In 1st work: Shirley Reisman, piano ; Harry Zarief, violin ; William Schoen, viola ; Maurice Bialkin, violoncello ; Homer Mensch ; double bass. In 3rd work: Reginald Kell, clarinet ; Anthony Penie [i.e. Pini], violoncello ; Louie Kentner, piano. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection contains acetate and radio transcription disc recordings primarily of Taylor's spoken word radio programs dating from 1935 to 1954. Included are samples of his work on shows such as Information Please, Coronet, Swift's Studio Party, as well as special radio shows such as the ASCAP Cavalcade of Music, and memorial tributes to Stephen Vincent Benet and Jerome Kern.
Content types:
Sounds
Formats:
Disc (Commercial, Homemade, Transcription)
Extent:
90 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of excerpts of twenty-five consecutive programs, broadcast weekly from April 28, 1946 to September 13, 1946. Thomas Scherman served as conductor for the entire series. Noteworthy singers include Natalie Bodanya, John Brownlee, Eugene Conley, Norman Cordon, Todd Duncan, Dorothy Kirsten, Charles Kullman, Brenda Lewis, Martha Lipton, Ann McKnight, Ray Middleton, Mona Paulee, Eleanor Steber, Lawrence Tibbett, Richard Tucker, and Claramae Turner.
Content types:
Sounds
Extent:
77 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
1st work (approximately 21 minutes): Betty Allen, contralto. 2nd work (approximately 38 minutes): Arlene Saunders, soprano ; Enrico Di Giuseppe, tenor. Both works: Orchestra of America ; Richard Korn, conductor.
Content types:
Sounds
Extent:
2 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Manuel Compinsky Quartet ; Janssen Symphony Orchestra of Los Angeles ; Werner Janssen, conductor. In 2nd work: Fernando Valenti, harpsichord. In 3rd work: Tina de Maria, piano ; Scarlatti Orchestra of Naples ; Franco Caracciolo, conductor.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The collection consists of noncommercial sound recordings including performances by Jascha Heifetz and Larry Adler of popular chamber music; a performance of Aaron Avshalomoff's Symphony no. 2 by the Cincinnati Symphony Orchestra conducted by Thor Johnson; a speech by Mrs. Gilbert Chapman broadcast in 1943 promoting the American Women's Voluntary Services; and radio and television interviews with Gilbert W. Chapman and dancer Alexandra Danilova. The interviews with Chapman were recorded from 1956 to 1962 and concern literacy and education in the United States. Notable television and radio programs represented in the collection include the Tex and Jinx television program; a Monitor radio program; and a Lee Graham television interview. Also included is the opening address (given by Mr. Chapman) of the New York Public Library 50th anniversary convocation, and a radio program featuring a story about the WNYC book festival.
Content types:
Sounds
Extent:
17 recordings
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Side A (ca. 50 min.). Charles Ward speaks with Kyra Lynn Kaptzan about his childhood in Los Angeles; his acting as a teenager in musical comedies such as Camelot and West Side story; beginning ballet training at a local Los Angeles school at age 16; training at Gene Marinaccio's school; attending his first ballet performance, of the Stuttgart Ballet, at age 17; joining and dancing with Houston Ballet; Houston Ballet dancers Judith Aaen and John Sellers [Anthony Sellers]; training with a scholarship at American Ballet Theatre School; joining American Ballet Theatre, including an anecdote about Lucia Chase; dancing soloist roles for American Ballet Theatre, including in [Harald Lander's] Etudes; dancing with Carla Fracci in Glen Tetley's Nocturne at the Spoleto Festival [Spoleto Festival U.S.A.] in Charleston, S. C.; being cast as a principal in Tetley's Gemini; reasons a tall male dancer has difficulty in obtaining soloist roles; his feelings about the presence at American Ballet Theatre of the foreign dancers, Natalia Makarova, Fracci, Marcia Haydée and Misha [Mikhail] Baryshnikov; reasons he likes to partner Gelsey Kirkland; partnering Cynthia Gregory; the flatness of almost all male roles in classical story ballets; his reasons for leaving American Ballet Theatre; auditioning for Bob Fosse's musical comedy Dancin'; Bob Fosse's extensive theatrical knowledge; working with him, including Fosse's use of Ward's ballet training; critical and popular response to Dancin', including Ward's and Kaptzan's extensive discussion of their differing opinions of the work [ends abruptly]. Side B (ca. 17 min.). Charles Ward continues speaking about performing in Dancin' ; compares manner of preparing for a performance in Dancin' with preparation for performing in a ballet; his relationship with Ann Reinking; his career aspirations after he has finished touring with Dancin'.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Side A. [Music and announcements.] Christian Holder speaks with Kyra Lynn Kaptzan about his family's performing arts background; his early training in London in dance and theater; seeing Jerome Robbins' musical comedy West Side Story and Ballets: U.S.A. as an influence on his decision to dance; moving to New York City in l964; his scholarship to the Martha Graham School [Martha Graham School of Contemporary Dance]; attending the New York City High School of the Performing Arts; joining the Joffrey Ballet in 1966; his theatrical experience as a child; his favorite role, Death, in Kurt Jooss's The green table; other roles he enjoys, including in [José Limón's] Moor's pavane, [Robert Joffrey's] Astarte, and the narrator in [Frederick Ashton's] Wedding bouquet; roles he and Gary Chryst perform; his preference for a diverse repertory [short gap]; working with Leonide Massine; dancing in Massine's work Parade; dancing in the Joffrey Ballet's program titled Homage to Diaghilev [Parade, Petruschka, Spectre de la rose, and Afternoon of a faun], including the difficulty of performing the same roles every night; working with Rudolf Nureyev; the Joffrey repertoire and how works are selected for performance; the attempted censorship of certain works when the Joffrey toured in the former Soviet Union; touring in the U.S., including audience reactions; Holder's choreographing, including his work Five dances; how working with Jerome Robbins and other choreographers has helped him as a choreographer; his experience with costume design. [Music and announcements.] Side B is blank.
