Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Swedish Broadcast Corp programs titled: 'Stockholmer's Diary', 'Sweden Today', 'Swedish Spectrum'. Recording sent to subscribers. Mailing address was Burlington, Vermont in 1962, subsequent return address is NYC. 7" reels, not digitized.
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
Radio program Latino USA began production by KUT and the Center for Mexican American Studies at the University of Texas at Austin in 1993. In 2010 production moved to the Futuro Media Group. Still produced by Maria Hinojosa and aired on NPR today, Latino USA presents stories on Latina/o history, culture, and current affairs.
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Analog audiocassette, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
410 audio cassettes, 331 compact discs, and 133 Audio Files, plus unprocessed materials.
WGLT is licensed to Illinois State University and is affiliated with NPR. It was originally a student operated radio station, signing on the air on April 24th, 1962 as a closed circuit radio station. A few years later, on February 4, 1966, the station received FCC licensing and began FM boradcasting. The station became a full NPR member in the 1970's. Both the audio and paper records are unprocessed. In the past year, the university archivist and the station’s general manager (along with a School of Communication professor) started the process to inventory all the audio and paper records.
Content types:
Performed music, Sounds, Spoken word, and Text
Formats:
Open reel tape (unknown material), VHS (including SVHS and VHS-C), and 8-track cassette
Transcription discs of local radio broadcasts, 1946-1964, primarily of contemporary classical music performances and including some broadcasts of premieres (world premieres, first radio broadcasts, and first Washington performances), recorded by Rothschild, and some live recordings from Chamber Music Society of Baltimore concerts. Radio stations recorded include WBAL, WJZ, WCAO, WFBR, WITH, and WRC. The collection also includes several popular and jazz recordings, commercial releases, and some private home performances. Recordings of Chamber Music Society of Baltimore concerts and local radio broadcasts on reel-to-reel tapes, 1955-1991. The collection includes several world premieres from CMS concerts and other notable performances in broadcasts (first Washington performances, etc.). Radio recordings are concentrated in earlier recordings while CMS performances are concentrated later. The collection also includes a large subsection of recordings from Marian McPartland's Piano Jazz.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Lacquer disc, Analog audiocassette, Polyester open reel tape, and Acetate open reel tape
WRAS Radio records, 1966-2009, contain materials documenting the Georgia State University student-run radio station. The collection consists of materials pertaining to day-to-day operations, tower construction and relocation, playlists, logs, news clippings, ephemera, station produced sound recordings (interviews, promos, drops) and sound recording submissions for the Georgia Music Show. Notable in the collection is the almost complete run of general manager files documenting the station’s activities under each manager.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Pressed LP disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Polyester open reel tape, Photographic print, and Text document
Extent:
8 linear feet, 900 Optical and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives
The records contain correspondence, memos, scrapbooks, news clippings, publicity materials, program log books, scripts, radio engineering lesson plans, contracts, licenses, photographs, sound recordings, moving image recordings, transcripts, and artifacts relating to the early history of WSB Radio, to WSB performers, programs, awards, and sponsored events (such as news workshops and career conferences for students), and to WSB-FM and WSB-TV.
Content types:
Notated music, Performed music, Spoken word, Still image, Text, Three-dimensional form, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, Photographic negative, and Text document
Extent:
24 linear feet, 250 Lacquer discs, 40,000 Pressed 78rpm, LP, and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives