News + public affairs shows (including coverage of Vietnam War protests + student takeover of campus administration building), freeform music shows, and "Film" and video interviews with former station workers. Additional documentation includes runs of station program guides. Dates pick up in 60s and run through 70s and beyond.
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription), Reel-to-reel, Audiocassette, Film, Videotape, Digital tape (DAT, DCC), and CD
The vast majority of the collection consists of audio recordings of more than 2000 radio broadcasts of nostalgia shows hosted by Clark including Rock, Roll Remember, Countdown America, US Music Survey, National Music Survey, Dick Clark’s Music Machine, and Dick Clark’s Solid Gold. The tapes were produced by Dick Clark Productions and broadcast from the mid-1980s to the early 2000s.
The 3608 Toscanini recordings include test pressings of Toscanini conducting the NBC Symphony Orchestra in concerts, as well as NBC broadcasts of operas, festival performances, sacred music and more, including rehearsals; for many of these, the location and date of the recording is given and in some cases additional information such as names of performers. Broadcasts took place in the 1930s and 40s.
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription) and Reel-to-reel
Extent:
3608 recordings (747 tapes, unknown number of lacquer discs)
Recordings from various talk, interview, and telephone shows on NBC radio that Nebel conducted over his career, spanning the years 1964-69 (including Addio, Long John Nebel Phone Show, Long John Nebel All Night Show, Long John Nebel Early Hour, Straight Line, etc.). Nebel's programs dealt with a variety of topics, including religion, politics, medicine, and the theater. Many of the shows were concerned with psychic phenomena and the occult, with representative topics such as ESP, UFOs, hypnotism and spiritual healing.
Recordings from Corwin’s CBS radio series (One World Flight, This is Radio, Radio is Here to Stay, Columbia Presents Corwin, An American in England, etc.). Broadcast from the mid-1930s to the mid-1950s.
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription) and Reel-to-reel
Extent:
374 16-inch glass and aluminum based lacquer discs and a few reel tapes
Air checks from 5-90 minutes in length (single station and across dial). Includes content from WKBW, WGR, WBEN, WWOL, WHTT, WBUF, WEBR, an WYSL, local DJs and morning hosts, and formats such as talk, sports, oldies, Top 40, and jazz
Content types:
Sounds and Other
Formats:
Audiocassette
Extent:
25-30 60 and 90-minute audio cassettes from target period
Records include official correspondence, programming materials, and FCC documents for university-operated station WNYU, 1949-69. Audio recordings held in archive's separate Audiovisual Recordings collection
Internal records for St Lawrence University-operated station WSLU and predecessor WCAD, dating back to 1930s. Recordings held in separate Recorded Sound Collection
Content types:
Other
Repository/Collector:
St Lawrence University Libraries, Special Collections and Vance University Archives
Air checks, sports, news, political coverage, local DJs, local music, station IDs/jingles, and local commercials from stations WKBW, WBEN, WINE, WHSO, WEBR, and WGR, from 1950s-1980
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription), Reel-to-reel, Audiocassette, CD, MiniDisc, External drive, Website, VHS (audio), Betacam SP, 1, 2, and 3/4 in videotape, DVC pro tapes, and DVD
NJ Council of Churches; WINS Radio Programs (1963-64); Radio WMCA (1966); UTS production: in cooperation with National Association of Radio (196?); WRVR broadcasts (1965)WOR Radio Programs (1963-65)
We have a fair number of audio recordings of public programs and lectures at The New School going back to the late 1950s--certain of them bear evidence of having been recorded by Pacifica Radio at The New School (I'd have to call them in from offsite storage to check if the station name bears the names of both WBAI and Pacifica), and indicates air dates. These are on 1/4" reel to reel tape. We have a small amount of documentation between TNS and the station(s) and surmise that The New School had a relationship with WBAI or Pacifica to record and broadcast lectures/programs featuring well-known participants. The Pacifica Radio Archive lists at least some of these recordings in its online catalog.
Content types:
Sounds and Other
Formats:
Reel-to-reel
Repository/Collector:
The New School Libraries and Archives, Archives & Special Collections
The Metropolitan Opera has been one of the world's premiere opera companies for well over a century. Its series of live Saturday matinee radio broadcasts began in 1931, featuring host Milton Cross. The Metropolitan Opera radio scripts date from 1933 to 1974, and hold Milton Cross's writings and correspondence in addition to scripts.
Content types:
Other
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Transcripts of the radio program presented on radio station WQXR, New York. From Dec. 7, 1941 to Sept. 26, 1943, the program was called Music for the theatre.
