S. Senate, 1947-1970. The collection consists of nearly 150 linear feet of papers and also includes scrapbooks, books, photographs, and film and sound recordings. For the most part, the arrangement of the collection reflects the original filing series of Senator Williams's office. The collection is divided into 25 series which are organized under four record subgroups. The first three subgroups--Legislative Staff/Office Files, Constituent Correspondence and Cases, and Administrative and Personal Office Files--consist of series that document the work performed in office by Senator Williams and his staff. The subgroups reflect the functions of the Senator's work and include series typical of a congressional collection. Duties reflected in the Legislative Staff/Office Files include committee, legislative, and investigative work. The Constituent Correspondence and Cases subgroup includes materials created in response to the concerns and interests of constituents, and those filed on receipt of issue-related opinions from the general public. The Administrative and Personal Office Files reflect the management of the office and the Senator's personal schedule. The fourth subgroup, Personal, includes series of files and other formats that document the personal activities and opinions of Senator Williams. The material in these files supplements information about his Senate career in the first three subgroups. There is also material from the 1970s and about Mrs. Williams and Senator Williams's family life.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Disc (unknown material), Edison dictation disc, Open reel tape (unknown material), Analog audiocassette, Motion picture film, VHS (including SVHS and VHS-C), Text document, and Photographic print
Extent:
149 boxes (149 linear ft.), 4 oversize boxes, 45 volumes of scrapbooks, 11 reels of microfilm, 6 films, 4 videotapes, 15 audio-recordings, 15 audiocassettes
Repository/Collector:
University of Delaware Library, Special Collections
With over 300,000 recordings on tape, disc, cylinder, and piano roll, the Historical Music Recordings Collection is both the depository for University of Texas at Austin recordings and those of select orchestras, radio stations, national and international arts organizations. Named collections within the HMRC include: Irving Feld Radio Dramas; UT Radio House Transcription Discs; Mary Henrietta Chase Collection of Bing Crosby Lacquer Discs; KUT open-reel tape; Longhorn Radio Network open-reel tape; KMFA "20th century Romantics"; Austin Symphony Orchestra; Houston Symphony Orchestra; HMRC-CDs; 16-inch transcription discs (general collection).
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Metal disc, LaserDisc, Cylinder, Analog audiocassette, Digital compact cassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Text document, and Piano rolls
Extent:
300,000 items
Repository/Collector:
The University of Texas at Austin, Fine Arts Library
Papers, recordings of radio interviews, and other sound recordings, mostly in connection with Tater's career as host of jazz radio shows, principally at KJZY (Sonoma County, CA), and KETR (Commerce, TX).
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Photographic print, and Text document
KBOO’s analog audio archive includes almost 7,500 items of radio programming in 5, 7, 10″ open reel, CDs, cassettes, DATs, and minidiscs format. KBOO Community Radio went on the air in June of 1968, and radio program recordings date from the late 1940s. This is a collection created from institutional records. This collection is unprocessed. Our archives include Oregon artists Ken Kesey, Ursula LeGuin, Gus Van Sant, political figures such as Kent Ford, and Winona LaDuke, as well as hundreds of poets, hundreds of artists, and hundreds of activists, both recorded lectures, panels, conferences, and street actions. We also have significant live music recordings from Doc Watson to Elliot Smith.
Content types:
Text, Spoken word, Performed music, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Analog audiocassette, Digital Audio Tape, Open reel tape (unknown material), Digital audio file (including MP3, WAV, AIFF, etc.), and Text document
Extent:
Numbers are estimates, as some labeled items are bundled and dates were not recorded for all items. 7600 individual items: 1,361 10" open reel (1947-2001), 1,865 7" open reel (1948-1969), 99 5" open reel, 1,500 cassettes (1948-2008), 112 digital audio tapes (1969-2004), 217 minidiscs (1969-2004), 2,433 optical discs (1967-2013).
Radio program Latino USA began production by KUT and the Center for Mexican American Studies at the University of Texas at Austin in 1993. In 2010 production moved to the Futuro Media Group. Still produced by Maria Hinojosa and aired on NPR today, Latino USA presents stories on Latina/o history, culture, and current affairs.
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Analog audiocassette, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
410 audio cassettes, 331 compact discs, and 133 Audio Files, plus unprocessed materials.
The Gay Peoples Union Collection presents digital copies of primary source materials documenting GPU and Milwaukee’s gay liberation movement. Materials were selected from the following collections held by the Division of Archives and Special Collections of the University of Wisconsin-Milwaukee Libraries: the Gay Peoples Union Records, GPU News, and the Eldon Murray Papers.
