Created by the Institute of Latin American Studies and KUT, the "Latin American Review" radio program was broadcast as part of the Longhorn Radio Network. Covering all of Latin America and the Caribbean, the program aired from 1973 to 1984. The program was primarily divided into two segments, a news segment, dealing with reports from different parts of Latin America, and an interview segment, in which an individual or small group was interviewed. A diverse number of topics were covered including human rights abuses, economic conditions, music, popular culture, and the history and politics of the region. Originally airing as the "Latin American Press Review" the program had its title changed in 1976 to "Latin American Review."
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Open reel tape (unknown material), Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Text document
Extent:
472 Reel-to-reel audio tapes (+253 duplicates), 91 compact audio cassettes, and scripts-3.5 linear feet.
Radio program Latino USA began production by KUT and the Center for Mexican American Studies at the University of Texas at Austin in 1993. In 2010 production moved to the Futuro Media Group. Still produced by Maria Hinojosa and aired on NPR today, Latino USA presents stories on Latina/o history, culture, and current affairs.
Content types:
Performed music, Spoken word, and Sounds (Other than music & language)
Formats:
Analog audiocassette, Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
410 audio cassettes, 331 compact discs, and 133 Audio Files, plus unprocessed materials.
Collection includes 12 radio scripts from early 1950s. The collection is largely unprocessed, but two specific program titles are "The Rio Grande Valley Citrus Fiesta," which originated at KRGV and was broadcast on NBC’s National Farm and Home Hour, and "The Rio Grande Flood" from 1954.
The Gay Peoples Union Collection presents digital copies of primary source materials documenting GPU and Milwaukee’s gay liberation movement. Materials were selected from the following collections held by the Division of Archives and Special Collections of the University of Wisconsin-Milwaukee Libraries: the Gay Peoples Union Records, GPU News, and the Eldon Murray Papers.
Content types:
Spoken word and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Open reel tape (unknown material), and Digital audio file (including MP3, WAV, AIFF, etc.)
Papers of Dore Schary, a playwright, motion picture executive, and activist in Jewish and liberal political causes documenting both his personal and professional life. Included are general correspondence; microfilmed scrapbooks; scripts and production material for plays and motion pictures; records pertaining to MGM; non-dramatic writings, speeches (many in recorded form), and an autobiography and a family memoir; home movies and photographs; correspondence, reports, lists, financial records, and speeches from his tenure as national chairman of the Anti-Defamation League and subject files on other organizations with which he was involved such as the American Civil Liberties Union, the American Jewish Committee, and the Democratic Party; and personal and biographical information. Documentation in the production files varies but may include correspondence, notes, variant drafts of scripts, clippings, financial records, publicity, stills, designs, and casting information. Records of Schary's years as executive producer, studio head, and vice-president at MGM include reports of executive meetings, correspondence and memoranda, and scattered financial reports. Also present are papers pertaining to the career of Schary's wife Miriam, painter M. Svet. The collection is arranged in four parts: the Original Collection, the 1968 Additions, the 1977 Additions, and the 1981 Additions. The Original Collection dates 1923-1962 and is organized in these categories: Biographical and Personal Material, General Files, General Writings, and Production Files. The 1968 Additions date 1933-1952 and consist of Production Files only. The 1977 Additions date circa 1920-1980 (though primarily 1956-1977) and again contain Biographical and Personal Material, General Files, General Writings, and Production Files, as well as a new category, Anti-Defamation League Files. Finally, the 1981 Additions date 1924-1980 (primarily 1974-1980) and include the same categories as the 1977 Additions plus a separate category for Disc Recordings. The Original Collection includes other disc recordings, and tape recordings are present in all but the 1968 additions. Some records are present only in microfilm format.
