Based in Newark, Delaware, Dreamstreets is a magazine featuring local poetry and writing with an irregular but persistent publishing history since 1977. After appearing once a year, and then in several issues per year, in 1984 the magazine began using radio station WXDR to broadcast performances of its poetry and fiction. Contributors to Dreamstreets also performed at various literary events and poetry readings. Steven Leech is the editor and publisher, with regular contributors such as e. jean lanyon, Douglas Morea, and Phillip Bannowsky.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Text document, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Microfilm
Extent:
Approximately 23 recordings, microfilm, 7 feet
Repository/Collector:
University of Delaware Library, Special Collections
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Collection comprises 135 15-minute episodes of Freedom Story, a radio program produced by Spiritual Mobilization, Inc., from 1951 to 1956. The programs feature dramatizations on conservative and libertarian themes and commentary.
Content types:
Spoken word
Formats:
Analog audiocassette and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
135 digital audio files
Repository/Collector:
University of Oregon Special Collections and University Archives
Swedish Broadcast Corp programs titled: 'Stockholmer's Diary', 'Sweden Today', 'Swedish Spectrum'. Recording sent to subscribers. Mailing address was Burlington, Vermont in 1962, subsequent return address is NYC. 7" reels, not digitized.
Content types:
Performed music, Sounds (Other than music & language), and Spoken word
Recordings of NHPR programs produced for broadcast and podcast distribution. Including The Exchange, Word of Mouth, Outside/In, Civics 101, Something Wild, New Hampshire News, election coverage, 10 Minute Writers Workshop, The Bookshelf, The Front Porch, Perspectives, and The Folk Show. Date range mainly mid 80s-present.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape (DAT), External drive, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Digital audio file, MiniDisc, and Open reel tape
Ishmael Reed, African-American novelist, poet, and publisher, was born in Chattanooga, Tennessee, on February 22, 1938. Reed moved with his mother to Buffalo, New York in 1942. His mother worked in various wartime industries and Reed attended public schools, graduating in 1956. He also played violin and trombone and began writing a newspaper column on jazz for the Empire Star Weekly when he was thirteen. He enrolled as an evening student at Millard Fillmore College, the night school division of the University of Buffalo, and worked as a clerk at the Buffalo public library during the day. His writing ability was quickly recognized, and he moved into the bachelor of arts program at the University of Buffalo. He withdrew in 1960 because of a "dire shortage of funds" (Gates) and a "wide gap between social classes" (Gates). To escape "the artificial social and class distinctions that he associated with American university education," (Gates) he moved to Buffalo's Talbert Mall Project. Daily exposure to systematic poverty cycles in the projects led him to political activism in the civil rights and Black Power movements.
Content types:
Performed music, Spoken word, Two-dimensional moving image, Text, and Still image
Formats:
Pressed LP disc, LaserDisc, Open reel tape (unknown material), Analog audiocassette, VHS (including SVHS and VHS-C), Betamax, Text document, Photographic print, and Microfilm
Extent:
Approximately 20 recordings, microfilm, 65 feet
Repository/Collector:
University of Delaware Library, Special Collections
The papers of Senator John J. Williams span the dates 1946- 1988, with the bulk of the collection representing the years of his career in the U.S. Senate, 1947-1970. The collection consists of nearly 150 linear feet of papers and also includes scrapbooks, books, photographs, and film and sound recordings. For the most part, the arrangement of the collection reflects the original filing series of Senator Williams's office. The collection is divided into 25 series which are organized under four record subgroups. The first three subgroups--Legislative Staff/Office Files, Constituent Correspondence and Cases, and Administrative and Personal Office Files--consist of series that document the work performed in office by Senator Williams and his staff. The subgroups reflect the functions of the Senator's work and include series typical of a congressional collection. Duties reflected in the Legislative Staff/Office Files include committee, legislative, and investigative work. The Constituent Correspondence and Cases subgroup includes materials created in response to the concerns and interests of constituents, and those filed on receipt of issue-related opinions from the general public. The Administrative and Personal Office Files reflect the management of the office and the Senator's personal schedule. The fourth subgroup, Personal, includes series of files and other formats that document the personal activities and opinions of Senator Williams. The material in these files supplements information about his Senate career in the first three subgroups. There is also material from the 1970s and about Mrs. Williams and Senator Williams's family life.
Content types:
Spoken word, Text, Still image, and Two-dimensional moving image
Formats:
Disc (unknown material), Edison dictation disc, Open reel tape (unknown material), Analog audiocassette, Motion picture film, VHS (including SVHS and VHS-C), Text document, and Photographic print
Extent:
149 boxes (149 linear ft.), 4 oversize boxes, 45 volumes of scrapbooks, 11 reels of microfilm, 6 films, 4 videotapes, 15 audio-recordings, 15 audiocassettes
Repository/Collector:
University of Delaware Library, Special Collections
Recordings of a San Francisco Bay Area independent radio news program from 1984-1987 covering labor issues with a primary focus on California. Includes numerous interviews with local labor leaders regarding significant strikes and labor struggles such as the historic Latina-led Watsonville Cannery Strike, United Farm Workers' (UFW) "Wrath of Grapes" campaign, and the month-long SEIU Local 250 Kaiser healthcare workers strike; as well as issues regarding AIDS, plant closures, and other workplace concerns.