Content types:
Spoken word and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Open reel tape (unknown material), and Digital audio file (including MP3, WAV, AIFF, etc.)
Airchecks of local and national radio programming up to 1979 with emphasis on years 1955-1969. Archive includes news,sports,interviews,DJ airchecks, documentaries and specials.
Content types:
Performed music and Spoken word
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD) and Analog audiocassette
Clarence Manion (1896-1979) was Dean of the Law School at the University of Notre Dame. He started the Manion Forum after his retirement from the University. The collection consists of reel-to-reel and cassette audio recordings (1954-1979) of the Manion Forum radio program (numbered 1-1294) and Manion Forum Footnotes (numbered 1-1850). It was a radio show with political comments on current events by Clarence Manion and / or his guests. Among the guests were Senator Joseph McCarthy, Strom Thurmond, Admiral John S. McCain, Sr., Barry Goldwater, Fred C. Koch, Eddie Rickenbacker, Craig Hosmer, Gerhart Niemeyer, Bonner Fellers, Daniel Lyons, SJ and others.
Content types:
Spoken word and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, and Text document
The Alan Farley Collection consists primarily of recordings made for the radio program Book Talk recorded on audio cassette tapes, digital audio tapes and compact discs. Book Talk airs on KALW 91.7 FM in San Francisco, California, though some of the recordings are used for other radio programs Farley hosts on KALW, such as the show Open Air.
Content types:
Spoken word
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, and Digital Audio Tape (DAT)
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
The collection consists of correspondence dealing with the Metropolitan Opera Regional Auditions; personal papers, mainly promotional documents, and biographical and/or pedagogical writings; newspaper and magazine clippings; annotated scores, programs, photos, scrapbooks and recordings. Recordings include opera broadcasts from the Metropolitan Opera which include Mario Chamlee, also his performance and rehearsal broadcasts on KFAC, and numerous transcription discs from his appearances on the Tony & Gus show in 1935 on WJZ.
Content types:
Notated music, Performed music, Spoken word, Still image, and Text
Formats:
Pressed 78rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Photographic print, Text document, and Microfilm
Recordings of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent, Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show featured interviews with major figures in the jazz world.
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Recordings of a San Francisco Bay Area independent radio news program from 1984-1987 covering labor issues with a primary focus on California. Includes numerous interviews with local labor leaders regarding significant strikes and labor struggles such as the historic Latina-led Watsonville Cannery Strike, United Farm Workers' (UFW) "Wrath of Grapes" campaign, and the month-long SEIU Local 250 Kaiser healthcare workers strike; as well as issues regarding AIDS, plant closures, and other workplace concerns.
Content types:
Spoken word
Formats:
Analog audiocassette and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
27 audiocassette tapes
Repository/Collector:
Labor Archive and Research Center, J. Paul Leonard Library
Records of the Amherst College student radio station, WAMH (formerly WAMF). Records include audio recordings, publicity materials, program guides, correspondence, photographs, training materials, FCC materials and internal documentation of radio station operations. This collection recieves frequent additions.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Digital audio file, Photographic print, and Text document
Production materials documenting Smithsonian's thirteen-part program on the role of radio in transforming the African American community in the twentieth century. The program was produced in 1996 by Jacquie Gales Webb for Smithsonian Productions, with assistance from the AAAMC. The collection contains over 400 hours of interviews and historical aircheck tapes in addition to articles, research files, program scripts, and transcripts. The audio interviews feature conversations with over 150 well-known disc jockeys, radio professionals, record company executives, journalists, and scholars. The historical airchecks include station identifications and jingles, radio interviews with prominent Black figures, coverage of historical events, and programs highlighting or influenced by the contributions of Black performers, disc jockeys, and other important persons in radio.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape, Data cartridge, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Data disk (floppy disk)
Extent:
4.3 linear feet (10 boxes) + 297 audiocassettes (DAT : digital, stereo), 168 audiocassettes (analog), 9 8mm data cartridges, 7 audio discs (CD-R), 3 data disks (1.44 MB floppies)
Recordings of broadcasts by local Buffalo musicians (ND) + interviews with Historical Society staff on WKBW program Panorama Spotlight (1965-67), plus recordings of 1960s broadcasts from WBEN, WBFO and WEBR, and miscellaneous radio recordings
Content types:
Spoken word
Formats:
Cylinder, Acetate open reel tape, and Analog audiocassette
Julian Price was a businessman, journalist, and civic leader. A native of Greensboro, NC, Price was the grandson of Jefferson Standard Insurance executive Julian Price (1867-1946). Price lived in Asheville, NC, from 1990 until his death in 2001, using his extensive wealth and philanthropic spirit to fuel a revitalization of Asheville’s downtown. Price was very interested in radio and print journalism, and recorded a number of interviews for broadcast on public radio stations. This collection contains over 50 cassette recordings of Price’s radio programs.