Content types:
Still image, Two-dimensional moving image, and Spoken word
Formats:
Acetate open reel tape, Lacquer disc, Pressed LP disc, Photographic print, and Microfilm
Extent:
74.2 c.f. (203 archives boxes, 1 record center carton, and 1 flat box), 37 reels of microfilm (35 mm), 26 tape recordings, 231 disc recordings, 55 reels of film, and photographs
The Agnes Moorehead Papers, 1923-1974, include material, mainly scripts, on her work as an actress. They are organized in the categories Radio, Motion Pictures, Television, and Theatre. There are also 104 scrapbooks, whose contents overlap the materials in the other series and include all Moorehead's correspondence (including greeting cards for all occasions), clippings, programs, photographs, and miscellany, 1928-1973. In addition, the collection includes files of materials submitted to Moorehead for her review but rejected by her, and miscellany. This collection extensively documents Moorehead's exceptional career, in which she was continuously employed as an actress, often in several media simultaneously, for forty-five years.
Airchecks of local and national radio programming up to 1979 with emphasis on years 1955-1969. Archive includes news,sports,interviews,DJ airchecks, documentaries and specials.
Content types:
Performed music and Spoken word
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD) and Analog audiocassette
The collection contains the records pertaining to the business and operational aspects of Fred Waring and the Pennsylvanians as well as the business records of Fred Waring's America. Includes business correspondence, tours, financial records, legal papers, workshops, radio shows, television shows, photographs, and fan mail.
Content types:
Notated music and Performed music
Formats:
Pressed 78rpm disc, Lacquer disc, Metal disc, and Digital Audio Tape (DAT)
Extent:
159 Cubic Feet (51 linear feet + 1100 Digital Audio Tapes)
Repository/Collector:
The Eberly Family Special Collections Library, Penn State University Libraries
Clarence Manion (1896-1979) was Dean of the Law School at the University of Notre Dame. He started the Manion Forum after his retirement from the University. The collection consists of reel-to-reel and cassette audio recordings (1954-1979) of the Manion Forum radio program (numbered 1-1294) and Manion Forum Footnotes (numbered 1-1850). It was a radio show with political comments on current events by Clarence Manion and / or his guests. Among the guests were Senator Joseph McCarthy, Strom Thurmond, Admiral John S. McCain, Sr., Barry Goldwater, Fred C. Koch, Eddie Rickenbacker, Craig Hosmer, Gerhart Niemeyer, Bonner Fellers, Daniel Lyons, SJ and others.
Content types:
Spoken word and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, and Text document
The Arthur B. Church KMBC Radio Collection contains multiple episodes of The Brush Creek Follies featuring the Rhythm Riders, Oklahoma Wranglers, and Midland Minstrels. Most of the collection is related to the events of WWII, FDR, and Harry Truman, D-Day invasion coverage, reports on the signing of treaties, the dropping of the atomic bomb, coverage of the activities of President Roosevelt and Eisenhower. Other highlights include broadcast about the Cold War, Harry Truman's speeches to a multitude of different groups, events at the White House, some of Roosevelt's fireside chats, national news coverage, film footage of KMBC's dedication as well as a segment of the Microphone Personalities, recordings of Pun and Punishment (9/22/60), coverage of Truman and Churchill at Fulton, MO, Churchill's famed "Iron Curtain" speech, recordings of the Texas Rangers. Also included are W.S. Hedge interviews Arthur B. Clarke (6/22/66), KMBC's 500 Hats of Bartholomew Cubbins (3/24//48), Church's last KMBC broadcast (1/15/51).
Content types:
Performed music, Sounds (Other than music & language), Spoken word, and Two-dimensional moving image
Formats:
Pressed LP disc, Lacquer disc, Metal disc, and Motion picture film
The Armed Forces Radio Service (AFRS) was established by the War Department on May 26, 1942 to entertain, inform and connect troops to back home. The broadcast were also intended to counter propaganda broadcasts by Tokyo Rose, Axis Sally and other radio personalities supported by the Axis alliance. The AFRS network was launched with a five hour broadcast on July 4, 1943. The network quickly grew and by the end of World War II included 300 stations, broadcasting to troops around the world. Programs were distributed to stations on 16" polyvinyl discs that contained fifteen minutes of information. Bing Crosby, Bob Hope, Dinah Shore, Frank Sinatra and other major stars of the day performed on the network free of charge as their contribution to the war effort. Radio networks and record labels provided free access their programming and recordings to help develop programming for the network. In addition to bringing the troops programming from networks and the record labels, the service also created original programs like Jubilee which featured African American bands and entertainers. The AFRS network continued broadcasting through Korea, Vietnam and other subsequent wars and conflicts. Now known as the Armed Forces Network, the service continues to entertain servicemen and servicewomen stationed around the world.
