In addition to papers related to Dooley's career and personal life, the collection includes transcripts and tapes of That Free Men May Live, Dooley's weekly program on KMOX St. Louis.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
An oral history project. The online listing gives names of the participants without identifying whether they were in radio, and if so, when. Check with library for more information.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
Collection of 514 audio tapes with broadcasts from the Golden Age of Radio. Mostly entertainment shows of various genres but also includes some news items and speeches. For a list of the contents check: http://www.umsl.edu/~whmc/guides/whm0256.htm.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
Papers document Hayes's career as a radio broadcaster, 1961-1988, although he began his radio career in the Air Force in 1950 as an announcer for the Armed Forces Radio Service and in 1956 he began work as the black on-air personality and first black news announcer for a station in Alexandria, LA. Includes photocopies of scrapbooks containing publicity literature and photographs reflecting Hayes's radio work from the early to mid-1960s in Chicago, including his work on WMMP, the first black owned station in the Midwest, WSBC, WVON and WGES.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
Contains correspondence, scripts, newsclippings, and photographs relating to Eschen's radio and television career, including his work on KFRU, WIL and KSD, 1946-1956. Collection also includes an oral interview with Eschen's son about his father.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
Papers cover Hyland's early career in sales in radio and later as general manager of KMOX, St. Louis. Contains some mostly unspecified recordings, 1958-1964, including "Pass The Biscuits, Mirandi," with the Spike Jones Combo broadcast September 9, 1963.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis
Papers deal primarily with Pulitzer's editorship of the "St. Louis Post-Dispatch" and cover nearly every aspect of the operation and production of the newspaper, including radio advertising, 1925-1927.
Repository/Collector:
Western Historical Manuscript Collection, University of Missouri-St. Louis