Content types:
Sounds
Formats:
Audiocassette
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Side A. [Music and announcements.] Christian Holder speaks with Kyra Lynn Kaptzan about his family's performing arts background; his early training in London in dance and theater; seeing Jerome Robbins' musical comedy West Side Story and Ballets: U.S.A. as an influence on his decision to dance; moving to New York City in l964; his scholarship to the Martha Graham School [Martha Graham School of Contemporary Dance]; attending the New York City High School of the Performing Arts; joining the Joffrey Ballet in 1966; his theatrical experience as a child; his favorite role, Death, in Kurt Jooss's The green table; other roles he enjoys, including in [José Limón's] Moor's pavane, [Robert Joffrey's] Astarte, and the narrator in [Frederick Ashton's] Wedding bouquet; roles he and Gary Chryst perform; his preference for a diverse repertory [short gap]; working with Leonide Massine; dancing in Massine's work Parade; dancing in the Joffrey Ballet's program titled Homage to Diaghilev [Parade, Petruschka, Spectre de la rose, and Afternoon of a faun], including the difficulty of performing the same roles every night; working with Rudolf Nureyev; the Joffrey repertoire and how works are selected for performance; the attempted censorship of certain works when the Joffrey toured in the former Soviet Union; touring in the U.S., including audience reactions; Holder's choreographing, including his work Five dances; how working with Jerome Robbins and other choreographers has helped him as a choreographer; his experience with costume design. [Music and announcements.] Side B is blank.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Gary Chryst speaks with Kyra Lynn Kaptzan about choreographers with whom he has worked, including Leonide Massine and John Butler; his preference for roles that involve acting and how he prepares a role; the influence of his family as a source of his love of music; studying dance at the [New York City] High School of Performing Arts; performing with Norman Walker; performing with the Joffrey Ballet and his respect for director Robert Joffrey; recent experiences as a guest artist and teacher; leisure activities such as his love of food and cooking, and the pleasure of friendships.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews American composer of contemporary classical music, musicologist, and flutist Claire Polin. Polin talks about the current status of women composers, and about sexism in music. She speaks about both of her careers: as a composer, and as a flutist. The composer also discusses in detail each of the following works, excerpts of which are then played during the interview: Summer settings (for harp), The journey of Owain Madoc, Consecutivo: study on a requiem (for flute/alto flute, clarinet/bass clarinet, violin, violoncello, piano) (1966), and Infinito: a requiem (for alto saxophone, soprano solo, narrator, and chorus).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews musician, composer, and educator Michael Colagrass. Colagrass speaks about his studies at the University of Illinois; about his musical career in Chicago where his first professional experiences were as a jazz drummer; about his eleven years career as a free-lance percussionist in New York City; and about switching him career of jazz musician to career of classical music composer. He talks about both of his backgrounds, jazz and classical music, that influenced his works. The composer discusses in detail each of the following works, excerpts of which are then played during the interview: Light spirit (for flute, viola, guitar, and percussion, 2 players) (1963), Rhapsodic fantasy (for percussion soloist and orchestra) (1965), The earth's a baked apple (written for a teen-age chorus, words by the composer) (1968), New people (seven songs for mezzo soprano, viola and piano, words by the composer) (1969).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Martin Bookspan interviews composer and music theorist George Perle. Perle discusses his background, his career as a composer, and his influences.The composer talks about his article on Webern's 12-tone sketches, and explains the 12-tone system that he uses in his music in some detail. He talks about the influence of Berg and Stravinsky in his composition, but though he uses aspects of their methods in his own composing, he never adoptes them fully. He speaks about the meaning of avant-garde and new classical music in past and today, and compares it to "conservative music." He discusses the opera Lulu by Alban Berg. The composer introduces each of the following works, which are then played in their entierty: String quartert no. 5, Solo partita (for violin and viola), Serenade no. 1 (for solo viola and chamber orchestra).