The J. David Goldin Collection includes nearly 10,000 radio programs on 16" discs broadcast from the 1930s through the 1950s. The programs include variety shows, radio plays, political speeches, news programs, documentary programs, advertisements, and music programs.
The Soviet All-Union Radio Committee Collection consists of excerpts of classical music, opera, and folk music on tape, all by Russian composers and performed by Russian musicians, from the late 1940s and early 50s. The tapes were used in radio programming by the All-Union Radio Committee (Vsesoiuznoe radio).
The KSFO Collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Physical media in the KSFO collection is primarily audio on tape (around 650 objects), with some video (largely U-Matic cassettes), 16mm film (four reels), photographs, slides, and ephemera (eight scrapbooks of printed matter).
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Polyester open reel tape, Motion picture film, U-matic (including U-matic S), Photographic print, and Text document
172 reel tapes of off-air recordings, made from 1951 to 1969, mostly broadcast recordings of performances by the NBC Symphony Orchestra, New York Philharmonic, Boston Symphony Orchestra, and Metropolitan Opera.
Audiovisual material and ephemera from the KSFO San Francisco radio station, made between 1956 and1983. Content includes famous radio personalities, station marketing, promotions, fundraisers, also jingles, themes, music beds, promotional spots, and advertising.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Polyester open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Photographic print, Photographic negative, and Text document
Broadcasts on Polskie Radio i Telewizja, distributed to Polish Arts and Culture Foundation in the U.S., interviews with Polish scholars, filmmakers, artists and discussions of Polish art, science, literature, history.
Content types:
Spoken word
Formats:
Polyester open reel tape
Extent:
3 boxes (69 open reel tapes on 3", 5" and 7" reels))
Evangelical sermons, prayers, and hymnal recordings mostly on compact disc, originally broadcast from 1937 to 1968 on the radio program Old Fashioned Revival Hour with radio host Charles Fuller (1887-1968). The collection includes original programs from the 1950s and rebroadcasts from 2002 to the present. More programs will be added as they become available. The music CDs and cassettes were were produced on the campus of Fuller Theological Seminary and were published between 1999 and 2004.
Public radio program "In Recital at Ambassador," on KUSC, Los Angeles, featured live performances of principally classical music from the Ambassador Auditorium in Pasadena, California.
Content types:
Performed music and Spoken word
Formats:
Digital Audio Tape (DAT) and Polyester open reel tape
1000 off-air recordings of local and network radio, Menlo Park, CA from 1937 to 1949, made with home recording machine to make aluminum, lacquer discs of broadcasts, mostly war-related news & commentary
The Ragtime Machine was a weekly one-hour radio program about ragtime music, produced and hosted by David Reffkin and broadcast on the University of San Francisco's station KUSF. The collection contains all programs from 1981 to 2007, as well as program logs describing their contents, including guests interviewed and songs played.
The Archive of Recorded Sound's Non-Commercial Disc Collections consist of over 10,000 phonographic disc recordings from a variety of donors, the majority of which are either broadcast transcriptions or instantaneous recordings. None were ever available for sale to the general public, and many are unique.
The Ed Wilkinson Collection consists of classical and opera performance broadcasts of the 1930s and 40s on open reel tape, the majority of which from the Standard Symphony Hour series.
The Alan Farley Collection consists primarily of recordings made for the radio program Book Talk recorded on audio cassette tapes, digital audio tapes and compact discs. Book Talk airs on KALW 91.7 FM in San Francisco, California, though some of the recordings are used for other radio programs Farley hosts on KALW, such as the show Open Air.
Content types:
Spoken word
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, and Digital Audio Tape (DAT)
The KZSU Collection consists of tape recordings of lectures by Stanford faculty on campus from January to May 1968, originally broadcast on student radio station KZSU. While on a variety of topics, contemporary sociological, scientific, and economic issues are prevalent. The lecture series was sponsored by Century 21 realty company. Note cards describing tape speed, playback issues, and sound quality are inserted in each tape box. Some of the multi-part lectures are missing a part. Additional recordings may be added to this collection at a later time.
