The American Revolution collection includes hundreds of hours of recordings from WBCN during the period 1968-1974, along with posters, ephemera, videos, oral histories, and other associated materials. The audio and video content has been digitized by our partners, Lichtenstein Creative Media, and will be made available to the public through our digital repository. Materials are currently in the process of being transferred to UMass.
Content types:
Sounds and Other
Extent:
Hundreds of hours
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
The Rudy Grillo Sound Recordings consist of 56 audiotapes and papers relating to Grillo's work as a producer for WBAI-FM, a listener-supported radio station in New York City.
Content types:
Sounds
Extent:
56 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the universitys African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five Colleges National Public Radio affiliate, WFCR.
Content types:
Sounds and Other
Extent:
300 recordings
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
The Retired Senior Volunteer Program (RSVP) sponsored the Memory Lane program, asking senior citizens to come be interviewed on KRMD radio and discuss their early memories of Shreveport and North Louisiana in the "good old days." Topics include Shreveport buildings, social life, politics, etc. Interviews were conducted by Alma Wiley, Maurie Wayne, and Goodloe Stuck.
Content types:
Sounds
Formats:
Audiocassette
Extent:
19 audio tapes of the original KRMD radio station collection of recordings.
Radio interview with American composer and lyricist Stephen Sondheim. Excerpts from his music and songs composed for various films, such as I never do anything twice (from film Seven percent solution), and musicals, such as The frogs, Pacific overtures, Sweeney Todd, Merrily we roll along, are played during the interview.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Audiocassettes contain radio spots, including advertisements prepared by Doak, Carrier & Associates; radio appearances particularly on WINA's "Talk Back" and recordings of various appearances at local events. Other local political figures recorded in these tapes include Paul Harris, Jane Maddux, Ed Robb, Al Weed, and Phyllis A. Whitney. One tape contains a campaign appearance by an unidentified candidate after Emily's death.
Content types:
Sounds and Other
Repository/Collector:
Albert and Shirley Small Special Collections Library
NJ Council of Churches; WINS Radio Programs (1963-64); Radio WMCA (1966); UTS production: in cooperation with National Association of Radio (196?); WRVR broadcasts (1965)WOR Radio Programs (1963-65)
This is a live 13 hour broadcast (10 A. M.-11 P. M.) of the [7th] Wall to Wall at Symphony Space, celebrating Aaron Copland's 80th birthday, with a mix of Copland's compositions and other works by American composers; WNYC radio host was unidentified. Special guest appearences: Ruth Ford, John Ashbery, [Margaret Jory] (ASCAP), Maureen Stapleton, [Edward Albee], and Pearl Lang.
Content types:
Sounds
Formats:
CD
Extent:
12 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Reginald Kell, clarinet ; [Zimbler Sinfonietta]. In 3rd and 5th works: Vienna Philharmonic Wind Group ; Roland Raupenstrauch, piano. In 6th work: Winifred Cecil, soprano ; Luigi Amodio, clarinet ; Alfredo Simonetto, piano. In 7th work: Reginald Kell, clarinet ; Louis Kentner, piano ; Anthony Pini, violoncello. In 8th work: Benny Goodman, clarinet ; New York Philharmonic ; John Barbirolli, conductor. David Randolph, host.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In this 300th broadcast, David Randolph does away with his usual objective approach and "lets the listener hear what he likes and dislikes".--Container.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work (version 1): [Orchestra of the] National Theatre ; Yuri Fayer, conductor. In 2nd work (1st work, version 2): Vienna State Opera [Orchestra] ; Herman Schercgen [i.e. Scherchen], conductor. In 3rd work (version 1): Vienna State Opera [Orchestra] ; Argeo Quadri, conductor. In 4th work (3rd work, version 2): Minneapolis Symphony Orchestra ; Antal Dorati, conductor. In 5th work (version 1): Pierre Bernac, baritone ; Robert Casadesus, piano. In 6th work (5th work, version 2): Walter [sic] Ludwig, baritone ; Michael Roheisen [i.e. Raucheisen], piano. In 7th work (version 1): Antonio Janigro, violoncello ; Carlo Zecchi, piano. In 8th work (7th work, version 2): Janos Starker, violoncello ; Abba Bogen [i.e. Bogin], piano. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Robert Casadesus, piano. In 2nd-3rd, 8th works: The Randolph Singers ; David Randolph, conductor. In 4th work: Rey de la Torre, guitar. In 5th work: Akademie Chor ; [Orchestra of the] Vienna State Opera ; Hermann Scherchen, conductor. In 6th work: Rolf Persinger, viola ; Stradivari [Records] Chamber Music Ensemble. In 7th work: Pro Musica Antiqua ; Safford Cape, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Adam Lüders speaks with Kyra Lynn Kaptzan about his early dance training at the Royal Danish Ballet School; Stanley Williams and other teachers; his apprenticeship at the Royal Danish Ballet, including performing in works such as Flemming Flindt's Swan lake and John Cranko's The lady and the fool; performing in George Balanchine's Don Quixote; leaving the Royal Danish Ballet to join the London Festival Ballet; the repertoire of the London Festival Ballet; coming to New York City at the suggestion of Peter Martins and Peter Schaufuss; joining New York City Ballet in 1975; his roles at City Ballet, including in Balanchine's Brahms-Schoenberg quartet, Agon, and Kammermusik no. 2; working with Jerome Robbins, including in Robbins' work Goldberg variations and Dances at a gathering; his favorite ballets, including Balanchine's Four temperaments, Agon, and Theme and variations; his coming performances with the Royal Danish Ballet, in New York City; leisure activities.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Radio programs, court dramatizations, advertisements, and other segments used in the Fiorani radio broadcasts in the Scranton, Pa. area (presumably including WPTS, which Fiorani owned).
Campaign spots, "H-Bomb Radio Spots," WNEW, Clifton Utley, Mrs. Edison Dick, Edward R. Murrow ("This I Believe"), "The National Purpose," Billy Graham, Jack Webster, Carl Sandburg, John Gardner, Clinton Rossiter, Albert Wohlstetter, Walter Lippmann
Content types:
Sounds and Other
Formats:
Disc (Commercial, Homemade, Transcription), Reel-to-reel, and Audiocassette
Repository/Collector:
Princeton University Libraries, Rare Books and Special Collections
In this recording, David Randolph discusses the book "The agony of modern music" by Henry Pleasants. During his discussion, D. Randolph plays two musical pieces: 1. Prokofiev's Violin concerto no. 2 (slow movement) (9:43) and 2. L. van Beethoven's Große fugue from his String quartet, no. 13 (3:55, fades out) to counteract Pleasants' thesis that "Serious music is a dead art."
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center