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 2nd work: Paul Matthen, baritone ; Bertha Melnik, piano. In 4th work: Little Orchestra Society ; Thomas Scherman, conductor. In 5th and 9th work: Philadelphia Orchestra Pops ; Alexander Hilsberg, conductor. In 6th work: Paul Matthen, baritone ; Emilia Mitrani, piano. In 7th work: Tom Lehrer, performer. In 8th and 10th works: Winterthur Symphony Orchestra ; Henry Swoboda, conductor. In 11th work: Nuovo madrigaletto italiano, performers. In 12th work: Ruth Rubin, performer. In 14th work: Symphony Orchestra of Radio Berlin ; Artur Rother, conductor. In 15th work: Hazel Shermet, performer. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Siegfried Borries, violin ; Berlin Radio Symphony Orchestra ; Artur Rother, conductor. In 2nd and 4th works: Parrenin String Quartet. In 3rd work: Alfred Brendel, piano ; Vienna State Orchestra ; Jonathan Sternberg, conductor. In 5th work: Berlin Radio Symphony Orchestra ; Rolf Kleinert, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Sinfonia concertante in B♭ major, op. 84 / J. Haydn -- [Concerto for string quartet and orchestra (1931) / B. Martinů -- Closing movement of Double concerto in A major / G. B. Viotti.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Opening portion of Te Deum / J.-B. Lully -- Lęcons de Ténèbres (3rd lec̦on) / F. Couperin -- Portions of Sacred service / D. Milhaud -- Opening movement of the Mass of the poor / E. Satie.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Excerpt of unidentified 20th century work -- Gavotte of Suite no. 1 [BWV 1066 in C major] ; Et misericordia (from "Magnificat") / J. S. Bach -- Excerpt of slow movement of Symphony no. 4 / J. Brahms -- [Pavane (Orchestra version) / G. Fauré] -- [Excerpt of Scherzo: Pizzicato ostinato of Symphony no. 4 / P. Tchaikovsky] -- Scherzo [Allegretto pizzicato] of Quartet no. 4 / B. Bartók -- 2 excerpts and first movement from "Harp" quartet / L. van Beethoven -- 1st of Three pieces for string quartet / I. Stravinsky -- Slow movement of String quartet, no. 3 [i.e. no. 4], op. 22 / P. Hindemith. Note WNYC inventory no.: WNYC-CONN-1965-12-05; Catalog: 53627. 934th broadcast. Language Spoken in English; sung in Latin. Source Gift; WNYC (Radio station : New York, N. Y.) ; 2007. Subject Radio programs, Musical. Genre/Form Classical music radio programs. Subject Suites (Orchestra) -- Excerpts. Oratorios -- Excerpts. Symphonies -- Excerpts. String quartets -- Excerpts. Orchestral music, Arranged. Added Author Randolph, David, Host. Bach, Johann Sebastian, 1685-1750. Suites, orchestra, BWV 1066, C major. Gavotte, no. 1-2. Bach, Johann Sebastian, 1685-1750. Magnificat, BWV 243, D major. Et misericordia. Brahms, Johannes, 1833-1897. Symphonies, no. 4, op. 98, E minor. Andante moderato. Selections. Fauré, Gabriel, 1845-1924. Pavan, orchestra, op. 50, F♯ minor. Tchaikovsky, Peter Ilich, 1840-1893. Symphonies, no. 4, op. 36, F minor. Scherzo. Selections. Bartók, Béla, 1881-1945. Quartets, strings, no. 4. Allegretto pizzicato. Beethoven, Ludwig van, 1770-1827. Quartets, strings, no. 10, op. 74, E♭ major. Poco adagio. Stravinsky, Igor, 1882-1971. Pièces, string quartet. No. 1. Hindemith, Paul, 1895-1963. Quartets, strings, no. 4, op. 22. Ruhige Viertel: Stets fliessend. Fine Arts Quartet, Performer. WNYC (Radio station : New York, N.Y.) WNYC (Radio station : New York, N. Y.) Donor. NN-RHA Added Title David Randolph concerts Instrumental usages Research Call Number *LDC 48617
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Two final movements of The little symphonies for small orchestra [No. 1, "Printemps"] / D. Milhaud -- Scherzo movement ["Jig"] of Sonata no. 1 for violin and piano / H. Cowell -- Concerto for viola and small orchestra based on old German folk tunes (aka Der Schwanendreher) / P. Hindemith -- Excerpt of Academic Festival overture / J. Brahms -- La vieille maison ("The old house"), a French folk song -- Chanson hébraïque, a setting of a Jewish folk song ["Mejerke, main suhn"] / M. Ravel -- Concluding portions [Saturday night waltz and Hoe-down sections] of the ballet suite Rodeo / A. Copland.