Since 1989, Riverwalk Jazz: Live At The Landing educates and entertains public radio listeners with a program devoted to celebrating traditional jazz and popular music of the pre-war era, featuring performances from the Jim Cullum Jazz Band and guests. This collection contains copies of all the finished programs, as well as elements, other source material, and files documenting every aspect of the show's production.
Content types:
Performed music, Spoken word, and Text
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, and Text document
Collection of recordings, photographs, sheet music, paper documents, and two films which document every aspect of the career of operatic tenor, Richard Crooks. Audio recordings are largely from the Voice of Firestone radio show, but also include audio cassettes of performances on CBC radio broadcasts.
Content types:
Notated music, Performed music, Still image, and Text
Formats:
Lacquer disc, Analog audiocassette, Polyester open reel tape, Motion picture film, Photographic print, and Text document
The collection contains the files of the various organizational departments of the Ambassador Auditorium, Pasadena, California, as well as audio and video recordings. Recordings of radio broadcasts include tapes of National Public Radio broadcasts, "Performance Today," "JazzSet," "Blues Stage" and also "In Recital at Ambassador," as well as a broadcast from the Ivo Pogorelich Competition.
Content types:
Performed music, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, VHS (including SVHS and VHS-C), Betamax, U-matic (including U-matic S), Open reel video, Photographic print, and Text document
Historic music and speech recordings, primarily on open reel tape, made on the campus of Stanford University. The collection also includes video formats, one 8 mm film and two audio cassettes.
Content types:
Performed music, Spoken word, and Two-dimensional moving image
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Polyester open reel tape, VHS (including SVHS and VHS-C), 8mm video (including Hi8), and Open reel video
The Stanford Speech Collection consists of audio recordings on open reel tape of speeches, lectures, and panel discussions at or sponsored by Stanford University from the 1950s through the 70s. Many recordings were produced and edited for broadcast on campus radio station KZSU (especially those tapes from 1969-1971).
The collection consists of correspondence dealing with the Metropolitan Opera Regional Auditions; personal papers, mainly promotional documents, and biographical and/or pedagogical writings; newspaper and magazine clippings; annotated scores, programs, photos, scrapbooks and recordings. Recordings include opera broadcasts from the Metropolitan Opera which include Mario Chamlee, also his performance and rehearsal broadcasts on KFAC, and numerous transcription discs from his appearances on the Tony & Gus show in 1935 on WJZ.
Content types:
Notated music, Performed music, Spoken word, Still image, and Text
Formats:
Pressed 78rpm disc, Lacquer disc, Analog audiocassette, Polyester open reel tape, Photographic print, Text document, and Microfilm
Recordings of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent, Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show featured interviews with major figures in the jazz world.
This series documents publicity for the committee from 1976 through 1978. Information includes press releases, biographies, newspaper clippings, promotional materials, bulletins, broadcast scripts, photographs, visual documentation, and other related items.
This series consists of addresses made to the House of Representatives by the Governor, members of the House, and other guests. Series is divided into four sub-series: inaugural addresses of the Governor; annual addresses by the Governor (now known as the State of the State address); speeches made by individuals at political conventions, on the radio, or the General Assembly and ordered published by the legislature; and programs of events held in one of the chambers.
This series consists of speeches, speech materials, radio scripts, press releases, point papers, and meeting agendas concerning soil and water conservation in South Carolina, other southern states, and the nation. Speeches and other materials were prepared by members of the State Soil Conservation Committee, federal agricultural officials, and private citizens interested in soil and water conservation. Materials concern topics such as topsoil, water rights, grassland farming, irrigation, the soil stewardship program, financing for District programs, watersheds, and the importance of soil conservation districts in the state's future development. Also included is an address by U.S. Sen. Strom Thurmond at a Lions Club Appreciation Night in Laurens, April 1958. The series covers the years 1937, 1950-1959, 1964, and 1966.