Content types:
Spoken word
Formats:
Analog audiocassette and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
27 audiocassette tapes
Repository/Collector:
Labor Archive and Research Center, J. Paul Leonard Library
Radio program Latino USA began production by KUT and the Center for Mexican American Studies at the University of Texas at Austin in 1993. In 2010 production moved to the Futuro Media Group. Still produced by Maria Hinojosa and aired on NPR today, Latino USA presents stories on Latina/o history, culture, and current affairs.
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Analog audiocassette, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
410 audio cassettes, 331 compact discs, and 133 Audio Files, plus unprocessed materials.
Founded in 1995, by founder and former executive director Mark Sommer, the Mainstream Media Project (MMP) was a nonprofit public education organization focused on print and broadcast media about creative approaches in achieving peace, security, and sustainability in an interdependent global community. Until its closing in early 2014, it was particularly involved with placing top policy analysts, social innovators, and on-the-ground organizers on radio and television stations across the country and globe. One such project, A World of Possibilities radio show, founded in 2001, was an award-winning one hour weekly show hosted by Sommer. A program "of spirited global conversations," featuring interviews searching for understanding of, and solutions to, longstanding global public affairs challenges, A World of Possibilities was nationally and internationally syndicated until it ceased broadcasting in 2011. The MMP Records contain over ten linear feet of CD and DVD masters of uncut interviews and produced radio shows. Shows, including Heart of the Matter and A World of Possibilities, explore promising new thinking and experimentation in fields ranging from energy, food, water, and wilderness to human rights, global security, and public health, and include interviews with leading experts and innovators, such as Studs Terkel, Pete Seeger, Laurie Garrett, Wangari Maathai, Frances Moore Lappe, Howard Gardner, Lily Yeh, Robert Reich, Majora Carter, Van Jones and many more. The collection also contains MMP business files, consisting of correspondence, reports, articles, grant information, and organizational materials.
The Massachusetts Review is an independent quarterly of literature, the arts, and public affairs. Co-founded by Jules Chametzky and Sidney Kaplan in 1959 to promote eclectic, nontraditional, and underrepresented literary and intellectual talent, the Review has been an important venue for African American, Native American, and feminist writers and poets, mixing new and established authors. The records of the Massachusetts Review document the history and operations of the magazine from its founding to the present, including general correspondence and nearly complete editorial files for published works. The collection also includes a small number of audio recordings of MR2, a radio show hosted by Review editor David Lenson with interviews of writers, artists, and cultural critics.
Content types:
Sounds (Other than music & language), Spoken word, and Text
Formats:
Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
Five recordings of MR2, radio show on WMUA
Repository/Collector:
UMass Amherst Libraries, Special Collections & University Archives
Assorted recordings from 1930s to 1980s, including the following: Recordings of events at the University of South Carolina and Clemson University, 1970s; "Carolina Cares" public service announcements, 1970s-1980s; Entries for SCBA awards, 1970s-1980s; Charleston Folk Series, In the Tradition, and Straw in the Fire programs, 1980s; Episodes from classic radio dramas, 1930s-1960s (e.g., The Shadow, The Lone Ranger, Gunsmoke)
Content types:
Spoken word
Formats:
Open reel tape (unknown material) and Analog audiocassette
Extent:
525 items
Repository/Collector:
McKissick Museum, South Carolina Broadcasters Association Archives
WGLT is licensed to Illinois State University and is affiliated with NPR. It was originally a student operated radio station, signing on the air on April 24th, 1962 as a closed circuit radio station. A few years later, on February 4, 1966, the station received FCC licensing and began FM boradcasting. The station became a full NPR member in the 1970's. Both the audio and paper records are unprocessed. In the past year, the university archivist and the station’s general manager (along with a School of Communication professor) started the process to inventory all the audio and paper records.
Content types:
Performed music, Sounds, Spoken word, and Text
Formats:
Open reel tape (unknown material), VHS (including SVHS and VHS-C), and 8-track cassette
WRAS Radio records, 1966-2009, contain materials documenting the Georgia State University student-run radio station. The collection consists of materials pertaining to day-to-day operations, tower construction and relocation, playlists, logs, news clippings, ephemera, station produced sound recordings (interviews, promos, drops) and sound recording submissions for the Georgia Music Show. Notable in the collection is the almost complete run of general manager files documenting the station’s activities under each manager.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Pressed LP disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), MiniDisc, Polyester open reel tape, Photographic print, and Text document
Extent:
8 linear feet, 900 Optical and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives
The records contain correspondence, memos, scrapbooks, news clippings, publicity materials, program log books, scripts, radio engineering lesson plans, contracts, licenses, photographs, sound recordings, moving image recordings, transcripts, and artifacts relating to the early history of WSB Radio, to WSB performers, programs, awards, and sponsored events (such as news workshops and career conferences for students), and to WSB-FM and WSB-TV.
Content types:
Notated music, Performed music, Spoken word, Still image, Text, Three-dimensional form, and Two-dimensional moving image
Formats:
Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, Photographic negative, and Text document
Extent:
24 linear feet, 250 Lacquer discs, 40,000 Pressed 78rpm, LP, and 45rpm discs
Repository/Collector:
Georgia State University Special Collections and Archives