Content types:
Sounds
Formats:
CD
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
La mulita -- Korobeyniki (The peddler or The box) -- Schwefelhölze (Sulphur matches) -- Hanging Johnny -- Sample of Flamenco music -- A soulcake -- Panou sta alonia -- Gitare ; Sheltn, shelt ich dem tog -- Folksong from French Africa (excerpt) -- Xango, a Brazilian Negro cantata for soprano, chorus and orchestra / J. Siqueira -- Brief talk (from 2nd World Festival of Folksong and Folk dance, summer 1953) / R. Vaughan Williams ; [Jabadao] (Brittany, France) ; Chanson de fête (Basque, Spain) -- Agur izar eri (Basque) -- Why do you sit up until midnight? (Russian folk song)
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: David Saxon and Barnett Cardell [i.e. Gardel], violins ; Kellman Flizig [i.e. Calman Flesig], viola ; George Fayer, violoncello. In 2nd-4th work: William Warfield, baritone ; Otto Hertz [i.e. Herz], piano. In 5th work: Claude Debussy, piano. David Randolph ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
in 1st work: Arminas Santana (?), conductor ; with unidentified performers and Italian orchestra. In 2nd work: Nicolas Agroff, baritone ; Orchestre Radio-symphonique de Paris ; René Leibowitz, conductor. In 3rd work: Serge Lemeshev, tenor ; Bolshoi Opera and Chorus ; Vassily Nebolsin, conductor. In 4th work: Mattawilda Dobbs, soprano ; Hughes Cuénod and Joseph Peyron, tenors ; Bernard Demigny, baritone ; Orchestre philharmonique de Paris ; René Leibowitz, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In this recording, "David Randolph directs his remarks in this broadcast to classical music lovers who do not like modern music ... He attempts, with examples, and a little psychology, to get the die-hard classical listener to be a little more open minded about modern music"
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Kurt Appelbaum, piano. In 2nd-3rd works: The Randolph Singers ; David Randolph, conductor. In 4th work: Polymusic Chamber Orchestra ; Vladimir Cherniavsky, conductor. In 5th work: Minneapolis Symphony Orchestra ; Antal Dorati, conductor. In 6th work: [Erika Stiedry-Wagner, soprano] ; Arnold Schoenburg, conductor. In 7th work: Eileen Farrell, soprano ; Mack Harrell, baritone ; New York Philharmonic Symphony Orchestra ; Dmitri Mitropoulos, conductor. In 8th work: Henry Cowell, piano. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Italian Chamber Orchestra ; Newell Jenkins, conductor. In 2nd work: Virtuosi di Roma ; [Renato Fasano, conductor]. In 3rd work: NBC Symphony Orchestra ; Arturo Toscanini, conductor. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Vienna Symphony Orchestra ; Henry Swoboda, conductor. In 2nd work: Joseph Szigeti, violin ; [Mitchell Miller, oboe ; Robert McGinnis, clarinet ; Bert Gassman, English horn ; Sol Schoenbach, bassoon] ; Igor Stravinsky, conductor. In 3rd work: Jean Pougnet, violin ; Frederick Riddle, viola ; Anthony Pini, violoncello. In 4th work: [London Baroque Ensemble ; Karl Haas, conductor.] In 5th work: Philadelphia Orchestra ; Eugene Ormandy, conductor.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Harry Zarief and David Mankovitz, violins ; William Schoen, viola ; Maurice Bialkin, violoncello. In 2nd-6th works: Joan Bishop, soprano ; Vernon Duke, piano. David Randolph, host ; with unidentifed radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st-2nd, 4th-6th, 8th-9th, 12th, 14th, 16th-17th work: unidentified performers. In 3rd work: National Symphony Orchestra ; Walter Damrosch, conductor. In 7th work: Benny Goodman, clarinet ; New York Philharmonic Symphony Orchestra ; [John Barbirolli, conductor]. In 10th work: Arthur Whittemore and Jack Lowe, pianos ; RCA Victor Symphony Orchestra ; Dimitri Mitropoulos, conductor. In 11th work: Gaby and Robert Casadeus, pianos. In 13th work: The Randolph Singers ; [David Randolph, conductor]. In 15th work: Lionel Hampton, vibraphone ; Benny Goodman Sextet. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: unidentifed performers. In 2nd work: American Recording Society Orchestra ; Walter Hendl, conductor. In 3rd work: National Gallery Orchestra ; Richard Bales, conductor. David Randolph, host ; with unidentifed radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