This series consists of short histories of two aircraft control and warning units of the South Carolina Air National Guard. Stationed on the front lines, these units' duties included vectoring pilots to targets, setting up radio relay stations in remote areas, and warning of advancing enemy activity. The 110th AC&W Squadron was formed in 1950, in response to needs of the Korean War. The unit was disbanded in 1953, and much of its functions, personnel and equipment were taken over by the 114th AC&W Squadron.
This series consists of commercials produced by the Dept. of Natural Resources for distribution to local radio stations. Subjects include license tags, hunting and fishing regulations, litter cleanup, conservation, outdoor safety, hurricane preparedness, and hunting safety. Each filename contains the subject of that particular announcement. Announcements were produced in both 30 second and 60 second versions.
This series contains correspondence, memoranda, and photographs relating to speeches given by Governor Richards. Almost all the material in this file deals with the governor's 1929 Chicago radio address on South Carolina resources.
This series consists of correspondence, reports, audits, and other documentation of matters of importance between South Carolina and the federal government. Much of the records center on subjects related to the Depression. The series deals in detail with the workings of federal agencies and other entities receiving federal funds within the state. Information is varied, but generally consists of correspondence of various officials, reports, and other documentation of the workings of various agencies and applications for and audits of federal money provided for projects within the state.
This series was created as part of a filing system introduced into the governor's office in 1917 and was designed to hold recurrent records which did not accumulate as rapidly as those filed as separate series. The series contains the election proclamations issued by authority of S.C. Statute 1914(29)592; holiday proclamations; recommendations; requests for interviews; resignations; reports; invitations; correspondence with governors and agencies of other states and with the South Carolina Congressional Delegation; miscellaneous applications and appointments, and miscellaneous audits of state agencies. Included are files on various associations, conferences, congresses, and events/festivals, such as the National and the Southern Governors' Conference, the sesquicentennial of the United States Constitution and the city of Columbia, the centennial of the Town of Mount Pleasant, President Roosevelt's 1937 visit to Columbia, and the Young Democrats of America. Also contained are records pertaining to the 1936 presidential campaign; President Roosevelt's 1937 inauguration; the Democratic Party; proposed memorials to Francis W. Pickens, Benjamin R. Tillman, and Woodrow Wilson; agriculture, Catawba Indians; farmers (including African American farmers); labor and unrest; lotteries and gambling; the penitentiary riot of 1937 which resulted in the death of J. Olin Sanders, the captain of the prison guard; roads and highways; rural electrification; Spanish-American War veterans; taxation; and tourism. Other subjects include old-age benefits, schools and colleges, clemency, education, farm tenancy, immigration, freight rates, radio stations, and southern Democratic women. Correspondents include Helen Keller.
This series consists of correspondence, reports, and other administrative material on subjects of major importance throughout Governor Maybank's term of office, including the governor's 1941 mail log, speeches, and farewell address. Information is included on African American affairs; air raid shelters; the 1940 registration of aliens; birth control; cotton farmers; requests for seats at the executions of those involved in the murder of Capt. Sanders, the captain of the prison guard killed in the Penitentiary riot of 1937; gas rationing; the governor's hour radio program; Ku Klux Klan violence; lawlessness; lynchings; military transfers; new industries; the port of Charleston; requests for a battleship South Carolina; special federal Senate seat elections; the Southern Governors' Conference; and teacher salaries.
This series contains documents relating to Olin D. Johnston's campaign for governor in 1942 and for the U.S. Senate in 1944. Included are speeches, radio addresses, lists of political operatives, and correspondence relative to the campaigns.
This series contains documents relating to Ransome J. Williams' campaign for governor in 1946. Included are speeches, radio addresses, lists of political operatives, and correspondence relative to the campaigns. Arrangement by county illustrates his strategy and tactics according to the region of the state.
KEXP and KCMU live performance recordings, radio programming, on-demand content and related materials (1972-present).