Content types:
Spoken word and Performed music
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, Photographic negative, Photographic print, and VHS (including SVHS and VHS-C)
Recordings of NHPR programs produced for broadcast and podcast distribution. Including The Exchange, Word of Mouth, Outside/In, Civics 101, Something Wild, New Hampshire News, election coverage, 10 Minute Writers Workshop, The Bookshelf, The Front Porch, Perspectives, and The Folk Show. Date range mainly mid 80s-present.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape (DAT), External drive, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Digital audio file, MiniDisc, and Open reel tape
WOR Inaugural 50,000 Watt broadcast 2/22/35 (2 recordings); Ed Fitzgerald/Benay Venuta (actress) 12/28/36 - cut #1; Ed & Pegeen Fitzgerald WOR 25th anniver. 2/22/47 – cut #2; Breakfast with the Fitzgeralds 10/8/44 – cut #3; Gabriel Heatter (commentator) 1940 – "We the People"; The Gambling’s at home Xmas-1954; John B. Gambling Second Breakfast 7/28/1956; Dorothy Kilgallen/Dick Kollmar WOR 11/12/62; Norman/Ruth Peale – at home audition 6/13/63; Vincent Tracy WOR debut show 2/4/64; Jean Shepherd on WOR 8/4/65; Jean Shepherd on KFRC San Francisco; Peter Lind Hayes/Mary Healey WOR 1/24/69; WOR-AM archive ID Themes 1/16/70 - 23 cuts
We have a massive collection of about 50,000 recordings on CD and vinyl, in addition to both digital and tape airchecks spanning several decades. We also have program guides, advertisements, and station produced publications.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Open reel tape (unknown material), Digital Audio Tape (DAT), Photographic print, Digital audio file (including MP3, WAV, AIFF, etc.), Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, MiniDisc, Text document, Printed brochure, and Printed magazine
The collection consists primarily of audiocassette copies of the 26-part radio series Wade in the Water, produced by NPR in collaboration with the Smithsonian Institution, and concieved and hosted by Dr. Bernice Johnson Reagon.
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, Photographic print, and Photographic negative
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Audio recordings of taped radio show episodes, primarily from the series The Afro-American in Indiana, but also including the additional programs Reflections in Black and Black Heritage , as well as a radio special and recordings from a NAACP convention. The radio shows, hosted by Fr. Boniface Hardin, featured multiple high-profile guests. The episode topics includes sports, music, education, historiography, slavery, the American Civil War, Reconstruction, segregation, the Indiana Constitution, the United States Constitution, church, religion, the NAACP, WWI, WWII, medicine, black businesses, the Institute of Afro American Studies, prison, labor history, and more.
Content types:
Performed music and Spoken word
Formats:
Analog audiocassette and Open reel tape (unknown material)
The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
8 document cases (5 linear ft.), including 137 photographs + 24 audiocassettes
Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Collection includes audiocassette recordings of interviews about Ray Charles for Lydon's book Ray Charles : Man and Music (2004), a radio series about Ray Charles based on Lydon's book, complete or partial transcripts for many of the interviews organized loosely into book chapters, interviews with and about other African American musicians, class lectures given by Lydon at Indiana University and related publicity materials, and original music performed by Lydon.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
The Turmoil Radio Collection documents the world's longest running punk rock and hardcore music radio program. Founded by Steven Kreitzer, it aired on Stony Brook University's campus radio station, WUSB (90.1 FM) on Wednesday evenings (8 to 10 p.m.) from December 1980 through 2004. The collection is comprised of approximately 100 cubic feet of items that document the Turmoil radio program; contents include correspondence, business files, sound recordings, magazines, fanzines, posters, broadsides, ephemera, textiles, and artifacts.
Content types:
Spoken word, Text, Perfomed music, and Still image
Formats:
Photographic print, Text document, Pressed 78rpm disc, Pressed 45rpm disc, Analog audiocassette, and VHS (including SVHS and VHS-C)