The Randolph Singers (Anna Louise Kautz and Harriet Hill, sopranos ; Mildred Greenberg, contralto ; Abram Sheer, tenor ; Bert Spero, bass) ; David Randolph, host and conductor ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work (playing live in studio): Joseph Zwilich, violin ; Shirley Reisman, piano. In 2nd work: Unidentified performers. David Randolph, host ; with unidenified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 2nd work: Ralph Kirkpatrick, clavichord. In 3rd work: Helma Elsner, harpsichord ; Pro Musica Orchestra ; Rolf Reinhardt, conductor. In 4th work: Theodor Sack, harpsichord. In 5th work: Fernando Valenti, harpsichord ; Soulima Stravinsky, piano. In 6th work: Louis Kaufman, violin ; Marçal Cerrera, violoncello ; Artur Balsam, piano. In 7th work: Walter [sic] Schneiderhan and Gustav Swoboda, violins ; Senta Benesch, violoncello ; Franz Holetschek, harpsichord. In 8th work: Arnold Dolmetsch, piano. In 9th work: Leonid Hambro, piano. In 10th work: Maro Ajemian, piano. In 11th-15th works: Henry Cowell, piano and additional commentary. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 2nd work: Leon Temerson and Eva [Maskin](?), violins ; Harvey [Blumberg](?), viola ; Otto [Diereich](?), violoncello. In 3th work: Bach Cantata Guild, performers ; Peter Sozio, conductor. In 4th work: George Finckel, violoncello ; Claude Frank, piano. In 5th-6th works: William Warfield, baritone ; Vally Weigl, piano. In 7th work: Paul Doktor, viola ; Karl Weigl, piano. In 8th work: Alice Howland, soprano ; Beaux-Arts [String] Quartet. David Randolph, host ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
Two excerpts [Moderato and Allegretto (1st movement)] from Symphonetta, op. 60 ; [Third movement of] Suite for strings ; Last movement of Taras Bulba, an orchestral rhapsody ; Two movements of Concertino for piano and instruments [Più mosso and Con moto] ; Symphonetta, op. 60 (full version) / L. Janáček.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 3rd work: Paul Loyonnet, piano. In 5th, 11th and 13th works: Lazare Lévy, piano. In 9th-10th works: Jeanne-Marie Darre, piano. David Randolph, host and additional commentary (7th work) ; with unidentified radio announcer.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
First movement of Concerto [op. 3, no. 10] in B minor for four violins and orchestra / A. Vivaldi -- First movement of Concerto [BWV 1065, in A minor] for four pianos and orchestra / J. S. Bach -- Second and third movements of Concerto [op. 3, no. 10] in B minor for four violins and orchestra / A. Vivaldi -- Second and third movements of Concerto [BWV 1065, in A minor] for four pianos / J. S. Bach -- Come again, sweet love (for solo voice and lute) ; Come again, sweet love (transcribed for 4 voices, arr. by composer) ; Come again, sweet love (transcribed for large unidentified chorus) / J. Dowland -- Slow movement of String quartet, op. 135 (string quartet) ; Slow movement of string quartet, op. 135 [no. 16 in F major] (transcribed for full string orchestra) / L. van Beethoven.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
In 1st work: Wilhelm Hübner, violin ; Richard Harand, violoncello ; Franz Holetschek, piano. In 2nd work: Marçal Cervera, violoncello ; Winterthur Symphony Orchestra ; Clemens Dahinden, conductor. In 3rd work: Oscar Levant, piano ; Columbia Symphony Orchestra ; Fritz Reiner, conductor. In 4th work: Peter Rybar, violin ; Winterthur Symphony Orchestra ; Henry Swoboda, conductor.
Content types:
Sounds
Extent:
1 recording
Repository/Collector:
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center