Content types:
Performed music, Still image, Text, Two-dimensional moving image, and Sounds
Formats:
Optical disc (including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, Digital Audio Tape (DAT), Polyester open reel tape, Acetate open reel tape, Digital audio file (including MP3, WAV, AIFF, etc.), VHS (including SVHS and VHS-C), Data cartridge, and Text document
Mykola Francuzenko was a Ukrainian-American writer (under the pseudonym Mykola Virnyi), translator, theatrical director, radio journalist, and social activist. His literary output includes over 400 works, and he was a writer and broadcaster for the Ukrainian services of both Radio Liberty and the Voice of America during the Cold War. He was known for his speaking and recitation, and was considered a master of the art of the Ukrainian spoken word. His archives contain scripts, working notes, photo albums, and numerous audio tapes, some of which contain unique interview recordings, recordings of poets reading their own works, live recordings of events in the Ukrainian American community, and radio programming of the Ukrainian services of Radio Liberty and the Voice of America.
Content types:
Performed music, Spoken word, Still image, Text, and Two-dimensional moving image
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Motion picture film, VHS (including SVHS and VHS-C), Data disk (floppy disk), Photographic print, Text document, and Microcassette
Extent:
Approximately 130 open reel tapes and 200 analog audio cassettes, as well as radio scripts, photographs, and text documents
Recordings of a San Francisco Bay Area independent radio news program from 1984-1987 covering labor issues with a primary focus on California. Includes numerous interviews with local labor leaders regarding significant strikes and labor struggles such as the historic Latina-led Watsonville Cannery Strike, United Farm Workers' (UFW) "Wrath of Grapes" campaign, and the month-long SEIU Local 250 Kaiser healthcare workers strike; as well as issues regarding AIDS, plant closures, and other workplace concerns.
Content types:
Spoken word
Formats:
Analog audiocassette and Digital audio file (including MP3, WAV, AIFF, etc.)
Extent:
27 audiocassette tapes
Repository/Collector:
Labor Archive and Research Center, J. Paul Leonard Library
Raymond Loewy was born in Paris on November 5, 1893. He was the third son of Maximillian and Marie (Labalme) Loewy and grew up in a bourgeois household. As a boy, he developed an interest in transportation and machines. At age seventeen, Loewy enrolled in a pre-engineering school, an experience that prepared him for the technical aspects of an industrial design career.
The Society of the Plastics Industry was organized on May 11, 1937, by several engineers and salesmen connected with the manufacture of plastics feedstocks, finished products, and processing machinery. As a general trade association, the Society was somewhat unusual in that it represented both the giant chemical firms and small finishers and molders. In its early years, the Society was a loose organization which brought its members together for socializing and informal exchanges over dinner and on the golf links. While the activities of the Societyhave become more structured and sophisticated as the industryhas matured, the social aspect is still a prominent feature of its annual meetings and expositions.
William Caroll Pahlmann was one of the leading American interior designers of the mid-twentieth century. Pahlmann was known for an "eclectic" style that combined materials and decorative elements from many time periods and cultures, everything from antiques to modern laminates, and for bold color and texture combinations. This approach typified much of the private residential and commercial construction of the period and stood in contrast to the austere modernism of contemporary architects. Pahlmann also played a major role in organizing and elevating the status of interior design as a profession.
Records of the Amherst College student radio station, WAMH (formerly WAMF). Records include audio recordings, publicity materials, program guides, correspondence, photographs, training materials, FCC materials and internal documentation of radio station operations. This collection recieves frequent additions.
Content types:
Performed music, Sounds (Other than music & language), Spoken word, Still image, and Text
Formats:
Analog audiocassette, Polyester open reel tape, Acetate open reel tape, Digital audio file, Photographic print, and Text document
Production materials documenting Smithsonian's thirteen-part program on the role of radio in transforming the African American community in the twentieth century. The program was produced in 1996 by Jacquie Gales Webb for Smithsonian Productions, with assistance from the AAAMC. The collection contains over 400 hours of interviews and historical aircheck tapes in addition to articles, research files, program scripts, and transcripts. The audio interviews feature conversations with over 150 well-known disc jockeys, radio professionals, record company executives, journalists, and scholars. The historical airchecks include station identifications and jingles, radio interviews with prominent Black figures, coverage of historical events, and programs highlighting or influenced by the contributions of Black performers, disc jockeys, and other important persons in radio.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape, Data cartridge, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Data disk (floppy disk)
Extent:
4.3 linear feet (10 boxes) + 297 audiocassettes (DAT : digital, stereo), 168 audiocassettes (analog), 9 8mm data cartridges, 7 audio discs (CD-R), 3 data disks (1.44 MB floppies)
Three Episodes of WNYC’s "Know Your City," 1949-1950 on five LPs. On this quiz show, New York City school children answer questions about their city. The quizmaster is "Aunt Edith," or Edith McGinnis, who went on to become Manhattan’s first Borough Historian. Topics include Flatbush, with John Cashmore, the Brooklyn Borough President, as a special guest; the history of labor in New York City; and the history of the retail industry in New York City.