Content types:
Other
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The Radio Scripts collection consists of transcripts of radio programs, both serials and single broadcasts. Among the radio series are "Freedom's People" sponsored by the Federal Security Agency of the U.S. Office of Education (1941-1942); "Give me Liberty" sponsored by the American Committee for Democracy and Intellectual Freedom (1939); "Native Sons" written by Kirk Lord and Frank Griffin; "National Urban League" sponsored by the organization of the same name during its annual Vocational Opportunity Campaign (1941-1951); "Unity at Home; Victory Abroad" consisting of speeches and dramatizations of the lives of African Americans and whites (1943); "New World A-Comin'" (1944-1966), and "Within Our Gates" presented by the Philadelphia Fellowship Commission to deal with the problem of intolerance and bigotry and to provide all citizens equal opportunity and equal rights (1945-1948). The largest group of scripts in the collection is from the radio series "New World A-Comin'." There are also several single scripts including, "Speech of Paul Robeson," "Hampton Institute Forum of the Air, 1944," "Lincoln, Douglas and the Honor Roll In the Race Relations," and "Wings over Jordan."
Content types:
Other
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of noncommercial recordings of radio broadcasts of primarily classical music. The largest portion of the collection consists of broadcast of The New York Philharmonic, with selected concerts from 1952-1963. Conductors of the New York Philharmonic concerts on these recordings include Franco Autori, Leonard Bernstein, Guido Cantelli, Dmitri Mitropoulos, Paul Paray, George Szell, and Bruno Walter. Guest soloists include Claudio Arrau, Robert Casadesus, Van Cliburn, Clifford Curzon, Rudolf Firkušný, Zino Francescatti, Jascha Heifetz, Myra Hess, Byron Janis, Martha Lipton, Artur Rubinstein, Irmgard Seefried, Rudolf Serkin, and Richard Tucker. Orchestras with a smaller representation of recordings in the collection include the Boston Symphony Orchestra in concerts conducted by Pierre Monteux and Charles Munch, the NBC Symphony Orchestra conducted by Guido Cantelli and Pierre Monteux, and the Concertgebouw Orchestra conducted by Eduard van Beinum, Josef Krips, and Rafael Kubelík. Opera recordings include selected Salzburg Festival broadcasts from 1952-1958, with the Vienna Philharmonic conducted by Rudolf Baumgartner, Karl Böhm, Joseph Keilberth, and Herbert von Karajan. Böhm also conducts for the 1956 reopening of the Vienna State Opera House. Bayreuth Festival productions from 1953 and 1954 are conducted by Joseph Keilberth, Hans Knappertsbusch, and Clemens Krauss. Bayreuth vocalists include Hans Braun, Gré Brouwenstijn, Dietrich Fischer-Dieskau, Josef Greindl, Hans Hotter, Martha Mödl, and Eleanor Steber. Recordings of selected Firestone Hour (later the Voice of Firestone) programs from 1952 to 1956 contain opera, operetta, and orchestral selections as well as popular songs. Featured vocalists include Eugene Conley, Nadine Conner, Jerome Hines, Roberta Peters, Risë Stevens, and Ferruccio Tagliavini.
Content types:
Sounds and Other
Extent:
195 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The WPA Radio Scripts consist of final drafts of radio plays and other texts produced by the Federal Theatre of the Air. Most scripts are from either the New York or Los Angeles offices of the Federal Theatre Project. In some instances copies of scripts for the same program but from different jurisdictions are included in the same series. Notable programs represented in the collection include adaptations of the plays of Henrik Ibsen and Oscar Wilde, operettas by Gilbert & Sullivan, a series called A CAPELLA IN BRONZE featuring the WPA Negro Radio Chorus and focusing on stories of particular interest to African-Americans, adaptations of books such as Dickens' PICKWICK PAPERS and plays such as Tolstoy's REDEMPTION, Goldsmith's SHE STOOPS TO CONQUER and Molière's TARTUFFE. A 1939 series celebrating Jazz entitled THE STORY OF SWING devoted episodes to Duke Ellington, Benny Goodman, and the Dorsey Brothers. TURNING POINTS IN FAMOUS LIVES dramatized key moments in the lives of John Paul Jones, Sarah Bernhardt, Louis Pasteur, Isaac Newton, Billy the Kid, Joseph Stalin, and others. THE LIVING NEWSPAPER, adapted from a concurrent Federal Theatre Project stage series, dramatized contemporary problems facing listeners in daily life.
Content types:
Other
Extent:
73 boxes
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center