Recordings of broadcasts by local Buffalo musicians (ND) + interviews with Historical Society staff on WKBW program Panorama Spotlight (1965-67), plus recordings of 1960s broadcasts from WBEN, WBFO and WEBR, and miscellaneous radio recordings
Content types:
Spoken word
Formats:
Cylinder, Acetate open reel tape, and Analog audiocassette
Julian Price was a businessman, journalist, and civic leader. A native of Greensboro, NC, Price was the grandson of Jefferson Standard Insurance executive Julian Price (1867-1946). Price lived in Asheville, NC, from 1990 until his death in 2001, using his extensive wealth and philanthropic spirit to fuel a revitalization of Asheville’s downtown. Price was very interested in radio and print journalism, and recorded a number of interviews for broadcast on public radio stations. This collection contains over 50 cassette recordings of Price’s radio programs.
Content types:
Spoken word and Performed music
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, Photographic negative, Photographic print, and VHS (including SVHS and VHS-C)
Recordings of NHPR programs produced for broadcast and podcast distribution. Including The Exchange, Word of Mouth, Outside/In, Civics 101, Something Wild, New Hampshire News, election coverage, 10 Minute Writers Workshop, The Bookshelf, The Front Porch, Perspectives, and The Folk Show. Date range mainly mid 80s-present.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Digital Audio Tape (DAT), External drive, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Digital audio file, MiniDisc, and Open reel tape
This printed text is a series of hearings and reports before the Committee on Un-American Activities, House of Representatives, Eighty-sixth Congress, second session.
WOR Inaugural 50,000 Watt broadcast 2/22/35 (2 recordings); Ed Fitzgerald/Benay Venuta (actress) 12/28/36 - cut #1; Ed & Pegeen Fitzgerald WOR 25th anniver. 2/22/47 – cut #2; Breakfast with the Fitzgeralds 10/8/44 – cut #3; Gabriel Heatter (commentator) 1940 – "We the People"; The Gambling’s at home Xmas-1954; John B. Gambling Second Breakfast 7/28/1956; Dorothy Kilgallen/Dick Kollmar WOR 11/12/62; Norman/Ruth Peale – at home audition 6/13/63; Vincent Tracy WOR debut show 2/4/64; Jean Shepherd on WOR 8/4/65; Jean Shepherd on KFRC San Francisco; Peter Lind Hayes/Mary Healey WOR 1/24/69; WOR-AM archive ID Themes 1/16/70 - 23 cuts
We have a massive collection of about 50,000 recordings on CD and vinyl, in addition to both digital and tape airchecks spanning several decades. We also have program guides, advertisements, and station produced publications.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Open reel tape (unknown material), Digital Audio Tape (DAT), Photographic print, Digital audio file (including MP3, WAV, AIFF, etc.), Pressed LP disc, Pressed 78rpm disc, Pressed 45rpm disc, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Analog audiocassette, MiniDisc, Text document, Printed brochure, and Printed magazine
These materials comprise a thirteen-part radio series of public service broadcasts produced by Sam Chase for WLIB radio in New York in cooperation with Newsweek Magazine.
The collection consists primarily of audiocassette copies of the 26-part radio series Wade in the Water, produced by NPR in collaboration with the Smithsonian Institution, and concieved and hosted by Dr. Bernice Johnson Reagon.
Black radio photograph collection documenting events and personnel, including photos with rhythm and blues musicians, at Houston station KCOH in the 1960s and 1970s. Photographs were copied from the personal collection of Gardner. Accompanied by a transcription of an interview with Gardner which includes descriptions of each photograph.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
12 photographs : black & white ; 8 x 10 in. + 11 negatives (black & white : 4 x 5 in.)
Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
12 photographs : black & white ; 8 x 10 in. + 12 negatives (black & white : 4 x 5 in.)
Collection consists primarily of materials related to Roberts's work at KYOK-AM in the 1960s and '70s including images of KYOK sponsored events such as the "We Love You" concert and associated publicity materials, a beauty pageant, radio contests, and on-site broadcasts throughout Houston. Also included are photographs of KYOK radio personalities and staff as well as candid and publicity photographs of visiting R&B artists.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
60 photographs : black & white ; 8 x 10 in. + 60 negatives (black & white ; 4 x 5 in.)
The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, VHS (including SVHS and VHS-C), Photographic print, and Text document
The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, Photographic print, and Photographic negative
Collection consists of materials related to Lewis's work at the WERD radio station in the 1950s and '60s. Founded by Jesse B. Blayton, Sr. in October 1949 in Atlanta, Georgia, WERD was the first black owned and operated radio station in the United States. The collection materials comprise 7 black and white and 7 color photographs documenting WERD's early history. Content includes the exterior of the WERD studio building, publications related to WERD such as photographs of an issue of The Printed WERD, and a portrait of J.B. Blayton Sr.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
7 photographs : black & white ; 8 x 10 in. + 7 photographs (color ; 3 x 5 in.), 2 negatives (black & white ; 4 x 5 in.)
Collection consists primarily of interview transcripts, program transcripts, and artist publicity materials used in the production of the Westwood One Radio programs Special Edition, That's Country Music, Rock Chronicles, My Top Ten, and History of Rock 'n Roll. It also contains materials from various specials including programs on Elvis Presley, Jimi Hendrix, and the Rolling Stones.
Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
1 document case (.5 linear feet) + 8 audiocassettes : analog
Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper’s Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mellow Yellow."
Content types:
Two-dimensional moving image, Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Open reel tape (unknown material), VHS (including SVHS and VHS-C), Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print
Collection consists of black and white photographs from the 1950s through the early 1980s related to KYOK in Houston. Including are images documenting the activities of KYOK's deejays in the studio and surrounding communities, particularly in connection with listener contests and station-sponsored events such as dances and the "We Love You" concert. Also included are photographs of KYOK publicity materials and publicity photographs of many of the rhythm and blues artists, jazz, and blues artists featured on the station.
Content types:
Still image
Formats:
Photographic print and Photographic negative
Extent:
98 photographs : black & white ; 8 x 10 in. + 97 negatives (black & white : 4 x 5 in.)
The collection consists of personal papers, photographs, and a video documenting the career Ed Castleberry, a pioneering black radio disc jockey and newscaster.
Content types:
Two-dimensional moving image, Still image, and Text
Formats:
VHS (including SVHS and VHS-C), Photographic print, and Text document
Extent:
1 document case (.25 linear feet), including 26 photographs and 1 videocassette (VHS)
Audio recordings of taped radio show episodes, primarily from the series The Afro-American in Indiana, but also including the additional programs Reflections in Black and Black Heritage , as well as a radio special and recordings from a NAACP convention. The radio shows, hosted by Fr. Boniface Hardin, featured multiple high-profile guests. The episode topics includes sports, music, education, historiography, slavery, the American Civil War, Reconstruction, segregation, the Indiana Constitution, the United States Constitution, church, religion, the NAACP, WWI, WWII, medicine, black businesses, the Institute of Afro American Studies, prison, labor history, and more.
Content types:
Performed music and Spoken word
Formats:
Analog audiocassette and Open reel tape (unknown material)
The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.
Content types:
Spoken word, Still image, and Text
Formats:
Analog audiocassette, Text document, and Photographic print
Extent:
8 document cases (5 linear ft.), including 137 photographs + 24 audiocassettes
Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.
Content types:
Performed music, Spoken word, Still image, and Text
Formats:
Analog audiocassette, Optical disc (Including CD, CD-R, CD-RW, DVD, DVD-R, DVD-RW, VCD), Text document, and Photographic print